Mm 



■il 





Art of COPPERSMITHING. 



A PRACTICAL TREATISE ON WORKING SHEET 
COPPER INTO ALL FORMS. 



JOHN FULLER, Sr. 




PUBLISHED BY 

DAVID WILLIAMS, 

96-102 Reade Street, New York. 
1894. 



\ 



^0 



Copyrighted, 1893, by John Fuller, Sr. 



DEDICATED 

GoTtHE memory of my Father, to 
whose early instruction much of the 
following work is due : and to the Boys 
of the Copper Trade, in the hope that 
it may assist them to acquire pro- 
ficiency in the art of Copper Work- 



TO THE READER. 



When a boy between the age of nine and fifteen years, struggling 
■along with my father, trying to be what was then called a Tinman 
and Brazier, I was compelled by circumstances to encounter many 
stumbling blocks and overcome many obstacles in the way of educa- 
tion. It will be noticed in the opening pages of this work that the 
writer was but a mere child when, like thousands of other children, 
he commenced to handle tools, not toys. As my childish mind began to 
develop and inquire into the whys and wherefores of things about me, 
I also began to look for a source of information, beyond the shop, to 
assist me to fill the position it seemed I was destined to occupy with 
a hope of some degree of distinction (for most children have aspira- 
tions). My search was incessant, and not altogether in vain, because 
among the vast amount of chaff searched I found occasionally a golden 
grain, which was laid up in the storehouse of my mind. 

I jotted down instinctively in my memory each practical lesson 
learned in the shop, which was my only record. After using every 
means at my command to obtain the education necessary, wrestling 
in the little spare time allotted to me in the evening with such books 
as came in my way, storing my mind indefinitely for several years 
with whatever seemed likely to be useful, I went to London. Here 
I ransacked every old book stall I could find, hoping to find some 
guide to the copper trade ; but all in vain. I never discovered a line to 



help me. I then resolved to exert every effort to acquire the neces- 
sary ability, so that when a favorable opportunity should offer I could 
give my experience for the benefit of boys placed in the same unfortu- 
nate position as myself. 

And while the aspirations of my youth died away amid the busy 
turmoil of mechanical life, and smoldered for years (with an occasional 
burst of warmth), the thoughts were still cherished, and I began without 
any preparation, save my memory, to give the helpless boys of the 
trade reliable instruction in things they should know in starting out to 
acquire the " Art of Coppersmithing." I did my best to tell from my 
own experience, in the most lucid manner, that which is being called for 
in everyday life, in three separate branches of the copper trade, sup- 
posing with each lesson there was a good boy at my side. I am pleased 
with the result of my first effort, which was in a measure impromptu. 
It will not, however, make Coppersmiths of any one without effort and 
application, but I trust it will be a help to all who have need of assist- 
ance, and be an incentive to boys to exercise whatever talents they 
may possess for their own benefit and that of others less fortunate. 

Before closing my few introductory remarks I desire to tender 
thanks to The Metal Worker for the opportunity afforded me for 
the consummation of my work. 

John Fuller, Sr. 
Seneca^ Kansas. 



TABLE OF CONTENTS. 



Page. 

Historical Sketch of Copper i 

Braziers' Art, or Light Coppersmithing 6 

First Year's Experience 14 

Repairing and Tinning 17 

The Boy's Second Year 22 

Making Washing Coppers 26 

Making Small Brewing Coppers 31 

Table of Dimensions and Capacity 33 

Making Hand Bowls 35 

Making Frying Pans 42 

Making Closet Pans 45 

Making Water Balls 47 

Mounting for Copper Goods 50 

Glue Pots and Tea-Kettles 61 

Oval Tea-Kettles 69 

Beer Mullers . 71 

Funnels 80 

Coffee Pots 83 

Saucepans and Pudding Pots 87 

Stewpans 93 

Stock Pots 99 

Fish Kettles 102 

Brazing Pans 104 



VI CONTENTS. 

Pa.je. 

Tea Boilers 107 

Warming Pans 112 

Preserving Pans . . . > 117 

Dripping Pans 118 

Coal Scoops and Coal Hods 122 

Making Coal Scoops 128 

Planishing and Smoothing 148 

Cranes or Syphons 151 

Pumps 154 

Appliances of Railway and Marine Coppersmiths 162 

Making Copper Pipe 171 

Piecing and Joining Pipes 173 

The Fire Pots 176 

Fire Pot Set for Brazing Joint 178 

Soft Soldering Large Joints 1 80 

Taking Templates 1 83 

Filling and Bending 183 

Making Bends 186 

Template Boards 191 

Patching Pipes 196 

Outlets 199 

Expansion Joints 204 

Tee Pieces 219 

Three-Way Pieces 211 

Cross or Four- way Pieces 213 

Saddle Fire 217 

Marine Work 219 

View of Maudsley, Sons & Field's Shop 221, 222 

Making Large Bends 224 



CONTENTS. Vll 

Page. 

Making Double Bends 227 

Brazing on Flanges 230 

Short Bends 232 

Air Pipes for Ships 234 

Making Hollow Spheres 241 

Brazing Sheet Brass 248 

Locomotive Brass Work 252 

Brass Dome Covers 262 

Heavy Pipes for Breweries 270 

Brewing Coppers or Kettles 282 

Dome Coppers 294 

Dome and Pan Coppers 300 

Tallow Coppers 302 

Dyers' Coppers 308 

Sugar Tieches 312 

Stills 313 

Index. 318 



HISTORICAL SKETCH OF COPPER. 

Copper is one of the most important of the seven metals mentioned 
by ancient historians. It was known probably before the time of 
Tubal Cain, who was well acquainted with its uses and an educator of 
workers in brass and iron. Grecian historians say that Cadmus dis- 
covered copper and taught its application to the wants of his country- 
men. It was brought to notice on the island of Euboea, near the city 
of Chalkis, and thus we may suppose the Grecians gave it the name of 
chalcos, by which name the metal was known to Homer and other ancient 
authors. The old Romans knew copper as aes cvprum, and later as cypnini^ 
names apparently derived from that of the island of Cyprus, where Pliny 
says the art of working it was first discovered. It is certain that 
upon this island the Phenicians had opened copper mines at a very 
early period. Hence, in the mystic nomenclature of the old alchemists, 
copper received the name of Venus, the goddess to whom Cyprus 
was sacred, and among their signs it was known by the astronomi- 
cal sign of that planet, ? . The English word copper, the German 
kupper, the Spanish cobre and the French cuivre were probably intro- 
duced into those languages during the middle ages and seem but 
slight modifications of the Latin name. Copper is mentioned in the 
oldest records and appears to have been one of the first metals brought 
into use by mankind. We are led to this conclusion by the con- 
sideration of its nature and the probable manner of its occurrence. 
Masses of native metal, separated by water from the original beds 
and deposited by floods in spots where warlike people sought mate- 
rials from which to make their rude weapons would, by their weight, 
color, luster and malleability, quickly attract attention. These 
qualities, in connection with the fact that pure native copper is 
often detached in masses of considerable size, make it more than 
probable that this metal was the first upon which the unskilled 
attempts of the primitive smiths and smelters were made. It is 
generally assumed, without any authentic evidence to support the 
assumption, that the ancient workers in copper had some particular 
alloy of tin and copper which they made so hard that they were 



2 ART OF COPPERSMITHING. 

able to cut the hardest rocks, and the remains of large temples, 
whose columns were of porphyry and syenite, seem almost incapable 
of any explanation except by this supposition. Another fact in con- 
nection therewith challenging examination is that the Incas in Peru, 
although unable to make any use of the iron ores which lay pro- 
fusely about them, were familiar with the special properties of this 
particular hard alloy of copper and tin and made it in proportions 
almost the same as those which the ancients adopted in the Old 
World, using it to construct the tools necessary for cutting the stones 
required in the building of their immense aqueducts and temples. 
Whether the Phenicians, who carried tin from Britain, acquired the 
knowledge of making bronze there is not certain ; but it may prob- 
ably be assumed that the weapons and tools of bronze found in the 
graves of some ancient race in various European lands, and which 
are known to be Celtic remains, were taken by wandering tribes from 
that region of Britain where at the present day the descendants of 
the same Celts have been and are possibly to-day among the largest 
copper refiners on the globe; and there the richest, and until 
recently the only known, tin region within thousands of miles occurs. 

Uses of Copper. 

In the construction as well as the beautifying of public buildings 
copper, bronze and brass have all played an important part, the 
roof being covered with copper, the monuments dedicated to the hon- 
ored dead being of bronze and the decoration of their walls artistic- 
ally executed in brass. The invention of gunpowder and the intro- 
duction of bronze cannon, which were used in the fourteenth and fif- 
teenth centuries, added greatly to the increasing value and stimulated 
the production of copper, and as civilization advanced the desire for a 
metal similar in its properties and beauty to gold and silver rapidly 
increased until there is scarcely a branch of human industry where 
copper is not an important factor in the means of arriving at or secur- 
ing greater perfection. It is employed in nearly all kinds of machin- 
ery, either pure or as a compound. We see it in the hands of the mu- 
sician, in the construction of mathematical instruments and instru- 
ments for the astronomer, adding to the security of sailing-ships and 
contributing its share in the internal construction of ocean steamers 
that ply between the Old and the New World, besides furnishing a path 
for the electric current in its journey from continent to continent in 



ART OF COPPERSMITHING. 3 

the service and extension of civilization. It supplies a reagent for the 
chemist and gives the physician a remedy against disease. The elec- 
tro-metallurgist uses it to catch and make prominent the evanescent 
forms ot nature and art. The dyer, the cook, the brewer and distiller, 
use it, and in many other important industries it is in constant consump- 
tion, while almost every advance in science adds to the number of its 
applications. 

Copper Mines. 

At Newlands, near Reswick, in Cumberland, England, some rich 
mines of copper were worked as early as 1250, and it seems that in 
1470 this place was still famous for the amount of metal it produced. 
Ecton Hill, in Staffordshire, was another place where copper was ob- 
tained in abundance before the era of copper-mining in Cornwall. It 
is somewhat interesting and amusing, in the light of passing events 
when searching into the history and development of the mineral re- 
sources of England, to meet with acts of Parliament passed in the 
reigns of Henry VIII and Edward VI for the purpose of preventing 
the export of copper and brass, "lest there should not be metal enough 
in the kingdom fit for making guns and other engines of war and for 
household utensils ; " and then down to so late a date as 1708 we find a 
rnemorial presented to the House of Commons by the workers in brass, 
stating that " England by reason of the inexhaustible plenty of cala- 
mine might become the staple of brass manufacture for itself and for- 
eign parts, and that the continuing the brass works of England would 
occasion plenty of rough copper to be brought in." 

At this time nearly all the copper used in England came from the 
Continent, principally from Hungary, and not till 17 17 do we read of 
English pennies being made from English copper. About the close of 
the seventeenth century the attention of Cornish tin-miners was drawn 
to the more valuable cupreous deposits around them; previous to that 
time copper ore had been of little value, and was sold under the name 
of poder, but this was produced from mines originally opened and 
worked for tin. The yellow pyrites of copper was the first ore recog- 
nized as valuable by the miner; the richer black oxide of copper was 
considered as worthless, and tons of it were thrown into the sea or 
left in the lodes to reward the later and wiser explorers. Deposits be- 
gan gradually to be opened for the copper they contained about the 
beginning of the last century, and from that time to the present the 



A ART OF COPPERSMITHING. 

produce of the ore has steadily increased, as well as the consumption 
of the metal taken from it. The discovery of the rich mines in Angle- 
sea in 1768 was followed by the addition of Devonshire and Ireland to 
the number of copper-producing regions, and later on immense quan- 
tities of ore were imported from Cuba, Chili and the Pacific islands. 

The Smelting of Copper. 
The advantage of sending ores to be smelted in the rich coal dis- 
tricts of Wales was very early perceived, and even in 1586, according 
to Carew, copper ore was shipped there from Cornwall. In 1765 
several furnaces were in existence near Bristol — still famous for its 
brass — and several others along the coast westward. The various proc- 
esses then in use appear to have been almost the same as that prac- 
ticed as late as 1865 and known as the English method of smelting 
copper; and considering the complex natuie of the many operations 
which it includes and the remarkable difference that exists between 
those practiced at that time in all other refining countries, we cannot 
help admiring the ingenuity and judgment of those old metallurgists 
who, aided only by their own observation, worked a system which, 
while so well adapted to all the circumstances of the locality, can be 
used in the treatment of every known variety of ore and has withstood, 
with scarce a change, the keenest research of modern science. 

American Copper Mines. 

In America copper in paying quantities has been found in nearly 
every State through which run the Appalachian chain of mountains. 
The oldest incorporated mining company appears to have been one 
for the purpose of reducing ores m Connecticut, the date of whose 
charter is 1709. But all other deposits sufficiently developed to assure 
a definite knowledge of their value are exceeded by those which within 
the last 25 years have been opened in California, Arizona, New Mexico 
and in particular in Montana and upon the shores of Lake Superior. 
That this wonderful lake region was occupied by a race which existed 
at a time prior to the earliest authentic aboriginal history is evident 
from the remains which still exist of gangways, tools, and other proofs 
of skill which the races occupying the country at the time of its dis- 
covery nowhere make manifest. The Indians met by the first trav- 
elers were quite ignorant of the methods of working that had been 
practiced by the former race ; they could give no accounts to explain 



ART OF COPPERSMITHING. 5 

the numerous excavations, and what copper they possessed was gath- 
ered from the surface stones. The first record of the deposits is 
found in the missionary report of the Society of Jesus for 1659-60. 
The natives had then rude utensils made from this metal, and large 
blocks of it were erected and worshiped among their gods. In 1768 
an Englishman named Henry, a practical man, carefully examined 
the old works at great risk, on account of the native hostility, and in 
1 77 1 established works which were operated a short time only and 
then abandoned. The later and more successful mining era begins 
about the year 1844. The careful inspection of competent scientific 
men made those regions gradually known to the world, and practical 
miners who were drawn thither by the reports of mineral wealth 
soon discovered large blocks of copper permeated with silver. A great 
excitement was caused among adventurers and capitalists, who formed 
companies in various parts of the world to work in localities of which 
not even a survey had been made. In 1847, however, the crisis came, 
and of the then hundreds of nominally existing companies only six 
were found actually engaged in mining. The results of these early 
disasters have gradually disappeared. Since then the progress of this 
region has been healthy and profitable. 



ART OF COPPERSMITHING. 



THE BRAZIER'S ART, OR LIGHT COPPERSMITHING. 

The brazier's att, or the working of light sheet-copper into vessels 
for cooking and articles for ornamental purposes, must have engaged 
the attention of man from the earliest periods of his civilization, for 
among the ancient art treasures in the British Museum in London 
maybe seen many very fine and interesting specimens of Oriental 
work, illustrating vividly to a practical eye the skill and ingenuity 
which had been exercised by the primitive craftsmen in the produc- 
tion of armor, cooking utensils, lamps, vases and a great variety of 
articles for personal adornment taken from the tombs of ancient Egypt, 
Babylon and various parts of India and other places. Judging from 
their preservation and the beautiful work displayed on them they 
must have played an important part in illustrating the exalted posi- 
tioiis held by their prehistoric owners, as well as the social standing of 
the artist. It would seem that for thousands of years this ancient 
handicraft has been handed down from father to son, and even to-day 
many of the arts connected with special branches of brazing are as 
jealously guarded and kept secret with the craft as they were at the 
very dawn of its development. One of the most imperative injunc- 
tions received by the writer from his father was to f aithfulh^ guard 
his patrimony from the scrutiny of prying eyes, it having descended 
to him through a long line of ancestors for many generations, who had 
plied their craft with various degrees of proficiency, thus maintaining 
their respectability and independence to an honorable old age, in evi- 
dence of which in Canterbury, England, four years ago one of his kins- 
folk could yet be seen working at the brazier's bench at the advanced 
age of 87 years. But having been imbued with more liberal 
ideas by coming in contact with and feeling my indebtedness to many 
other men from whom we are compelled to borrow more or less, I have 
concluded to waive the injunction received in childhood for the ben- 
efit of those who are most interested. I will now try to describe a 
brazier's shop in an old country town, together with the tools used 
therein, and give such lessons in the art of braziery as I can recall to 
memory to assist as far as practicable the learner to become profi- 
cient. 



art of coppersmithing. 7 

An Old-Fashioned Shop. 

In the beautiful little town of Dorking-, in the county of Surrey, 
England, could be seen an old-fashioned iron-monger's shop, with the 
usual stock of copper goods, comprising- stew-pans, saucepans, pre- 
serving-pans, frying-pans, omelet-pans, cutlet-pans, dripping-pans, 
warming-pans, tea-kettles, fish-kettles, turbot-kettles, coffee-pots, pud- 
ding-pots, stock-pots, tea-boilers, tankards, spirit-measures, coal-scoops, 
coal-hods, beer-mullers, washing-coppers, hand-bowls and a variety of 
goods displayed in a tasteful manner in a spacious show-room win- 
dow. In the rear of this iron-monger's shop (hardware store) was once 
a busy hive of some 25 or 30 men and boys engaged as blacksmiths, 
whitesmiths, tinsmiths, gunsmiths, coppersmiths and braziers, each 
department separate and distinct in itself. We will now visit this old 
brazier's shop, with which we have the more special interest, look 
about it, and endeavor to describe the interior as it was some 40 years 
ago and as it probably is to-day, or at least as it was in 1884, hoping it 
may benefit and interest the younger members of the craft. As shown 
in the plan view. Fig. i, the door is facing east, and the room is some 
25 feet square, with an east-window light; on the north side is a brick 
forge. Fig. 2, about 4 feet 6 inches square, the chimney of which is 
built in the shape of a square pyramid and covers the whole hearth; 
the fire-place or fire-hole is about 12 inches square and some 6 inches 
deep, and set about 2 feet from the front of the hearth and the same 
distance from the wall that carries the west side of the cone of the 
chimney; on the west side of this wall the bellows are hung, and at 
the back of the bellows are placed three covered pickle-tubs containing 
severally sulphuric acid, muriatic acid and salt pickles. Along the 
south wall and under the east window are the benches. Fig. 3, with 
vises attached; on the east side of the forge is the scouring-sink, which 
is some 3 feet long, and placed there so the fumes of the various acids 
in daily use may be carried off by the draft of the chimney; there 
should be a good supply of water at hand for rinsing purposes, 
which is carried off by the drain-pipe running to the sewers. At the 
back of the sink are a few shelves to hold spelter-boxes, mortar and 
pestle, and a few covered jars containing sal ammoniac and borax. In 
the chimney- wall are driven a number of square hoops upon which are 
hung ladles, sal ammoniac wads of various sizes and the different kinds 
and sizes of tongs. The rocking-shaf t of the bellows is supplied with 



ART OF COPPERSMITHING. 




o o o 



PICKLE TUBS 



J 6 X 4 6 

□ 
FORGE 



PATTERN 
BOX 



SAWDUST 
BOX 



COKE 

SIN 



TOOL BLOCK 



WORK 
BENCH 



TOOLS ON FLOOR 



WORK BENCH 



/■/^. I . - Grotind Plan of Old Shop. 



ART OF COPPERSMITHING. 




ART OF COPPERSMITHING. 





ART OF COPPERSMITHING. 




12 ART OF COPPERSMITHING. 

• 

a chain and stirrup so that the workman may easily work the bellows 
with his left foot, leaving his hands free for his work at the fire. On 
the east side of the shop is the main work-bench, upon which is fast- 
ened an old contrivance for turning stove and other pipe which I 
think may claim to be the parent of the rollers now in use in the modern 
tin-shop. This primitive contrivance is a round bar having the ends 
turned square about 5 inches, flattened and then bolted to the bench, 
leaving a space between it and the edge of the bench wide enough to 
get the sheet iron or copper between, the workman forming the pipe 
by bending the sheet over the bar with the leverage of the metal. On the 
south end of this bench and on the south wall is a cupboard with sev- 
eral shelves, in which is kept the bright-heads, dry spelter, borax, rosin, 
flax and hemp tow, block and grain tin, solder and other little necessities, 
so that they may always be in store and be kept clean and always 
ready for use. The east bench is continued along the south wall about 
half way and the remaining part taken up by the heavy tools, such as 
beak-horns, shanks and side-stakes, along the wall. Over this part of 
the bench is a file-rack and further on is along hammer-rack, the other 
space being variously taken up by hanging patterns on hooks in the 
wall. On the west side Fig. 4 is the coke-bin, and a large box, about 
two-thirds full of sawdust, used to wipe off or dry work in after it has 
been scoured clean The next is a large box containing a full and 
complete stock of patterns, kept together on rings in the same man- 
ner as they are in the shops of the present day. In the middle 
of the floor is the heavy tool-block which is about 16 inches 
wide by 6 or 8 inches thick and some 6 or 8 feet long, usually 
of beech wood, and having pieces of wood nailed to it to an- 
swer as feet to keep the block off the floor and the holes which re- 
ceive the tools free from dirt and chips, so that no impediment be in 
the way of tools placed therein. This stock of tools is comprised in 
and named as follows : Large and small round bottom-stakes, tea- 
kettle-bottom stake, tea-kettle shank with heads, sauce-pan-belly stake 
with single and double end, bent and upright bullet-stakes, side-stakes, 
large and small ; funnel-stake, hatchet-stake, beak-irons, crease-irons, 
anvil and heavy and light stock-shears. These are all of the heavy 
and most costly tools ; the bottom stakes and the various kinds of 
heads have bright faces and must be kept greased. The bottom-stakes 
have lead to protect them from the action of the acids constantly in 
use. The various kinds of hammers used can better be described as 



ART OF COPPERSMITHINO. I3 

we proceed and come to the work for which they are adapted and 
used by the workman. In the most convenient corner of the bench 
are kept with the shears several round and square manilrels, from 4 
to 5 feet long, of suitable sizes, having- their ends turned down square 
and made to fit the holes in the bench, the same as the other tools. 
The small tools on the shelf over the south bench consist of hollow 
punches, chisels, flat punches, rivet-sets, groovers, &c. The other small 
tools are plyers, nippers, hand-shears, snips, compasses, squares and 
straight-edges, a good assortment of rough and smooth files and two 
burnishers. Having now described as vividly as possible the interior 
of this old brazier's shop, together with all its appurtenances, we will 
next follow an apprentice through his seven years of service, from his 
first two years of drudgery on and up until he shall have gained suf- 
ficient proficiency to take his place as a journeyman. 



14 ART OF COPPERSMITHING. 



FIRST YEAR'S EXPERIENCE. 



On Monday, February 7, 1842, in the town of Dorking, at 6 o'clock 
in the morning, could have been seen a little boy, fairly intelligent 
and rather larger in stature than his tender years would seem to indi- 
cate, who lacked just 46 days to complete his ninth year. This little 
fellow was trudging along by the side of his father toward an old 
brazier's shop to take his initial step amid life's busy turmoil. Hav- 
ing arrived there in due time and admission gained, a light was the 
first thing in order, which was obtained from an old tinder-box with a 
brimstone match, the light being transferred to an old-fashioned 
whale-oil lamp (Fig. 5), which burned after being lit with a reddish- 
yellow flame. On looking around the boy saw that about everything 
seemed black and forbidding, cold and cheerless; the soot of half a 
century previous was still clinging to those dreary-looking walls. 
The next anxiety was to get a fire, which was made from a pile of cin- 
ders at hand in the corner of the forge. This fire seemed to offer a 
ray of hope to the little fellow, who clung to the chain of the bellows 
and kept the cinders bright enough to be able to see just where he 
was. After two and one-half long, weary hours the bell rang and the 
boy trudged home to get his breakfast; and what a release it seemed 
to get away, if but for 30 minutes, from this gloomy-looking place 
and revel in the sunshine while walking home and back ! As the 
hour of 9 approached he was wending his way thither again, and 
from 9 until i o'clock blew the fire, ran errands and helped his 
father, when the joyful bell rang for dinner, for which an hour was 
allowed, returning at 2 o'clock and working until 5, then going to 
tea tor half an hour and back to work again until 7 o'clock, at which 
time the most welcome sound of the whole day said, *' Leave until 6 
the next morning." Never did child go to bed more cheerfully or sleep 
more soundly than did that little hero of nine summers, and never did 
the time seem to fly more swiftly as the gentle word summoned him 
to his duties each succeeding morning. 

The first week was at length finished, and on Saturday work was 
left off an hour earlier ; but the last employed were the last paid, and 



ART OF COPPERSMITHING. 



thus the boy was the last to be paid, which was done with as much 
ceremony as if he were the most important man. After paying him 
his 3 shillings wages the good man seemed moved by pity, for he spoke 
the only kind word that had seemed to greet the boy's ear (excepting 
from his father) during the week, and so the first week of the infant's 
toil closed. Peter L. Saubergue always proved a good and kind 
master, and our boy learned to love him as time went on. Here let 
us pause a moment to consider if it ought to have been then or is now 
necessary for the welfare of the race that little children of such ten- 
der years should be made captive and brought to labor while thou- 
sands of able-bodied men are idle around them waiting for work. 

At the end of six months this boy had got to be quite handy and 
was kept busily engaged breaking coke, sal ammoniac and borax, 
charging joints and drying them ready for the fire, thinning edges 
and other little jobs. Then as each batch of cooking utensils was 
brought to be repaired and retinned he was taught to burn off the 




Fig- S-—Old-Fashioned Whale- Oil Lamp. 



l6 ART OF COPPERSMITHING. 

grease, apply the acids and scour them ready for the process of re- 
tinning. Then, again, all the hammers were required to be kept clean 
and bright, also all other polished tools, all of them being carefully 
greased with raw goose-grease, which duty had to be performed every 
day before leaving work, because if a hammer should get cloudy it 
entailed much labor repolishing on the buff -board to restore it suit- 
able for use. The boy labored along at this seeming drudgery, which 
many boys are apt to shun and exert every effort to evade, to their 
own detriment, for wrapped up in this so-called drudgery are some of 
the most important features of every trade. 



ART OF COPPERSMITHING. 1 7 



REPAIRING AND TINNING. 



At the close of each year, before the Christmas holidays commence 
and the prominent families leave city resorts for country homes, all 
the kitchen furniture has to be overhauled, tinned and repaired, and 
all of these goods are sent to the brazier's shop for this purpose. We 
will now take a batch and proceed to repair them and then go on and 
describe the process of retinning as it would be done, giving the boy 
his share in the job. There would be stew-pans, saucepans, frying- 
pans, fish-kettles, stock-pots, ladles, spoons, gravy-stramers, fish-slices 
and a host of other things required for a complete kitchen outfit. 
Fig. 6 shows a copper saucepan with curved sides. The first thing 
necessary is to burn off the grease which accumulates under the flap 
of the handle and around 'the wire of saucepans and other vessels, and 
this is to be done carefully, so that the articles are not softened. 
They are made hot enough so the gases evolved by the heat will just 
ignite and no more, each piece going through the fire in succes- 
sion, when they are brushed off and examined. If any of the handles- 
are loose the old rivets are taken out and new ones put in, the rivet- 
holes being cleaned and tinned and the handle then replaced with.' 
new tinned copper rivets. It often happens that a hole is worru 
through the lag of a saucepan or stew-pan by the constant rubbing 
on the kitchen hot-plate or scullery-sink. The damage done by this 
wear is repaired in three ways, according to the time available, the 
ability or inclination of the workman, or the affluence and dignity of 
the owner. 

At one time it was the fashion to finish all utensils up with a sharp 
lag (Fig. 7), and often careless workmen have half cut the lag through 
before completing them when new. When they are in need of repair- 
ing and it must be done in as short a time as possible, and the slit is 
not too long, say over* 2 inches in length, then at the extremities of 
the slit punch two small holes and slightly open it; now take a thin 
piece of sheet copper of sufficient length and double it, as in Fig. 8, 
then slip the two leaves through the slit, as in Fig. 9 or 11, and lay 
the leaves back each wsy, as in Fig. 10; then close the whole up close 



ART OF COPPEKSMITHING. 





fi^. b.— Bellied Saucepati. 



Fi^. -j.—Ste'vpan. 





Fig. ^.-Showing Piece Doubled. Fig. g.- The Way Piece is Put tu. 





Pi?. lO.-Piece Put Through Outside. Pig. ii.-The Piece Put Through Inside. 



ART OF COPPERSMITHING. 



i9 





Showing Shell Piece 



Fig. 13. — Shoving Piece Crumped and 
Brazed in. 




Fiq. 12. — Shotving Piece and How 
Put in. 





Fig. 15. — Manner of Measuri7ig to 
Determine Price. 



Fig. 14. — Sal A?nmo7tiac Wad for 
Tinitins; 



20 ART OF COPPERSMITHING. 

with a mallet, lettini^ the double part, if inside, go one-half up the 
side and the other half out into the bottom, as in Fig. lo; it may now 
be soldered with spelter or soft solder. The article can be repaired by- 
making a shell piece and riveting it to its place, as m Fig. 12; this 
kind of piece may be of any length, but the best job is to cut the 
damaged part out and cramp and braze a new piece, as in Fig. 13, 
which may be done by an expert hand in as short a time as the other 
two methods, excepting, however, the cleaning off and replanishing. 
New bottoms may be cramped and brazed in or double-seamed, as 
may be considered expedient. 

When all the repairing is complete and the bruises taken out and 
the bottoms of the stew-pans and saucepans and the like are laid flat 
or made level the preparation for retinning properly begins. We com- 
mence with the application of a coat of pure commercial muriatic acid 
to eat off or remove the dirt and the portions of the old or previous 
tinning. When the vessels have stood a sufficient time they are thor- 
oughly scoured inside with good sharp sand, with the addition of 
some common salt, and then washed clean, care being taken that all 
of the old tin is off when burnt and that nothing greasy gets inside. 
Then while the vessel is yet damp a coat of finely-powdered sal am- 
moniac is sprinkled over the inside and a coat of wet salt carefully put 
on the outside to guard against the effects of the different gases from 
the fire. 

Now take a quantity of block or ingot tin and slowly melt it in a 
ladle, being careful not to allow any part of it to become too hot or 
get burnt. When the tin is melted and ready, then warm and dry 
the vessel to be tinned and pour a sufficient quantity of tin into it. 
Next take a sal ammoniac wad, Fig. 14, and with it rub and agitate the 
liquid tin over the entire inside surface of the vessel until every part 
is well covered, and then pour out the bulk of the liquid, tm. After 
heating the vessel to a u liform heat all over, take a wisp of clean, soft 
flax-tow, the hand first being protected by means of a glove which has 
had the tips of the fingers cut off as far as the first joint, and whisk it 
in a pan of powdered sal ammoniac ; then with a light hand and a few 
quick motions, first around the left side and then the right, and then 
across the bottom, wipe out the residue of the tin, leaving only a clear 
bright coat on the surface of the vessel. Only by constant practice 
can this operation be accomplished or excellent results secured. Be- 
ing a few months out of practice will seriously affect a man's efficiency 



ART OF COPPERSMITHING. 21 

in the sense of touch and cause him many unpleasant and annoying 
failures. While the tinning process is going on the boy is busily scour- 
ing and preparing other vessels and keeping his weather-eye open to 
what is going on. The tinning process being over, the next in order 
is to scour each article with clean white sand on the outside to re- 
move the salt and inside any sal ammoniac that might be left. This 
scouring must be carefully done, and it is best to have a separate place 
for each operation, so that when the outside is cleaned off the inside 
can be scoured without tear of contamination from the salt ; because 
if the outside scouring wisp should by mistake get on the inside the 
work would be spoiled and can scarcely ever be restored again, so it 
is best to keep the wisps far enough apart to insure them from being 
taken up and used by mistake. After the sal ammoniac has been 
scoured off and the surface outside and inside is clean and bright, the 
articles are rinsed off in clear water and dried in clean, fine sawdust 
kept in a large box and chen stood around a large forge-fire to be 
dried more thoroughly. Next brush off the sawdust and with a clean, 
soft linen or cotton rag and clean whiting polish the inside ; then with 
another rag and a little crocus polish the outside and the job is com- 
plete. 

Tinning has always been paid for extra in all country shops at the 
rate of a shilling a day in excess of the ordinary pay on account of 
the disagreeable nature of the work. The manner of measuring and 
paying for the work is by the inch, as shown in Fig. 15. The rule is 
laid obliquely from lag to brim, so that the longest measure may be 
obtained, and the price varies from i to 2 pence an, inch according to 
the nature of the work. 



ART OF COPPERSMITHING. 



THE BOY'S SECOND YEAR. 

The first year of drudgery glides slowly away, and as the end of 
the second year approaches the long, weary, damp and chilly nights 
of October and November come with it ; the heating-stoves of those 
who are compelled to use them are called into service, and with them 
comes a demand for stove-pipe, both iron and copper. Now, at the 
time of which we are writing there were no squaring-shears with 
which to cut the sheets into suitable pieces, so all the work had to be 
cut out with hand-shears or the stock-shears. Then there was no 
folder with which to fold the edges for grooving ; the locks were all 
folded over a hatchet stake and closed down on a straight edge. The 
men usually cut out the pipe, and if it was not too large the bov was 
put to work folding edges and then closing them down over a 
straight-edge on a square mandrel laid across the bench (Fig. i6). 
If copper stove-pipe is to be made it is usually browned and plan- 
ished. Here, then, is one of the boy's first lessons in the manipulation 
of a planishing-hammer. While he is engaged at this many a *' half- 
moon " intrudes itself on the surface of his work to enlighten him 
that he must be careful and attend to his task. 

Copp'LR Stove-Pipe. 

Let us now deseribe the making of two joints of copper stove-pipe. 
We will suppose the pieces are cut the proper width and of sufficient 
taper that the small end of one joint will when formed fit snugly into 
the large end of the other. The pieces are first clipped at the end as 
in Fig. 17, about 2 inches from the end and as far in on each side as 
the locks will take up ; then, with a tow wisp, some dry Spanish 
brown is rubbed all over one surface of each piece, and the sheets are 
fastened together with four dogs, as shown in Fig. 18, or secured m 
whatever way seems best. The browned surfaces being outside the 
sheets are then taken to the large bottom-stake (Fig. 19), and with a 
suitable hammer, called a bottom-hammer, which has one face a little 
fuller in the center than the other, the pieces are planished — that is, 
the grain of the copper is closed. There is only one way to do this 
part of the work successfully and in a perfect manner, and there is a 



ART OF COPPERSMITHING. 



23 




fig. 1.6.— folding Edges on Bench. 





fig. \i. — Pattern Clipped Ready for 
Folding. 



Fig. iS.— Two Pieces Dogged Together. 



24 



ART OF COPPERSMITHING. 




Fi^. 19. -Planishing at the Block. 




Fig. 20.— S/iowing the Blows Am 



ART OF COPPERSMITHING. 



|||||jpiili:Mil]i^.liliJl|iHilili|. 



^^1 



Fig. 2^.— Bench Hook for Holding Mandi-el. 




Fig. 21.— Folded for Turning, 



Fig. 2^.—Mandrei in Position. 




Ftg. lb.— Loose Bar and Pipe. 



Fig. ■2-2.— Old Fashioned Bending Bar. 




Fig. 22-— Pipe Finished and Riveted at Ena. 



26 ART OF COPPERSMITHING. 

little knack in it which boys are a good while learning, particularly 
if they are, unfortunately, counted as unwelcome intruders in the 
shop. The secret of success is to keep the blows regular. The best re- 
sults are obtained by striking each succeeding blow m as near a 
direct line with the previous one as possible, and then filling in be- 
tween as each line is completed, as in Fig. 20. When the surface has 
been planished all over the sheets are taken af art and made to lay 
level ; this done they are ready for folding and forming. They are 
then taken to the hatchet stake and folded, the edges being closed 
down, as in Fig. 21, and next they are taken to the beliding-bar (Fig. 
22) and bent round by placing one edge between the bar and the 
bench, and bending a little at a time until the locks will meet each 
other, and after grooving, rounded up and smoothed with a mallet^ 
making finished pipe as in Fig. 23. 

That old bar (used in the shop we are writing of), judging from 
the wear of the bench and itselt, must have served as a former for 
many a boy before, and perhaps is used yet, for it was still clinging 
to its place in 1884. An improvement was introduced by my father in 
bending-bars by making two hooks of ^-inch rod (Fig. 24) and plac- 
ing them in the bench, so a mandrel or bar could lay in them close 
to the bench (Fig. 25) and permit of one end being raised so that the 
pipe could be slipped off readily (Fig. 26), One day there was some 
pipe of different sizes to make, and after finishing the smallest, 
while at work forming up the larger sizes one of the smaller pipes 
was placed on the bar and the larger pipes formed over it. During 
this simple operation it was noticed that the pipe was formed without 
any ribs appearing, as had been the case when the naked bar was used. 
By this method the pipe can be made smooth and much work saved in 
rounding up. This method has been used to advantage when no roll- 
ers were at hand, and as good work can be turned out by this means* 
as by the use of the rollers, though of course not so rapidly. 

Making Washing-Coppers. 

The next lesson in the use of the hammer would be " spotting " 
coppers, or, more properly, making coppers complete. In the South of 
England scarcely a house could be found without a washing-copper m 
or near it; hence there was always plenty of this kind of work for a 
boy in any brazier's shop. The capacity of these coppers runs from 
8 to 25 gallons or more, according to the size of the houSe, and they 



ART OF COPPERSMITHING. 27 

are much more economical as regards fuel and would seem much 
better adapted for washmg purposes than a wash-boiler on a cook 
stove. Some of the'se boilers are made to serve for both washing and 
brewing. A copper to be used for brewing is made a little different 
from a washing-copper, although the greater part of their construc- 
tion is the same. Let us proceed with a washing-copper to hold about 
20 gallons and a brewing-copper of a little larger capacity. Now, in 
nearly all cases the sides are all cut out and furnished ready to be put 
together, and the bottoms also, which are already raised up at the 
edge some 3 or 4 inches, and therefore few boys or men trouble 
themselves as to the dimensions they ought to be, their only care 
being to put them together into shape as quickly as possible, which 
they proceed to do in the following manner : The sides are first 
examined and made true, if necessary. As shown in Fig. 27, one 
piece is laid half-way on the other and a line drawn along the edge of 
the top piece ; it is then turned over and the end of the same edge 
placed at the end of the line drawn on the other piece. If the edge 
coincide with the line drawn and the curved edges also coincide, it 
will be considered true. If the end edges do not coincide, divide the 
difference at one end and pare it until the edge and line coincide with 
each other. Next, the holes are punched along the side and bottom 
edge, as shown in Fig. 28, in such a way that the distance between the 
center of the holes will be equal to the diameters of the head and 
shank of rivet added together. Thus if the head be i inch and the shank 
}^ inch, then the distance between the centers of the holes will be i^ 
inches. The rivets in the bottom must be at least one size larger, some- 
times two sizes, according to the strength of the bottom, which is 
always much stronger than the sides. 

Now form the sides and put three rivets in each seam, as in Fig. 
29, and knock them down half-way temporially, and put a small 
tack in the middle of the part which will form the brim at top ; then 
with a racer (Fig. 30) or a pair ot compasses mark off the width of the 
brim as in Fig. 29. Now take the copper and put it on a suitable head, 
which is placed in the square shank (Fig. 31) and run a course around 
with a hammer on the bottom side of the line that marks the width 
of the brim, to harden the metal, after which proceed to lay off the 
brim with a mallet, being careful to get it down true. Next smooth 
it down on an anvil with a full-faced hammer, this having to be done 
carefully so as to preserve the roundness. The sides are now stiff 



28 



ART OF COPPERSMITHING. 




fig_ ^^,— Making Sides True. 





pig_ ■zg.— Sides Formed. 



Fig. 30.— A Racer. 




fis;. 31.— Riveting and P/atiis/iiug. 



ART OF COPPERSINIITHING. 



29 





Fiq. 32. — Planishing Hammer. 



fig- 2,5.— Scrubbing Hammer. 




m. 










i 



Fig. 33. — Spotting Copper. 



Fig. 36.— Way to Scrub Rivets. 




Fig. 2,^.— Bottom Punched. 



3© ART OF COPPERSMITHING. 

enough to handle, and we proceed to draw m the bottom ends to fit 
the bottom, as in Fig. 29, making them small enough to go into the 
raise of the bottom, and the bottom to lap up the side about ^ 
inch more than the diameter of the rivet-head. When these 
are fitted, shape up the sides true and smooth them with a 
mallet on the head in the square shank (Fig, 31). Now take a wispful 
of Spanish brown and rub it all over the outside surface, and with 
another wisp rub a little dry black-lead over the inside. We are now 
ready to commence the spotting, which is done as follows : Take the 
bottom of the slides in the left hand, and with a double-faced planish- 
ing-hammer (Fig. 32) begin by striking several blows in succession 
around each other until the spot formed is from ^ to i inch in 
diameter ; then repeat, making each spot regular and in line and 
about % inch apart, or so that the spots are clearly defined, 
and cover the whole surface as shown in Fig. :^:i. As this pro- 
ceeds and each course comes to a rivet, scrub it enough to set the 
sides down to the head to draw up the head of the rivet, or the whole 
joint may be partly scrubbed before spotting begins. When the 
spotting is complete finish the scrubbing and draw up the rivets with 
the set. Clean the end of the rivet-shank with a file and knock down 
the rivet, finishing it in a pyramid form, as near octagon as possible. 
Now take the bottom (Fig. 34) to the head in an upright 
shank as shown at the right in Fig. 31, and with the bottom 
in both hands, hit it on the head enough to make the outside 
convex ; then smooth it, brown it and planish it all over. This could 
be done on the head (shown at the left in Fig. 31) if more convenient, 
and only one is angaged on the work. Put the sides into the raise 
of the bottom and mark four holes (being careful that the sides set 
true before marking the holes) opposite each other and punch them 
in the bottom ; then place the sides into the bottom again, and put m 
four rivets and knock them halt-down temporarily, and punch the rest 
of the holes through the bottom from the inside. Next put in all the 
rivets, knocking them half-down in the same way, and when they are 
all in take a suitable cross-paned hammer (Fig. 35) and begin to scrub 
up the bottom rivets, after which draw them up with the set and head 
them up eight square to the form of a pyramid. If the scrubbing is 
properly done there will be no need of any cement being used to se- 
cure the joint against leaking ; all that is required is good workman- 
ship. What is called scrubbing is to hammer the part all around the 



ART OF COPPERSMITHING. ' 3I 

rivet down close to the head, making the surface on the inside per- 
fectly smooth, the rivet-head being, as it were, in a countersink when 
the scrubbing is completed. To do this we first use the pane of the 
hammer between the rivets ; then on each side ; then across the four 
corners made by the previous blows, as shown in Fig. ^6. 

Making Brewing-Coppers, 

We will now finish the brewing-copper (Fig. 37), the sides of which 
have been made the same as those described for a washing-copper. We 
next take the bottom (Fig. 34) in both hands and hit it on a head in 
an upright shank (Fig. 31) enough to make it concave on the outside, 
as shown in Fig. 37. Then brown and planish it from the inside, 
making the crown nearly level with the raise of the bottom. This is 
done so that all liquor will run out clean through the pipe. The rivets 
are now put in the bottom the same way as described for the washing- 
copper, except that a few holes are left where the pipe is to go. 
A pipe is seldom put in a brewing-copper by a boy until he has been 
at the trade for a considerable time; but we will work it in, and in 
doing so let us suppose the pipe to be 3 inches in diameter at the large 
end and I ^ inches at the small, so as to fit the socket of the cock. 
The pattern for pips (Fig. 38) should be of extra heavy copper, thick 
enough to allow a flange to be worked on it 2 inches wide, which is com- 
menced while it is flat, using a large cross-paned hammer, and as the 
flange is being laid off the pipe or pattern is made to curl with each 
blow as the work is being done. Fig 39, the bottom of the pipe, or 
that part of the flange which spreads over the bottom of the copper, 
requires a little more work than that portion of the flange intended 
to go up the side to make it flt to its place and secure a good job. 
When the flange is laid off on the pipe enough, and the joint is 
soldered down, the hole is cut in the side of the copper where the 
rivets have been left out for that purpose close to the bottom, and in 
the middle of one of the sides, or sections of the body, the hole being 
made small enough, so that about a quarter-inch can be turned back as 
a narrow collar to let the pipe and flange up to its place easily (the 
seam of the pipe being on the under side as shown in Fig. 40 ). After 
riveting and scrubbing in, the collar is closed down tight around the 
pipe, (Fig. 41 a). Now turn the copper up on its side (Fig 41 b) and 
with a suitable piece of rope, passed down through the pipe, sling the 
head A, and pass a good strong wooden bar through the loop B, so 



32 



ART OF COPPERSMITHING. 





■P^S- 37- — Bre-ci'ing Copper, Showing Bottom^ 



Fig. Tfi.—Pipe Pattern. 





Pig- 29-—T/ie IVay to Fit Pipe, Cock and Boss. Fig. ^o.~Pipe Pattern Half Worked.. 



/•ig. 41. — Sko-coin^^ Boss A'eaav. 



ART OF COPPERSMITHING. 



33 



that it will hang in the right position, and a boy can hold it steady to 
work in the four rivets which hold the flange to the bottom. When 
the rivets are in, scrub them and the edge of the flange close, until 
both are smooth with the surface of the side and bottom (Fig. 
41 a). The cock is then made to fit tight on the pipe, as in Fig. 40, 
and a case of light copper (Fig. 41) made to fit tight around the large 
end of the pipe and the socket of the cock. When it is fitted a hole is 
cut in the case and the lip turned back, as in Fig. 41. The case is 
put on the pipe, the end of the pipe being driven tight into the 
socket, and then the pipe is rammed full of damp sand from the inside 
of the copper and some clay rubbed in around the collar of the case. 
When all is ready the case is filled with old rough solder, burnt tin, 
or any other suitable metal which cannot be used to advantage for 
anything else. When cool enough the lip is closed down and a nail 
driven in to keep it close while it is being soldered. 



Inside 

diameter at 

top, in 

inches. 


Diameter of 

bottom 

at lag, 

in inches. 


Depth 

of sides, in 

inches. 


Diagonal 
length from 
lag to brim, 

in inches. 


Contents 

in 
gallons. 


Approximate 

weight, 

in 
pounds. 


13i 


Hi 


11 


16 


6 


8 


15i 


13i 


12 


19i 


8 


lOf 


17 


14i 


13 


21 


10 


13i 


18i 


151 


13* 


22* 


12 


16 


20 


17 


15 


24* 


16 


21i 


23 


18i 


16* 


27 


21i 


28i 


23i 


20 


17* 


28f 


25* 


34 


25 


• 2H 


18* 


30* 


31 


41i 


26 


22i 


19 


31* 


35 


46* 


27 


23 


20 


33 


41* 


55i 


28 


24 


20* 


34 


44f 


59* 


29 


25i 


22 


36 


49* 


66 


30* 


27 


22| 


37* 


55f 


74 


3H 


27* 


23* 


38* 


60 


80 


32^ 


28i 


23f 


39* 


66 


88 


34 


29* 


24* 


42 


75 


107 


34i 


30* 


25 


43 


83 


121* 


35 


31 


26 


43* 


87 


128 


37 


32* 


27 


44* 


93 


137 


38 


33* 


28 


46 


106 


159 



Talle Showing Dimensions, Capacity and Weight of Goppe 



34 ART OF COPPERSMITHING. 

The above table gives the dimensions of coppers, with their capac- 
ity and approximate weight up to loo gallons. Small country shops 
seldom make anything larger, not having room or the conveniences 
for building them. The work was paid for by the pound — that is, the 
weight when finished — at a rate of from 3 to 5 cents per pound. 



ART OF COPPERSMITHING. 35 



MAKING HAND-BOWLS. 



It a boy has made himselt usetul during his first two years he has 
gained much valuable information for future application. He has 
been kept busy, and thus secured efficient training for the eye and 
hand by having many little jobs given him to try his skill upon, by 
which he has assisted his tutor and partly repaid him for the care 
and attention received while watching over him and directing his 
initial work. If, on the other hand, he has been negligent and afraid 
he would do too much, his progress is likely to have been a little slow, 
for few men care to help a boy who shows a desire to shirk his duty. 
After the writer was made to understand why he had been placed in 
that old shop, he was usually the first to arrive and the last out, and 
became much attached to the trade; particularly after having seen the 
first half-dozen bright copper tea-kettles finished and cleaned ready 
for the show-room, he looked forward to the time when he could imi- 
tate them. 

When the tinning season is past and no more stove-pipe is likely 
to be wanted, and jobbing work is slack, the stock is reviewed, and 
usualljT- about the first things that are wanted are hand-bowls, which 
supply the work for advancing the boy a step further. Copper hand- 
bowls furnish an excellent initial lesson, because while the work to 
be executed in making them may not necessarily call for the finest 
finish, yet a boy who is interested in his work may display his best skill 
here and make preparation for the better work which is to follow. 
Then again, if the bowls are to be tinned inside an opportunity is 
offered to try his hand at the tinning process, seeing that this also 
does not have to be done as carefully as in the case of cooking utensils. 
Copper hand-bowls were made in three sizes, and called small, middle 
and large. The small size when finished was 8 inches in diameter, 
the middle size S}4 inches and the large 9 inches. The bodies were 
cut the following dimensions : 

Length. Width. Diameter of bottom. 

Small 24 s% 5/^ 

Middle 26 sH 6 

Large 28 4 6j4 



36 



ART OF COPPERSMITHING. 




Fig. 44. — Hiveiiitg Hammer. 




Fig. ^^.—Side Stake. 



Fig. ^6.— Sides of Hand Bozvl. 



P 



I 



Fig. 47. — Sides Brazed Together 




Fig. 48.— Sides Wrinkled for First Course. Fig. ^g.— /Hazing Ham> 



ART OF COPPERSMITHING. 



37 



The strength of the material may be governed by the price at 
which it is desired to sell the finished articles, but the usual weight 
was 8, 9 and lo pound plate for the sides of each size respectively 
and lo, II and 12 pound for the bottoms. This difference would seem 
due to a desire to make the bottom stronger, but is really on account 
of the thickness of the body, which is increased in the thickness 
while razing it in to suit the size of bottom. 

We will now proceed with the work and finish up a 9-inch bowl. 
The side is cut, according to the above table, 28 inches long and 4 
inches wide. Smooth the burrs off with a file and then thin the end 
edges with a hammer (Fig. 44) on a side-stake (Fig 45) in the floor- 
block. After thinning clean the edges if necessary with sand-paper ; 
now cramp it with the snips at one end as far as the scarf made with 
the hammer, which should be about 3-16 inch (Fig. 46). Form it round 
as in Fig. 47, then close the cramps down and jar a little borax and 
water through the joint and charge it with fine spelter, following the 
zigzag line of the cramps. (It is well to wash and mix the solder 
with borax and water a few days before.) Next dry it slowly over 
the fire, after which, holding it with a suitable pair or tongs, make it 
hot enough at the back to annul any spring and to assist to heat the 
copper ; then turn the seam to the fire, and with a brisk blast from 
the bellows run the solder down the joint. When cool, see that the 
seam is full and perfect. Now file up and trim the joint on the out- 
side and inside, taking off any sharp corners or knobs of spelter. 
When smooth take it to a side-stake (Fig. 45) and knock down the 
seam, making it the same thickness as the other part of the sheet, 
and then anneal. Now take a racer and mark around the middle of 
the body, and wrinkle it at one end as far as the middle (Fig. 48). 
Then take it to the block, and on a long head in a tea-kettle shank or 
on the point of the side-stake raze in a course with a mallet or light 
razing hammer (Fig. 49) until the diameter of the body at the end is 
reduced to within about five-eighths of the size of the bottom. Next 
"stag" it in, as shown in Fig. 50, a shade smaller than the bottom. 
Thin the edge of the part turned on a suitable bullet-stake (Fig. 51), 
also the edge of the bottom and cramp it, as in Fig. 50, then lift each 
alternate cramp and put the bottom in from the inside. Close down 
the cramps on a bottom-stake with a hammer, and popple the bottom 
(which is done by a few blows of a hammer on a bottom-stake in the 
center to draw it a little), and then spring the bottom in and out to 



38 



ART OF COPPERSMITHING. 




Fig. so. — Body and Bottom Prepared to 
Put In. 




Fig. 52. — Boivl Ready for Wiring. 



Fig. 51.— Buih't Stake. 





^i^- 53- — Pattern for Handle. 



Fig. 54.— Way to Put the Flaps On. 



ART OF COPPERSMITHING. 



39 





: y Flap and Socket Ready to go Together. 



Socket and Flap Fitted. 



Fig. 55. — Makitig the Handle. 



^ 1 




Fig. lb.— D lick-Bill Tongs. 





Fig- 51-— Tongs Holding Socket. Fig. s?>-—The Boivl Finished Complete.. 



40 ART OF COPPERSMITHING. 

loosen the joint enough to receive the spelter freely into the seam 
when being run at the fire. Jar some borax and water through the 
joint and charge it with spelter, following the cramps in their zigzag 
path around the bottom, then take it to the fire and dry slowly. Heat 
the sides until the borax is all down, run the joint around, and when 
cool clean off the joint outside and knock it down on a bullet-stake 
and anneal. Next take it to a small bottom-stake and flatten the 
bottom with a mallet, and with a pair of compasses mark the size the 
bottom is to be when the bowl is in its finished shape, which will be 
51^ inches. Break the bottom up the side from the outside of the 
circle made by the compasses, which will increase the depth a good 
i^ inch. After the bowl is shaped, turn the edge on the back of the 
side stake for a No. 8 wire, as shown in Fig. 52. If the inside is to be 
tinned it is now ready, and the work may be done in the manner 
already described. 

We will now make the handle, which is a socket-handle, about i^ 
inches inside at the wire and i inch in diameter at the flap and 5^ 
inches long. The pattern of the socket would be 4^/3 inches at one 
end and 2,% inches at the other. When cutting the pattern leave a 
little V-piece in the middle of the flap-end and a point at the seam, as 
shown in Fig. 53, to hold the flap on while it is being brazed. The 
pattern being cut, thin the edges and turn it, then change it and braze 
it down, clean off the joint and knock it down on a beak-iron. Next 
cut out the flap (Fig. 54, A B) and make the hole for the socket small 
enough so that a collar may be worked out as shown in Fig. 55, to go 
a little way up the socket. When the collar is fitted, put the socket 
through the hole and turn back the V-piece and also the little points 
left on at the seam, which should hold the flap firmly in place. Charge 
it with spelter and dry, and holding it with a pair of duck-bill tongs 
(Fig. 56), warm first gently and then heat it until the borax is down, 
or run, then turn the flap down to the fire as in Fig. 57 and run the 
solder around the edge of the socket and flap, and when the joint 
is cleaned off wire the end of socket. 

If the bowl (Fig. 58) has been tinned and scoured clean, it may 
now be planished so that it is bright or brown. To planish articles 
of this kind with ease and comfort it is necessary to sit at the toot- 
block, and in such a position that the operator's thigh may lie in a 
horizontal line with the knee, and the shank and head at such a hight 
that the fore-arm and hand may lie, when at rest, level with the ham- 



ART OF COPPERSMITHING. 4I 

tner-handle when the face of the hammer is at rest on the face of the 
head, or as near to this as it is practicable to get, the knee acting as 
a gauge, rest and guide during the operation. We may now proceed 
with the planishing. If the article is to be brown it is rubbed on the 
outside with some Spanish brown, care being taken that none gets on 
the inside. Wipe the inside with a clean rag; next flatten the bottom, 
smoothing it first with a mallet, and make a faint mark with the com- 
pass showing the size of bottom. On a clean, bright bottom-stake 
planish the bottom with a small bottom-hammer, after which, on a 
clean, bright head, commence at the bottom and take each course 
around the body until the wiring edge is reached, then with a con- 
cave smoothing-hammer smooth as much as is needed. Now put in 
the wire, and after planishing the flap of the handle and chamfering 
the edge of it with a hammer, rivet on the handle and finish the article 
by cleaning. 



42 ART OF COPPERSMITHING. 



FRYING-PANS. 



Frying-pans, closet-pans and water-balls afford means for the next 
step and initiate the boy into the art of raising. It may be necessary 
to explain here for the benefit of the beginner the difference between 
the terms raising, hollowing and razing, which are often con- 
founded one with another. Thus we say a closet-pan is raised up. 
When we made the body of the hand-bowl smaller we razed the body 
in or down to the required size. Hollowing is performed with a ham- 
mer (Fig. 59) similar to a bullet-hammer, the difference being that the 
hollowing-hammer face is half an oblate spheroid, while the face of a 
bullet-hammer is half a sphere. A hammer used for raising up or 
razing down has a rectangular face and is nearly flat, as already illus- 
trated in Fig. 49. Hollowing is done by sinking the pattern into a 
hollow in a hoUowing-block, and the work that can be done in this 
way is quite limited, while with a raising hammer any desired hight 
or depth may be obtained. 

Frying-pans have their sides raised up from a flat disk and are 
usually made from 9 to 15 inches in diameter at the rim and from 2 
to 3 inches deep when finished. They are sometimes made larger, but 
not often. We will now describe the making of a pan 12 inches in 
diameter at the brim and to receive a ^^-inch wire. Frying-pans 
are made flaring in the ratio of about 2 to i — that is, if the side 
be 2 inches deep, then the flare on the side will be i inch, 
or in other words, if such a pan be 12 inches at the 
top the bottom will be 10 inches. Let our example be 12 
inches attop an 1 10 at bottom, the slant hight 2 inches and the wire j^. 
Now, to make this we require a disk of metal equal to the surface of the 
pan, the strength of which may range from 14 to 18 pound plate. The 
disk then would be equal to the bottom -l- sides -I- half the covering of 
wire, which, allowing i inch for the circumference of the wire, would 
make the sides before turning the edge for wire 2)4 inches deep, and 
the top diameter 12}^ inches. Then 

.|/ 103 + no+n.r, ^ ^^^^^ ^ ^^ _ ^ ^g.^^ ^ / ^^ _^ ^^2 _ ^ ^^ _ 

equals diameter of disk ; adding the thickness of the metal 



ART OF COPPERSMITHING. 



43 





Fig. 59. — Hollozuing Hammer. 



Fig. 60.— Pattern of Frying-Pan. 




Fig. 61.— Disk Wrinkled. 




Fig. 62. — Razing Pattern on Tea-Kettle Shank. 



44 



ART OF COPPERSMITHING. 




Fig. 63. — Hoiv Wrinkles are Razed Doivn. 




Fig. 64. — Handle Riveted on Frying-Pan, 




Fis;. b^.— Ancient Frying- Pan. 



ART OF COPPERSMITHING. 



45 



to this we have about 14.6 the size of the disk required 
for our pan. Now describe with the compasses the size of 
the bottom on the pattern (Fig'. 60), and wrinkle the edge regularly 
all aVound as shown in Fig. 61 ; then take it to the floor-block and on 
a long head in a tea-kettle shank (Fig. 62), or on the point of a side- 
stake (previously shown in Fig. 45), commence to raze down the 
wrinkles, bringing the razing-hammer down first in front, then on 
each side of every wrinkle in succession, as in Fig. 6^, beating down 
at each blow from ^ to X inch. Follow up each course until the 
brim is reached ; then anneal by making it a bright cherry-red in the 
shade. Now wrinkle again as before, only with this difference, that the 
wrinkle which was exposed to the hammer before shall be in the hollow 
in the next course, thus making all of the sides to feel the hammer 
equally. The third course should bring the sides up sufficiently, and 
maybe done with a mallet. The last course should bring the sides up 
enough so that when the pan is being planished the expansion caused 
by hammering will -just bring it to. its proper size. Finally, smooth 
out the marks made by the razing-hammer with any smooth-faced 
hammer up to where the wiring edge is to be turned, and partially turn 
the edge over. It is now ready for tinning, after which it is scoured 
clean and planished — first the bottom on a bottom-stake (Fig. 62), and 
then the side on a bright head ; when this is done it is wired. The 
handle, which is a socket-handle made of iron, as shown in Fig. 64, is 
now riveted on and the whole cleaned ready for the store-room. 

It was stated that frying-pans were sometimes made larger than 
15 inches. It may interest the reader to learn that in the old farm- 
houses of England, where the fire is made on dog-irons on the hearth 
under an open chimney, the frying pans used (Fig, 65) were seldom 
less than 18 inches in diameter, with a wire ^ inch thick and a 
handle from 5 to 6 feet long, so that the cook should stand a good dis- 
tance from the fire without scorching. It would seem they were very 
unpleasant utensils to use, for this long handle was merely a piece of 
bar-iron, with sharp corners about fV inch thick, tapering from i}4 
inches at the flap to I'inch at the ring by which it was hung in the 
chimney corner when not in use. 



46 



ART OF COPPERSMITHING. 




Fi^. 66. — Pan for Water-Closet. 




Fig. b-j. — Blanks Fastened Together for 
Raising. 



ART OF COPPERSMITHING. 47 



CLOSET-PANS. 



Copper pans for water-closets are made in a similar way to frying- 
pans, but are of lighter material, scarcely ever stronger than lo-pound 
plates, usually of 8, and are raised from flat disks three at a time. 
Their dimensions are about 4 inches at the bottom, 9 at top and 4 
deep and wired with a No. 9 wire. Let us make three pans similar to 
the one shown in Fig. 66 and let their dimensions be 4 inches at the 
bottom, 9 at top and the sides 4 inches high. Then proceeding by the 
rule already given to find the size of a disk equal in surface to a given 
pan and one-half of the circumference of the wire we have: 



1/4- + {'^—^^ X 3 1416 X 4.25-. 7854 = / 16 + 113.05 = 11.364, 

the diameter of a disk required to make the pan. Now cut two disks 
11.364 inches in diameter and one 14 inch larger, upon which turn up 
an edge X inch deep (Fig. 67) and lay the other two in it and close 
the edge down on them; they may now be worked up as one pan. 
Wrinkle the side regularly with the edge that holds them together on 
the inside and -proceed to work on the point of a side- stake in the 
block with a raising-hammer. At the completion of each course an- 
neal and wrinkle again, making the outside wrinkle the inside one 
m the next course. When -the pan is up enough smooth down the 
hammer marks with a smoothing-hammer and separate the blanks. 
After turning the edges for the wire they are ready for tinning. 
After tinning and scouring the)'' are planished in the grain, made 
bright on the inside and brown outside; when planished wire and 
clean. 

WATER-BALLS. 

Water-balls are a kind of float used for the purpose of regulating 
the water-supply m tanks and reservoirs, so that they may always be 
kept full. These spherical floats have a long strig or lever made of 
copper soldered to them, having a square hole in it to fit on the square 
of the plug of a cock, as shown in Fig. 68, so that as the cistern or 
reservoir is emptied the float falling with the water opens the cock. 



48 ART OF COPPERSMITHING. 

and as it gradually hlls again the float rises and shuts off the supply. 

These balls are made in various sizes from 4 to 12 inches in diameter. 

They are made of light material, from 6 to 8 pound plate, according 

to size, and, like closet-pans, are raised up three at a time. Let us 

raise up three pair of halves for three 8-inch balls. As :he convex 

surface of a sphere is equal to the curved surface of its circumscribed 

1 J 1- 8 X •?.i4i6 ;< 8 ., r r 

cylinder, we have ^^— 1 = 100.5312, the convex surface of 

2 

^ne-half a sphere 8 inches in diameter. Converting this into a disk 
weget |/ roo-53J2 ^ 11. 313, the diameter of a disk equal to the con- 
vex surface of one-half of an 8-inch ball. But we must have a ^-inch 
lap on one-half for the joint ; therefore the convex surface of this 
larger half will be 

8 X 3.1416 X 4.25 = 106.8144 and ^/l^Mlii = „ 661 

^ -7854 
the diameter ot a disk equal to the larger half. Having the size of 
each half, two are to be cut the size of each and one each enough 
larger to allow turning an edge over to hold the other two, as pre- 
viously described and shown in Fig. 67. To find the exact size of the 
inner circle to wrinkle from draw the semicircle ABC (Fig. 69). 
Space it with the radius, dividing the semicircle into three equal 
parts and join C H, H I and 1 A. Divide the versed-sine B E into 
two equal parts and draw the lines M F, F G and G R parallel to 
C H, H I and I A, then taking G F as the diameter from which to start 
mark the circle on the disk (Fig. 70). After having wrinkled the disk 
the same as in Fig. 61, start to raze down by striking with the hammer 
first in front and then on each side of the wrinkles, as shown in Fig. 
63, until all are razed down to the brim. Next anneal and wrinkle 
again, razing down the wrinkles until the proper size is obtained ; 
then take it to a bullet-head in the straight end of a tea-kettle shank 
and break the lag down by holding it in both hands and hitting the 
bottom on the head in the center to swell it out, and then with a mallet 
work down tho lag, beginning in the middle of the side. When the lag 
is down, round up and smooth with a hammer, after which they may be 
taken apart, browned and planished. The large half is to be beaded 
with the hand-swage, as shown in Fig. 71. Tin the edge as far as the 
bead ; then put the halves together and solder the seam. The strig 
or lever is finally soldered on and the article cleaned ready for the 
store-room. 



ART OF COPPERSMITHING. 



49 




Fig. &&.— Water-Ball and Lever. 




Fig 6g.— Method of Obtaining Circle. 





Fig. -JO.— Pattern for Half of Water-Ball. 



Fig. 71. — Hand-Szvage 



5© AR]' OF COPPEKSMITHING. 



MOUNTINGS FOR COPPER GOODS 

The preparation of motintings ; that is, spouts and handles for tea 
kettles, handles for sauce pans, stew pans and all the many kinds of 
utensils used in a kitchen is the next in order. In London, there are 
men who rarely do anything else, but prepare mountings for all kinds 
of brazier's work, but in the country shops braziers prepare the 
greater part of their own mountings, which affords an opportunity 
For a boy to learn how to make them that is very seldom open to him 
jn a large city. Let us consider a few of the pieces among the many 
sets of mountings upon which a boy may display his best skill and 
learn how to manipulate a file and burnisher, so that when the mount- 
ing is attached to the article it is intended for it will be an ornament 
and add beauty to the whole fabric. Many an otherwise good piece 
of work has been spoiled for the want of proper symmetry in the 
mountings or carelessness in their finish. To file and finish mount- 
ings is tedious work. Side handles for stock pots, fish kettles, and 
the like ; ears for the cross handles or bails for coal scoops ; sockets 
for sauce pans, coffee pots and scooplets ; bails, ears and barrel 
handles for tea kettles, with the spouts for them and coffee pots all 
this work, though tedious and requiring much care to execute it well, 
is good to school a boy to patient labor. Common coal scoop bails ; 
that is, those made for plain bright coal scoops. A, Fig. 72, were 
usually made of ^-inch pipe nicely rounded up ; filled with rosin and 
bent, then filed and burnished. In the illustration B shows an orna- 
mental form of ear. The handles of such vessels as stock pots, tiir- 
bot kettles and preserving pans were of cast copper. Fig. 73. Tea 
kettle handles were made in a variety of fashions as shown in 
Figs. 76, 77, 78 and 79. The handle illustrated in Fig. 76 was made of 
three pieces, a tube, see Fig. 74, and two rods made as in Fig. 75. 
Sauce pan handles. Fig. 80, illustrates a coffee pot handle. Fig. 81 were 
of two kinds principally : one B made of wood and inserted into a 
copper socket, the other A, a complete iron handle. These handles 
were japanned when the goods were made brown ; if they were made 
bright, the wooden handles were oiled, while the iron ones were 



ART OF COPPERSMITHING. 





Fig. -jn. — Handle for Coal Scoop. 



Fig. ^T,.— Stock-Pot Handle. 



i 



Fig 74 — Top Piece of Tea-Kettle 
Handle. 



Fig. 75.— Side Piece of Tea-Kettle 
Handle. 




Fig. -jQ.— Completed Tea-Kettle Handle. Pig. -j-j.— Design for Tea-Kettle Handle. 



ART OF COPPERSMITHING. 



SS 




fig. -j^. — Design for Tea- Kettle Handle. 




Pig_ -^g.— Design for Tea-Kettle Hanali 




Fig. 80. - Coffee- Pot Handle. 



ART OF COPPERSMITHING. 



53 





Fig. S2.— Dimensions of Tea-Kettle Spout. 



Fig. 8i. - Sauce-Pan Handle. 





Fig. 83. — Pattern for Spout. 



Fig. %\.— Working the Throat Down. 



54 



ART OF COPPERSMITHING. 




Fig. 85. - Caiidle-Mold Stake. 



Fig. S,6.— Spout Partly Formed. 




Fig. 89 —Spoilt Tool. 



Fig go.— Spoilt filled with Lead. 



ART OF COPPERSMITHING. 



55 





56 



ART OF COPPERSISIITHING. 



^,,^jiia ^ -* m 'iL, <i- < 




Fig. <)^. — Polishing Spout ivitk Hemp Rope and Emery. 



I<ig. g^.— Burnisher jor Finishing Spout. 





fig_ (fo.— Spout Stake for Pitching Collars. Fig. g-j.— Collar Pitched on Spout. 



ART OF COPPERSMITHING. 57 

either tinned, or filed and burnished. This work always helped to 
keep the boy busy. 

Let us make and finish for one gallon tea kettles, a spout and the 
several kinds of handles. The mouth of the spout on Fig-. 82 should 
be i^ inch, at the breast, C, i)4, inch, and at the end, about ^ 
inch. The pattern for spout, Fig. 83, will be 2 inches wide at E, and 
2^ inch at C, and 3 inches from F to G. Cut it off and smooth off the 
burrs, and on the back of a side stake, or some other suitable stake. 
Fig. 84, draw over each side l4. inch and then thin the edge ; 
then on thecandle mold stake. Fig. 85, turn the stem of the spout and 
bring the two flaps together as in Fig. 86, and lap the seam together 
about Yb, inch. It is then ready for the fire. Charge the joint with 
spelter and gently dry at the fire, holding the spout with the tongs. 
Fig. 87 ; when the borax is down and the back is blood red, turn the 
spelter to the fire and run it down the joint; when cool, round up the 
stem and file the joint smooth. Next turn the flaps and form the 
mouth as in Fig. 88, and charge the joint inside and braze it down, 
leaving the hole at the breast open. Now put the spout tool, Fig. 
89, in a vise and round up the breast, C, Fig. 82, at the same time 
drawing in closing up the hole left ; when closed it is to be brazed; 
it is now ready for filling with lead. To do this wrap a piece of 
thick paper around the end and lay it in a box of damp sand, cov- 
ering it to within % inch of the mouth ; then put in a piece of iron 
rod 5 or 6 inches long. Fig. 90, which forms a sort of handle for hold- 
ing the spout when at the vise, and fill the spout with nice clean soft 
lead. When cool, bend the stem as shown in Fig. 91. This used to be 
done with a mallet over a lead piece, Fig. 92. An improved way is 
shown in Fig. 93, the bending being done by placing the spout 
through a hole in the lead pieces, and by means of a rope block and 
lever the spout is bent by pressing down on the lever. After bend- 
ing is done we then true the whole up, making the distance through 
the breast at C, Fig. 82, a little smaller than the end, so it 
will go with ease into its place in the kettle. It is then 
filled, the joint being cleaned up with a half-round file, 
then roughened all over. Smooth again with a fine file, and fol- 
low with emery cloth wrapped around a stick, and finally smooth 
with a piece of soft hemp-rope and fine emery, taking one hitch with 
the rope around it, Fig. 94, and pulling it back and forth until fit for 
the burnisher. Now wipe it clean, and when free from all grit rub a 



^8 ART OK COPPERSMITHING. 

little sweet oil over it, and with a clean bright burnisher, Fig-. 95, take 
a course all over it. Now wipe it off and examine it, and touch up all 
parts which may have escaped the burnisher, then cover all over with 
wet whiting, and at the fire gently run the lead out, being careful that 
it does not get too hot. Next fit the mouth of the spout to the side of 
the kettle and on a spout stake. Fig. 96, pitch the spout, leaving a 
collar, as shown in Fig. 97, ^ inch wide ; after which file the jaws in 
the small end of the spout and tin it on the inside ; it is then ready 
for the kettle. 

The handles or bails have been shown, Figs. 76 to 79, the barrel, 
Fig. 77, is 5^ inches long and i inch in diameter; the straps are i 
inch wide, 6 inches long and about yV inch thick. In order to braze 
these straps on the barrels we had two frames, made of inch-hoop 
as shown in Fig. 98. The frames were made so that when the straps 
were wired on, the barrel would slide in tight ; they are then charged 
with spelter and the straps brazed to the barrel. While one is cooling 
the other can be prepared. When cool, clean and trim off the corners 
around the barrel and round up the edges of the straps with a file 
and then burnish them ; finally planish the face and bend as shown. 
(This kind of bail is probably the oldest in use, for the writer sav^ 
when a boy, tea kettles having the same kind of handle, which could 
easily be traced back from son to father for 100 years or more.) An- 
other kind of handle. Figs. 78 and 79, were cast straight, of a flat, oval 
shape, they also were filed and burnished before bending. In the bar- 
rel handle, Fig. 76, the straps were brazed to the barrel and then filed 
up and finished and bent on a suitable bright tool. The sockets for 
coffee-pot and sauce-pan handles, Figs. 80 and 81, were made of strong 
copper and finished with file and burnisher. The burnisher. Fig. 95, 
was made from an ordinary 1 2-inch safe edge file, with the teeth ground 
out and ground to the desired shape. It would appear that this 
trouble was taken in order to retain the original temper given the file, 
it being the best for this kind of tool. Handles for preserving pans 
and turbot kettles, Fig. 73, were filed and finished bright in the same 
way as spouts, the soft rope. Fig. 94, being used to assist m the opera- 
tion. 

Tea-kettle rings, on or in which the cover sets, were made in two 
ways : one was to wire a narrow strip, Figs. 99 and 100, and after 
putting it through the hole up close to the wire, turn the edge back on 
the inside. The other way was to cut a strip of copper. Fig. A , and 



ART OF COPPERSMITHING. 



59 







^^ 




^o 



ART OF COPPERSMITHING. 



hammer it while hot in a die, Fig. B , then form it round and 
solder it together. Next braze a narrow strip of copper around the 
middle of the ring on the under side, see Fig. C, so as to go through 
the hole in the kettle and turn over to hold the ring in. This makes 
a nice looking job. The wire ring was used for common brown kettles 
and glue-pots. 




Fig. C. — I^ing for Cover Support. 



ART OF COPPERSMITHING. 6r 



GLUE POTS AND TEA-KETTLES. 

Glue pots may be considered as the stepping-stones to tea kettle 
making, as the bodies are made the. same size and way, and if a boy 
(or man either for that matter,) will take the necessary care and in- 
terest while being instructed in the work of making glue pots, he may 
attain the proficiency necessary to execute the best work, such as is 
demanded for bright goods. Let us begin to make two round bodies, 
the same as for i -gallon glue pots, and at the proper place we will 
branch off, finishing one a brown glue pot, and the other a bright tea 
kettle, following throughout the methods in vogue when the copper- 
smith made his own mountings. The body for a gallon glue pot or 
tea kettle is cut 24 inches long and 6 inches wide, and from an 8 to 
12-pound sheet. Having cut the body from a lo-pound sheet smooth, 
cramp and put the edges together. Fig. loi, and braze the joints. 
After careful examination trim the corners and then knock down the 
joint on a side stake to make it the same thickness as the sheet. 
When annealed, divide the depth into three equal parts as shown in 
Fig. loi and with a racer, mark distinctly, so the divisions may serve 
as a guide for the work about to be begun. Take the two bodies to 
the block, and on a head m the straight end of a tea kettle shank, Fig. 
102, draw in a light course at each end of both with a mallet, keeping 
the wrinkles that form, in regular order as they appear, and until the 
course is completed ; then anneal. This should bring in the bottom 
end enough ; the other end, or that which is for the top, may now be 
razed down another course with a hammer ; when this is completed, 
anneal and knock the side out even with the bulge caused by razing 
down the top. Take it to a bullet stake, Fig. 103, and finish razing 
down the top until the hole for the cover is 4 inches in diameter. 
Stag in the bottom, partly on the long-head, and finish it on the tea 
kettle bottom stake. Fig, 104 ; thin the edge and anneal, and it will be 
ready for the bottom. The bottom should be about 6 inches in di- 
ameter, and of about 13 or 14-pound plate ; the hole to receive the 
bottom should be slightly smaller than the bottom before thinning. 
The bottom is to be thinned and cramped. Fig. 105, making the cramps 
about I inch long ; open each alternate one and lay in the bottom 



62 



ART OF COPPERSMITHING. 




Fig. loi. — Body of Gallon Glue 
Pot or Tea-Kettle. 



Fig. I02. — Forming Tea-Keltle Body. 





Fig. 103. — Razing Dozon Top on Bullet 
Stake. 



Fig. 104. — Turning Lag on Bottom Stake. 



ART OF COPPERSMITHING. 63 

which should go in easy, but not too loose ; lay the cramps down on 
the bottom stake, Fig. 104, and popple the bottom, when it will be 
ready for brazing. 

The spelter should be fine, clean, and free from dust. With a 
charger, Fig. 106, made from a ^-inch rod, having the end flattened out 
like a spoon, lay a little borax and water around the cramps on the 
outside, and jar it through the joint ; charge the joint on the inside, 
laying as much spelter on as will when run fill up the joint, follow- 
ing the zigzag line of the cramps ; when charged, dry slowly. The 
fire should be clean and free from coal, A nice clean coke fire is best, 
but if coal cinders are used by way of economy, then prevent as much 
as possible the coal from coming in contact with the joint. When the 
spelter is dry take a piece of rough but clean canvas or rag, and brush 
off all the borax on the outside, so that no inducement be offered to 
the solder to spread further than is necessary from the joint while the 
spelter is being run around the seam. Holding the pot with a pair of 
tongs, heat the sides gently until the borax is all down ; this is also 
done for the purpose of distributing or charging the body with heat 
before proceeding to run the joint ; then with a steady blast turn it 
around, turning the pot with two handy pokers or rods. If the joint 
is perfect take it to a bullet stake and pounce the bottom up enough 
so that the sharp corners of the cramps may be filed off easily ; clean 
them off, theii knock the joint down. Cover the surface inside and 
out with a pickle of salt and water, by immersing it in the 
pickle tub, and while wet sprinkle a little dry salt around the seam 
to kill the borax. Then heat it to a bright cherry red in the shade, 
and thrust it into the pickle tub. If there be any borax left the pot 
may be put into the vitriol tub for a few hours, scoured clean, then 
dried in sawdust, when it is ready for planishing. 

Having finished the two vessels as described, the one intended 
for a glue pot has a coat of Spanish brown rubbed over the outside ; 
the one intended for a tea-kettle is kept clean and bright. The plan- 
ishing is first begun on the bottom stake. Fig. 104, and the bottom 
made flat and true, the lag being rounded up with a mallet, then the 
side is next planished on a suitable head in the shank. Fig. 107. 

The workman should be seated at the side of the block so 
his left side is toward it, the arm of the shank extending over 
the end of the block, the left hand holding the pot or kettle with the 
fingers inside and the thumb outside ; the right knee should be used 



64 



ART OF COPPERSMITH ING. 





Fig. \o%.— Clamp for Holding Tea- Kettle while 
Being Tinned. 



Fig. 105 —Putting in Bottom. 




Fisr. 106 — Chanrer. 



Fig. 109 — Tou>-lVi^p Used in Tinning. 




Fig. \o-].— Planishing Tea-Kettle Side. 



ART OF COPPERSMITHING. 65 

to steady and guide the work, the body of the kettle on the under 
side resting on the left knee, and the lag of the kettle against the 
right ; when the side has been run over, the other end of the shank 
is used and the top planished. They are now to be tinned inside, 
thus : A little new muriatic acid is rubbed over the inside, which is 
next scoured and rinsed clean ; then some wet whiteing is rubbed on 
the outside to keep the fire from affecting the surface. The clamp 
(see Fig. io8) is fastened to the kettle by means of the link which 
slides down the rod and thus forms a handle. The inside of the ket- 
tle is to be rubbed over with soldering acid in which a little salam- 
moniac has been dissolved, and the kettle heated enough to flow tin 
or solder, enough of which is melted and poured in so it can be 
rinsed out and then wiped off with a tow wisp wound around a wire. 
Fig. 109. After tinning, the inside is washed with clean water and 
the whiteing washed off ; when it is dry the outside of the kettle is 
scoured with a piece of flannel moistened with sweet oil and then 
wiped off clean. It is now ready for the smoothing course of planish- 
ing, which is done with a spring-faced hammer. The hole for the 
spout is now to be cut in the center of the side, the hole being made a 
half -inch smaller than the diameter of the mouth of the spout, to allow 
of a ^-inch collar being worked out (see Fig. no) to fit m the pitch 
of the spout. Put in the cover ring. Figs, no and in, and turn the 
edge back as described in the article on mounting ; then fit in the 
spout, closing the collar around the pitch with the collar-tool, Fig. 
113, and soft soldering around the flange on the inside of the kettle 
The handle of the kettle having been previously prepared with the 
ring and spout, it is now riveted on, also the ears of the glue-pot. 



66 



ART OF COPPERSMITHING. 




(^* — ^~"~^ 



fig. III.— Cover Ring. 



Fig. wo.—Tea-Kettle, Shelving Spout 
Attached. 





fig_ iiT^.— Broken P'iezv of Collar and Ring. 



Fig. 112. — Collar Tool. 





Fig. ix4.-Glue Pot linth Inside Cup. Fig. ti^.- Cup for Making Boss on Cover. 



ART OF COPPERSMITHING. 



67 





Fig. 117. — Finished Tea-Kettle Cover. 



Fig. 116. — Bullet-Head Hammer. 





Fiq. 118. — Finished Tea-Kettle. 



Fig. iig.—Body of Oval Tea-Kettle. 





Fig. 120. — Method of Drazuing Oval 

Bottom. Fig. J21.— Oval Tea-Kettle, Showing Top. 



68 



ART OF COPPERSMITHING. 



The inside cup of the glue pot, see Fig. 114, is put together and 
the seam soldered in the same manner as the outside, and the bottom 
put in in the same way. The top may be wired with a large wire, or 
an edge laid oil square, to rest on the ring of the outside boiler, the 
bottom of the cup when hanging in place being about an inch above 
the bottom of the kettle. The cover for the tea kettle is next in order : 
the rim is made to fit easy, and so that when the edge of the rim is in 
the cover and the cover paned down, the cover will set in the seat of 
the ring. Fig. 113. The cover is hollowed first, and then the boss is 
worked out in a cup, see Fig. 115, made of a ferrule of strong copper 
and having a strig ot iron secured in it by pouring solder around a 
head made on the end of the strig. This cup is held in a vise, as 
shown in Fig. 115, and the boss worked out with a bullet-faced ham- 
mer, Fig. 116, then the cover is planished and the rim and knob put 
in. Fig. 117. The finished tea kettle is shown in Fig. 118. When the 
kettle and cover are completed they are scoured bright with a piece 
of flannel moistened with sweet oil, to which a little Tripoli is added 



No. of Quarts. 


Length. 


Depth. 


Length of bar- 
rels and straps. 


1V2 . . 


20 inches. 

21 " 

22 " 
24 

26 
28 
32 


5 inches. 

5/4 " 

5/2 '' 

6 

6/3 " 

7 

8 


43/8 inches. 
4^ - 

SVa " 

sVa " 

6% - 

6>4 

7 




3 

4 

5 

6 

8 





Dimensions of Round Tea-Kettle Bodies, 



and finally polished with dry Tripoli powder. Full directions are 
given in the article on mounting for the making of spouts and 
handles. 

Oval Tea-Kettles. 

Oval tea-kettles. Fig. 122, have usually been made differently 
from round ones, as the tops are generally double-seamed on, al- 



ART OF COPPERSMITHING. 



69 



though occasionally they are made with the tops razed down in the 
same way as are the round ones. There have been quite a number of 
fashions and some artistic skill displayed on oval tea-kettle covers 
and handles, much more than on round ones. We will make one, 
such as are ordinarily made for every-day use (the learner may dis- 
play his artistic skill at his leisure) to hold i gallon, as in the case of 
the round kettle. The body is cut 235^ x 51^ inches, and from a 10- 
pound sheet. The body is to be put together in a sim.ilar manner to 
the round one : After smoothing the edges, thin the ends, cramp one, 
solder the joint, clean it off, knock down and anneal. Then take to a 
head and work in a light course, beginning one-third from the bot- 
tom, after which stag in the lag Yz inch wide, partly on the head, fin- 
ishing on the bottom stake (Chap. VII., Fig. 104) and thinning the 
edge. Cut out the oval bottom Q, Fig. 119, making it a trifle larger 
than the hole of the lag. Fig. 120 shows method ot drawing bottom. 
Thin the edge and cramp as indicated in P, Fig. 119, then lift each 
alternate cramp and put the bottom in from the inside, lay the cramps 
down close, then braze and finish, and tin as directed for the round 



No. of 
Pints 



2, 
3- 

4- 
S- 
6. 

7- 
8. 
10 
12 



Length of 
body. 



i6j^ inches. 

17M " 
18X " 



22>^ 
26^2 



Depth 


of 


body. 


3>^ inches. 


4^8 




4,^8 




4^8 




5^ 


< 


s'A 




6 




6y2 





Weight of copper for 



Body. 


Bottom. 


8 pounds. 


10 pounds. 


8 


12 




9 


12 




9 


13 




9 


13 




10 


13 




10 " 


14 




II 


14 




II 


14 





Spout and 
barrel. 



13 pour 


13 


14 


14 


14 * 


14 


15 


^5 


J5 



Dimensions of Oval Tea Kettle and Weight of Copper. 



tea-kettle, truing it up to the shape Q, Fig. 119. Turn the edge for 
the top and make the top. Fig. 121, which is to be double-seamed on 



70 ART OF COPPERSMITHING. 

to tne body, 'i'he cover (see Fis:. 122) is to be made in the usual man- 
ner, the boss being sunk in an oval cup similar to the one shown in 
Fig. 115. The handle, having been previously made, is to be riveted 
on and the rivet-heads soldered on the inside. When all is com- 
pleted, polish for the storeroom with Tripoli, as previously directed. 



Fig. \22.— Oval Tea-Kettle with Cover and Handle Complete. 



ART OF COPPERSMITHING. 



71 



BEER MULLERS. 

Copper beer mullers, or warming pots, will next engage our atten- 
tion. These are nice little jobs for a boy, progressive in their char- 
acter, and give, after the first three years of drudgery, some relief to 
the monotony of scouring, breaking coke, and other so-called boy's 
work, the continued repetition of which has often been the means of 
breaking the spirit and blighting the hopes of many a good promising 
lad, who has been kept dragging along, year after year, wasting 
precious time at work that should have been shared between man 
and boy, and which could have been done without loss or detriment, 
but rather a benefit to both. I would pause to plead for the boys of 
the coming generation as I have often done for those of the past, 
craving for them sympathy, when they have been compelled to com- 
plain (and justly, too,) of the amount of time which has been sacri- 
ficed by them in incessant and unnecessary drudgery, often times, 
too, with a man who was altogether inferior m perception or mechan- 
ical ability to the lad placed under his control. If a lad is once given 
a place in a shop to learn any trade, he should have a chance to de- 
velop at least his own natural ability, even though the kind attention 
he should receive be withheld. 

Beer mullers are made after three general designs, peaked, open 
and curved. Our first job at these (and they were the first vessels we 
began and finished complete) was a half dozen y^ pints, three with 
lips and three without. We will now describe the various operations: 
A ^ pint (British standard) muller, Fig. 123, measues 2J^ inches at 
top, 3^ inches deep and 3 inches at bottom. To describe the pattern : 
Let C D F G, Fig. 124, represent the elevation of article, which is 
shown 3^ inches deep, to allow for wire at top and edge at bottom. 
Through the center draw the center line K B. Extend the lines F D 
and G C, until they meet the center line as at B. Then B C and B G 
are the radii of the arcs which contain the pattern. With B as a 
center, describe the arcs J N and H L indefinitely. Upon the arc J N 
measure the circumference of the bottom of article, and from these 
points, as J and N, draw lines to the center B. Then L H J N will be 
the pattern for the article shown by C D F G. Having obtained the 



72 



ART OF COPPERSMITHING. 




Mg. x-zj,.— Half -Pint Beer Mtdle. 




Fi^. 124. —Pattern for Muller. 




Piq. 125. — 7'nrninq Over Ed^e for Wife. 



ART OF COPPERSMITHING. 



73 





Fig. 129. — Hammer Face For^ncd. 



fig. 126. — Forming Concave Side of Mzdler 





Hi;. 127. Spring-Faced Planishing Hammer. Fig. 12,0.— Creasing Hammer. 




Fig. 128. — Pattern for Ha??nner Face. 



74 ART OF COPPERSMITHING. 

pattern, it is to be cut out of about 6-pound plate ; thin the edges 
cramp and form, and braze the seam ; then clean off and knock down 
the joint, and anneal. Now turn the edge over for the wire, as shown 
in Fig. 125, and work in a course from the bottom to form the curve 
or bell at the base, as shown in Fig. 126. It is then ready for tinning 
inside. When tinned and scoured it is ready for planishing, which is 
done on a bright side stake, with a small spring-faced hammer. Fig. 
127 — that is, a hammer with an extra face of thin sheet steel, made 
and fitted as follows : A piece of sheet steel, of a suitable thickness, in 
this case about 20 gauge, is cut, as shown in Fig. 128, the two ends 
turned up as in Fig. 129, to fit the hammer-face, the lugs being placed 
in a line with the handle. When fitted suitably lay between the 
hammer-face and the spring-face two or three layers of French shal- 
loon, which answers as a cushion; now bind the lugs with a stout piece 
of binding wire, and turn the points of the lugs down on the wire in 
such a way that they will tend to draw the spring-face close up and 
tight to the hammer. After polishing, it is ready for use. The job 
must now be cleaned inside and out with a piece of nice soft rag, then 
commencing close up to the wiring edge with the hammer, begin to 
planish and follow each course around the body until the bottom is 
reached; then again clean it inside and out, and planish it over again 
to smooth and finish it. Now put in the wire and then the bottom, 
which is done thus: With a creasing hammer. Fig. 130, on the creasing 
iron. Fig. 131, sink the edge around the bottom edge, being careful to 
make it regular and true. Then lift the edge enough to lay the bot- 
tom in the crease as shown in Fig. 132, the bottom having been pre- 
viously tinned and planished, bring the edge down close and solder 
the bottom around inside, or if preferred the bottom may be soldered 
on the outside, keeping the soldering-iron as close to the outside edge 
as possible, that the work may be neatly done. When this is done 
form the lip on an extinguisher stake as shown in Fig. 133 by placing 
the cup on the beak, and with a hatchet-shaped mallet sink the wire 
on each side of the stake, a little at a time, until the lip is formed. 
Then with the wooden set, see Fig. 133, made of boxwood and smooth 
like the pane of a hammer, shape the V of the lip on the point of the 
stake, letting the point extend a third down the body, or they may be 
left without the V, the wiring only being bent. Make the handle, 
Fig. 134, 4 inches long from 30-pound plate, the edges being made 
round and burnished, ana the surface planished smooth; after bend- 



ART OF COPPERSMITHING. 



75 





Fig. 12^.— Forming Crease in Bottom. 



Fig. 132. — Laying Bottofu in Crease. 




Fig. 133. — Forming Lip on Muller. 



76 



ART OF COPPERSMITHING. 



iDg into shape as shown, rivet on and clean the article. Ifandles for 
the three largest sizes of muUers are made hollow and bent, having 
a flap brazed on as shown in Fig. 135, the small end being flattened 
and filed to the desired shape. 




& 




Z^ fjg- ^M-—H^andle for Small Muller. 



fig. 135. — Haiidle for Large Muller. 



ART OF COPPERSIMITHING. 



77 





Fig. 136. Old Style of Midler. 



Fig. 137. — Covered Muller. 





Fig. 138. — Pattern for Peaked Mtiller. Fig. 12,9.— Pitched Cover. 



yS ART OF COPPERSMITHING. 

The peaked Muller, Fig. 136, is an old design, and was made in 
two sizes — namely, pint and quart, while the covered mullers of the 
shape illustrated in Fig. 137 were made in five sizes, from K pint to 2 
quart — that is, Yz pint, pint, quart, 3 pint and 2 quart. 

The peaked muller, Fig. 136, is made m two ways; in the one the 
side is brazed together; in the other it is grooved; if the side is brazed 
the work is similar to that already described. If the side is to be grooved 
the pattern is tinned, planished, wired and the edges are turned, be- 
fore being formed into shape, after which the point is flattened and 
turned over, as shown in Fig. 136. The pattern for a muller of this 
conical shape to hold 3 pints is shown in Fig. 138, and should measure 
6 inches at the brim inside and about 11 long after the point has been 
flattened and curled. 

The covered muller, Fig. 137, was made similar to the one shown 
in Fig. 123, but with a socket and wood handle, the body curving the 
other way, as shown, it also had a pitched cover. To pitch a cover is 
to raise it in the center. Fig. 139, a certain distance, which is roughly 
done on the block, Fig. 140, having a suitable hole cut in it for this pur- 
pose, and with the hammer like the one shown in Fig. 142, having one 
round face and the other oblong. With the round face sink or beat 
the copper into the hole in the block, allowing the edge to pucker up 
all around until the pitch is of sufficient depth, which takes two 
courses to complete, then raze down the wrinkles with a mallet and 
smooth with a hammer; next tin the inside of the cover and planish 
it, first on a small bottom stake. Fig. 141, and then on a side stake, 
Fig. 142, or some other suitable head, with the oblong face of the ham- 
mer, and, lastly, on a bright anvil, held in an upright shank, Fig, 143, 
planish the outer ring and wire the edge. The cover should be large 
enough, so that the wire of the body will just fit in the wiring of the 
cover. The joint or hinge of the cover shown in Fig. 144 is slipped 
through the notch left in the wiring of the body and then riveted to 
the cover. The bottom may be doubled seamed on or put in as has 
been described for open mullers. The socket for the handle is placed 
in the middle of the body, as shown in Fig. 137. 



ART OF COPPERSMITHING. 



79 




Fig. 142. — Planishing Cover on Side 
Stake. 



J-t§. 141. — Planishing Cover on Bottom Stake. 





Pig. 144. — Cover Hinge. 



Fig. 143. — Anvil Held in Upright Shank. 



8o ART OF COPPERS.MITHING. 



FUNNELS. 

Copper Funnels, Fig. 145, were generally made brown, in size 
from pint to gallon, namely : pint, quart, 3 pint, ^ gallon, and gallon. 
Let us make one to hold a ^ gallon ; that is, one into which a Yz gal- 
lon of liquor may be dumped without running over. It will be found 
that an 8-inch cone whose slant hight is equal to its diameter will 
hold approximately a Yt, gallon. Imperial measure. Funnels have 
always been made of one style, and formed of one-half a disk whose 
radius is equal to the diameter of the mouth of the funnel. Braziers, 
however, tuck in the mouth from i to 2 inches, according to the 
size. Our pattern, then, will be >^ of a 16-inch disk, 3^ of an inch 
being added for wire, and the hole for the outlet being i and ^ inches 
when finished, being cut yi less to allow of a narrow collar being 
worked out to lap on the spout. Cut out the pattern, Fig. 146, from 
8-pound plate, thin, cramp, form and join as in Fig. 147, then anneal 
and tuck in the rim on a side stake, Fig. 148. The edge is next 
turned for the wire, with a crease iron and hammer, in the same man- 
ner as the edge of the beer muUers was turned. It is now ready for 
tinning ; when tinned and scoured, wipe the inside with a soft rag, 
and rub some Spanish brown over the outside, then planish on the 
bright head. Fig. 150; put in the wire. Fig. 149, and it is read}- for the 
spout. The spout should be pitched and flanged as at H, Fig. 151, 
and the outlet collared as at K, so that when the spout is in, and the 
collar set down close, it will be held fast as at J It is then to be 
soldered on the inside, being careful that no solder runs through to 
mar the outside ; put on the rmg and clean. Bright heads. Fig. 150, 
are shaped in such a way that their faces form as it were a section of 
of the funnel, with the heel made to fit the booge or rim, and are 
used principally for these funnels and the kind of spirit measures 
shown in Fig. 152. 



ART OF COPPERSMITHING. 




J^i^. \^fi.— Pattern for Funnel. 



Fis;. 145. — Copper Funnel. 





Fig, 147. — Funnel Formed and 
Cramped. 



Fig. 148. — Tucking in Rim on Side Stake. 



ART OF COPPERSMITHING. 





Fis:. i^g.— Putting 171 Wire. Fig. \<^o.— Bright Head on uthich FutiJiel is PlatiishfiL 





Fig. \^i.— Joint Between Spout and Funnel. Fig. 152. — One Form of Spirit Measure. 



ART OF COPPERSMITHING. 83 



COFFEE POTS. 

Coffee pots were made as shown in Fig. 153, and somewhat similar 
to the muUer, Fig. 123, but their hight was two and a half times the top 
diameter ; that is, if the diameter at the top is 4 inches, the pot would be 
10 inches deep, and the bottom one and a half times the top, or 6 inches 
in diameter. They were made in four sizes, namely : 3-pint, 2-quart, 3- 
quart and 4-quart. An imperial Yz gallon contains 138 cubic inches, and 
a frustum of a cone whose dimensions are 3^ inches at top, 5^ inches 
at bottom and 9 inches deep, will hold 150 cubic inches ; but when 
the curve is given to the side, by working in a course and smoothing, 
the capacity is reduced enough so that the pot will hold just about ^ 
a gallon when it is finished. It is well to say here that all such vessels 
as these only approximate to the capacity named, most of them hold- 
ing somewhat more than the given amount. The pattern is cut 
according to the method already shown in Fig. 124, an 8-pound plate 
being used for the purpose. After the seam has been made and the 
body annealed, take in a course on a side stake, as previously explained 
in Fig. 126, until the body appears straight one-third the depth from 
the top, and then gradually hollow out the remaining two-thirds, bell 
fashion, down to the bottom ; smooth, true up and turn the edge over 
for wire, when it is ready for tinning. When this operation has been 
performed it is planished on a bright side stake, and the wire put in, 
Fig. 154. The hole for the spout is next cut, the center of the hole 
being one-third the depth from the bottom of the body, Fig. 155. Cut 
out the spout, Fig. 156, thin the edge, turn it round and braze the 
seam ; clean off the seam and tin the spout inside ; then round up and 
smooth with a mallet, after which take a suitable stick or a file, and 
with emery cloth lapped around it prepare the spout for the bur- 
nisher, and burnish it. Now pitch the spout on the under side. 
Fig. 157, then work out the collar of the pot. Fig. 155 D, to fit in the 
pitch of the spout. Fig. 157, and then put in the spout. Set down the 
collar close to the spout with a set shaped like a gouge, the end being 
square or blunt ; then put in a small rivet at the end of the spout 
Fig. 155 D, and solder it inside. Next put in the bottom the same as 
was done with the open muller and solder it inside. The socket for 



84 



ART OF COPPERSMITHING. 





Fig. xsZ--Coffee Pot. 



Fig. 155.— y(?/«z«^ spout to Coffee Pot. 




Pig. 154. — Wiring Body of Coffee Pot. 



ART OF COPPERSMITHING. 




Fis;. 156. — Pattern of Spout. 





Pig_ i^^.—Socket for Wooden Handle. 




fii,^ i^g. — Tool for Turning Burr on Cover. 



Fig. T.S1-— Coffee Pot Spout. 



Fig. 160 — Paning Hammer for Covers. 



86 ART OF COPPERSMITHING. 

the wooden handle, shown in Fig. 158, is made as before directed for 
hand bowls and the cover is pitched the same as for 
mullers.. The coffee pot cover, however, must have a rim about 
Yi inch wide, when edged ready for the cover. In order to turn the 
edge on cover (as we had no burring machine), we had to use the tool 
shown in Fig. 159, of which there were three different sizes. They 
were called "taking up stakes;" that is, stakes for taking up the 
edges of bottoms and covers. The bottom end of the stake enlarged 
so as to fit the hole made for it in the bench. The edge of the cover, 
after the rim is in, is pained down with a hammer kept especially for 
the purpose, as shown in Fig. 160. Now put in the joint or hinge 
through the notch left of the wiring, and through a notch left in the 
rim of the cover and rivet on the cover, put in the wooden handle, 
then clean the article for the storeroom. Some coffee-pots had bent 
spouts, like tea kettle spouts, which made a more ornamental coffee 
pot than when plain spouts were used. 



ART OF COPPERSMITHING. Sj 



SAUCEPANS AND PUDDING POTS. 

It is probable that among the culinary utensils made by braziers 
40 years ago there were more saucepans than almost any other 
article ; but later on the French stew-pan seemed to supercede the 
saucepan altogether, excepting in a few instances, such as the 
smaller sizes, which were made with lips and used for the prepara- 
tion of little delicacies. Copper pudding pots were also in good de- 
mand before they were supplanted by those made of cast iron, which 
were not only tastefully designed, but were much cheaper and safer 
to use, where those made from copper were apt to be neglected and not 
kept clean and properly tinned. The progressive braziers were, how- 
ever, equal to the emergency, and turned their attention to the manu- 
facture of wrought iron goods, made in the same way and after the 
same fashion as the copper goods. 

It may be stated here, for the benefit of the learner, that the pro- 
portions of all vessels are in ratio to one another as the cubes of their 
diameters ; hence a boy who has the desire to become proficient and 
make an efficient workman, and understand the proper proportions of 
the work he is engaged at, should make himself conversant with solid 
geometry, and thus be prepared to work out any example in cubic 
proportion likely to be called for. Two examples will be given, 
showing how the dimensions of all sizes smaller ^nd larger than one 
gallon may be obtained, providing the utensil is made of a straight 
strip. The strip for a gallon saucepan is cut 24 inches long by 7 
inches wide. Let it be required to make one to hold 6 quarts. The 
strip of metal 24 inches long is to be formed into a cylinder thus : 
24 -^ 3. 141 6 = 7.6394, its diameter, and as all cylinders are to each 
other as the cube of their diameters, and as we want a cylinder to 
hold one-half as much more, and in the same proportions as to hight, 

we cube the diameter of the first cylinder — namely, -^ = 4^^-^^93 

7.6394 2 

and then - — '- — ^x 3 = 633.3438 and 1/633.3438 = 8.58, the diameter 

of a cylinder required for a 6-quart saucepan. Then 7.6394 : 7 :: 
8.58 : 7.86, and 8,58 x 3.1416 = 26.9549. Therefore the sheet for a 



ART OF COPPERSMITHING. 




Fig. i6i. — Coppej- Saucepan. 





Fig. 162.— Copper Pudding Pot. 



Fig. i6t,.— Pudding Pot Cover. 




Fig. 164. — Braziers' i.'ay of Meastiring 
Saucepans, etc. 



■■■i. ~~:m 




■:ii 


1 


- ■ ■'.;i|::'!| 


1 


. k '' 






Fig. 16^.— Body marked for /{azint;. 



ART OF COPPERSMITHING. 




lllipr 


■'M 




"ilB 




m 





Fig. i66. — Manner of Razing Top Part 
of Body. 



Fig. id-].— Lag Drawn in for Botto/u. 




Fig. i68. — Lipped Saucepan. 





Fig. 169. — Slack Left for Forming Lip. 



Fig. 170.— Oval Pudding Pot. 



go ART OF COPPERSMITHING. 

6-quart saucepan would be 27 inches long and yji inches deep, ap- 
proximately — that is, near enough for practical purposes. Again, let 
it be required to make a sauce pan to hold 3 quarts. Then proceed- 

■2 

ing similarly as above, —z -= 422.2293, and as there are 4 quarts m 

76394 

A 22 220'? / 

a gallon, we proceed thus : '- — — x 3 = 316.6719 and j/316.6719 = 

6.81, the diameter of a cylinder required to hold 3 quarts. Then 6.81 
X 3.1416 = 21,3942, the length. Now, 7.6349 : 7 :: 6.81 : 6.23 — that is, 
the sheet for a 3-quart saucepan would be approximately 21^ inches 
long by 6^ inches deep. 

Copper saucepans. Fig. 161, were made in sizes to hold from i 
pint to 4 gallons. Pudding pots, Fig. 162, from 3 to 6, and sometimes 
as large as 8 gallons. As the work of making plain saucepans and 
round pudding pots is the same, excepting a little variation in the 
shape, we will make one to hold i gallon ; the other sizes being made 
in the same manner. It will be seen from an inspection of Fig. 161 
that a I gallon saucepan is the frustrum of a cone with the base 
turned in, forming at that point almost one-half an oblate spheroid. 
The brazier's measurement of a gallon saucepan is taken from lag to 
brim, as shown in Fig. 164, and should measure 9^ inches. (The 
writer has one made by himself in the year 1856 which was in con- 
stant use up to 1872, and is apparently as good as when new, if re- 
tinned and made fit for use. This old relic measures 7 inches in 
diameter at the brim, 6% inches deep, y}^ inches at the lag, from lag 
to brim 9^ inches, and at the swell or belly, 9 inches. It is made 
from 16-pound plate, with No. 6 wire.) The body for a gallon sauce- 
pan is cut 24 inches long and 7 inches deep, and may be made from 
12 to 18 pound plate. The pattern is to be formed and the seam made 
as previously described ; then divide the depth into three parts, as 
shown in Fig. 165, and with a mallet proceed to raze in a course a 
third from the end, as at a ; now turn it end for end and raze in a 
course. Fig. 166, d, on the other side of the same line we started from 
before, drawing in the side until it is 7 inches at the top, and about 
7^ inches at the bottom. Then stag in the lag }i inch. Fig. 167, 
partly on head and finishing on a bottom stake, and thinning the edge 
on a bullet stake ; cramp and put in the bottom B, braze the seam, 
clean it off, knock down, and anneal ; then true it up on a long head, 
from the swell to the brim, and turn the edge for the wire. Now true 



ART OF COPPERSINIITHING. 9I 

up the lag and beige on a suitable round head, and it is ready for the 
pickle tub and annealing, alter which it is scoured bright and dried 
in the sawdust box. It is now to be put into its final shape and 
planished all over one course, beginning with the bottom, and next 
the sides ; then tin it inside with pure tin. After being tinned and 
scoured clean, it is planished again, this time on a suitable bright 
head, and smoothed ; then the wire is put in and handle riveted on. 
The cover is next in order ; the rim of the cover is m.ade slightly 
flaring, and the top pitched about Yz inch ; then tinned and planished. 
When the whole is complete, as in Fig. i6i, it is scoured and polished 
with oil and tripoli. 

In making lipped saucepans, Fig. i68, the work is done nearly the 
same, excepting that while drawing from the beige to th.e brim 
enough slack is left at the left of the seam to form the lip — that is, we 
work around the lip, leaving the brim, as it were, &^g shaped, as in 
Fig. 169, until the planishing is completed and the wiring has been 
done ; then the lip is put into final shape on an extinguisher stake. 
The cover is made with a projection to cover the lip, but the rim is 
round ; the handle is of wood inserted into a socket, as shown in 
Fig. 168. Lipped saucepans are seldom made to hold more than 
I gallon. 

Round pudding pots, Fig. 162, were made similar to saucepans, 
but with a bail and ears and somewhat less m depth ; thus the body for 
a pudding pot to hold 3 gallons was cut about 34 inches long and 8>^ deep, 
being worked up m the same manner as a round saucepan, only hav- 
ing a bail and ears, as shown. The cover for pudding pot is shown in 
Fig. 163. Oval pudding pots. Fig. 170, were made similarly and cut 
the same size as the round ones ; both difEered a little in shape from 
the saucepans, the difference being in the beige or belly, which was 
drawn in at the top and bottom alike. Let us make an oval pot to 
hold 4 gallons, the body being cut from a 14-pound sheet, being 
34 X 8>^ inches. The body is to be formed and seam made in the 
usual manner, and the depth divided into three parts, as shown in 
Fig. 165, the form of oval is indicated in Fig. 171, making it 12 inches 
long. The sides are to be razed in at both ends until the beige has a 
curve of about an inch ; then stag in the lag and put in the bottom, as 
indicated in Fig. 167 ; true up the body to shape and roughly planish, 
or run it over with a hammer. Then turn the top edge for wire and 
tin, after which scour and dry ; then finish planishing and smooth oil 



•92 



ART OF COPPERSMITHING. 



a suitable head. Pitch the cover a good ^ inch and tin, then planish 
it and put in the rim, which should be about i/g inch wide. Next 
put on the ears, the rivet holes of which should be countersunk 
enough so that the rivet heads may be drawn in and be flush and 
smooth with the surface inside. The bail can be tinned or iapanned, 
as desired. 




/^^. \']\.—Plan of Oval Puddino Pot. 



ART OF COPPERSMITHING. 93, 



STEWPANS. 

As previously stated, stewpans seemed to take the place of sauce- 
pans in a great measure after their introduction, because they were 
handier and more easily made; then, again, there were long and rapid 
strides being made in the perfecting of cooking apparatus in general, 
all tending to a complete revolution of culinary apparatus and methods. 
The general progress in education and the advances made on every 
hand were felt by the braziers, as well as others, and the surround- 
ing influences compelled them, though a little reluctantly, to keep 
pace with the advancing tide about them and acquiesce in the de- 
mand for more tasty and shapely goods. An old-fashioned stewpan 
is represented in Fig. 172. At first there seemed to be but little at- 
tention paid to the symmetry of the parts; the handles were roughly 
made, and apparently without any particular design, so long as it was 
something to hold by; the flap was clumsily made, seemingly to get 
as much weight into it as possible. The pan proper was the best 
piece of work about it, and this, when compared with others of later 
make, was poor enough, and directly resulted from the opposition to 
any innovation or change from the old usages, and yet the work 
on the old-fashioned pan m its way really required more skill than 
those of a more recent date. The lag being made at first sharp or 
square, many an otherwise good piece of work has been spoiled in the 
finishing by being cut through, or nearly so, on the sharp edge of the 
old-fashioned bottom stake. This was at last obviated by making the 
lag round, thus adding beauty to the pan and at the same time over- 
coming all danger of failure at this point. 

Let us make a stewpan after the old-fashioned method, and then 
show the difference between the old and new methods. At first they 
were made in accordance with the taste of the master, or if it hap- 
pened that he was not a practical man, then the workman was relied 
upon to produce the best design he could; but later more attention 
was paid to the wants of the cook, and stewpans have been made in 
several styles to suit their demands — namely, shallow, medium and 
deep. The shallow ones were one-half their diameter in hight, the 
medium two-thirds and the deep as high as their diameter — that is,. 



<)4 



ART OF COPPERSMITHING. 




ART OF COPPERSMITHING. 



95 



where attention was paid to the matter. There were, however, then 
as now many different styles, which we will leave to the investigation 
of the reader, the immediate object being to show him the manner and 
means adopted to produce the pan, or the execution of the mechanical 
part; so we will proceed to make one of medium hight to hold a gal- 
lon. Stewpans were made light or heavy to suit the wants of the pur- 
chaser, or to meet competition in price; generally they were made 
heavy. Let the example be made from a 30-pound plate, and of me- 
dium hight. The dimensions of a stewpan to hold 1 gallon are found 
in the following manner : A gallon (English) of water contains 
277.274 cubic inches, and the pan is to be two-thirds its diameter in 

hight. Then x 3 = 415.91 1, the cubic contents of a cylinder as 

as high as its diameter. Then converting this into cylinder 

inches, we have — ~ — = 529.551, and extracting the cube 

root of this we get Z/529.551 = 8.089 foi" the diameter, and as 

the pan is to be two-thirds of this, - — - x 2 = 5.392, the hight of the 

pan inside measurement, to which add the thickness of the metal, 
and we have 5^ inches for the hight, and 8 inches the diameter, ap- 
proximately. Then the dimensions of a stewpan of medium hight 
to hold a gallon would be 8 inches in diameter, and 5^ inches deep 
when finished ; therefore our pattern requires to be 25^ inches long 
and 6 inches deep, allowing }4 inch for lag. Cut out the pattern 
cramp it with a chisel and thin. (For the benefit of the learner I will 
here state that it is the custom among braziers to cut their cramps in 
heavy metal before thinning ; coppersmiths on the other hand do the 
thinning first, and cut the cramps after, and both ways have their 
advantages in particular cases which practice alone can teach and 
point out). Now form it and braze the seam as previously described ; 
clean off and knock down ; then stag in the lag, and thin the edge 
ready for the bottom ; put in the bottom and braze it round ; trim 
and knock down the seam ; anneal, and true up to size. The 
lag being carefully formed on the heel of a suitable head, as in Fig. 
174, it is now ready for the tinning. When tinned and scoured, it is 
first planished on a bright bottom stake, making the bottom level and 
true, and then the sides on a bright head in a shank, the smoothing 
being finished with a spring-faced hammer. The sides and bottom 



96 



ART OF COPPERSMITHING. 








ART OF COPPERSMITHING. 97 

completed, the lag was finished up sqtiare with a hammer, as shown in 
Fig. 175, and here is where the failure came in usually, by the lag be- 
ing cut through, or nearly so, at this point. The covers were first 
pitched with a square corner, as shown in the top illustration, Fig. 
176, the seat being turned with the long face of a coffee pot hammer. 
Fig. 177, and finished with a planishing hammer on the anvil, shown 
in Fig. 176. The work on the improved pan would be the same up to 
this point, the difference being in forming the lag round on the heel 
of the head, Fig. 178, it being made round and suitable for the pur- 
pose. This in time was superseded by a lagging machme, upon which 
dies or wheels (similar to a double seamer) of various sizes could be 
placed suitable for all kinds and sizes of pots and pans whose sides 
were made straight or parallel. The covers were also treated in the 
same way as the lag of the pan. About this time the burring machine 
was introduced for turning the seat of the cover and a few other pur- 
poses, and for a wonder it was received without much opposition. 

The tinning of these improved pans was carried down on the out- 
side from I inch to iK inches, according to the size of the pan, and 
was done as follows : The distance it was required to tin down, the 
side being determined, it was then marked off, and some wet whiting 
or black and size (plumber's soil) was carefully smeared on with a 
brush around and up to the mark, to prevent the tin from adhering 
further than the mark, and to keep it true to it. It was then im- 
mersed in a pan of liquid tin. Fig. 179 ; a clamp was then-applied, and 
while the operation of tinning was being proceeded with, inside the 
outside tinning was wiped off smooth and completed at the same time. 
The planishing was performed as before described, only the lag was 
carefully rounded with a mallet, and burnished to correspond with 
the other finish. The handles were lighter^ more graceful, and formed 
so as to be placed nearly in the center of the side; the flaps were of 
a triangular shape and light. Fig. 173 B, which gave the article a 
much more finished appearance, and displayed more tasty workman- 
ship. There seems to have been no- deviation made since either in 
the pans or their handles, or none to my knowledge. The old style 
handle and flap is shown in Fig. 173 A. When the pan and cover are 
finished, the handle of the cover is put on first, and then the handle 
of the pan. This rule is observed to insure both handles being close 
and in a line with each other, so that the cook could g';asp both han- 
dles together when necessary to move them about while in use. 



ART OF COPPERSMITHING. 



^^^S- 179- — Process of Tinning Rim Outside. 



ART OF COPPERSMITHING. 99 



STOCK POTS. 



Stock pots were made in several sizes, from 9 to 20 inches in 
diameter. The smaller sizes were from 9 to 12 inches in diameter 
and the larger from 13 to 20 inches. They were fitted with pipe and 
inside grating when required, as shown in Figs. 180 and 181. The 
work of making stock pots is the same as that of large deep stew 
pans, excepting that the cover is made to fit on over the outside, and 
deep enough to be used as a cutlet pan, the pot and cover being 
mounted with cast copper handles as shown. Stock pots are a good job 
when made well, and are usually given to old and experienced hands, a 
young man seldom getting a chance at them. I was never called on 
to make one, but have noticed that the tools and appliances used in 
their manufacture were not adapted to the job, and it is a little sur- 
prising that such good work was produced by their use. I will de- 
scribe the making of one of the stock pots of medium size, to hold 8 
gallons standard or American measure, and made from 40 pound 
plate, and as high as its diameter. The American or United States 
gallon contains 231 cubic inches, and the pot is to hold 8 gallons; 
then 231 X 8 = 1848 inches, and converting these into cylinderic 

inches we have — -^ = 2352.941, and extracting the cube root we get 
13.3, the diameter, and 13.3 x 3.1416 = 41.7832, the cir- 



I/2352.941 

cumference, or length of the pattern, and 13.3, the depth. Add to this 
^ inch for lag and we have 13.3 -1- .75 = 14.05, or a piece of cop- 
per 3 feet 6 inches by 14 inches for the pattern. Cut this out, cramp 
and thin; then braze the joint, trim, knock down and anneal; then 
put in the bottom and braze the seam. 

When a boy I saw my father working on these pots occasionally 
and dragging them about on the forge with a pair of tongs, and have 
often wondered since how it was that the old braziers never adopted 
the plan or seemed to think of putting their heavy work in a sling; 
for after working some years among railway and marine work I re- 
turned to some of the old shops to work again and found that there 
had been but little progress made. The same old methods were still 



ART OF COPPERSMITHING. 




Fig. \^.— Stock Pot. 




1| 



Fig. i8i. — Inside Grating 
for Stock Pot. 



ART OF COPPERSMITHING. lOI 

in use, and to introduce any new ones was almost certain to bring one 
into contempt, particularly if there was any large number of men 
employed. 

But to proceed. True the bottom on a square shank, using a suit- 
able head and carefully keeping the turn of the lag round and as large 
as the head will permit ; when this is completed, raise up the cover. 
This cover is raised from a disk, the size of which may be obtained as 
follows : Let the cover for this size be 2 inches deep, and its diameter 
13^ inches, so that it will fit easy; then 13.375 ^ 3-i4i6 x 2 = 84.0578, 
converting this into circular inches we have 84.0578 -^ 7854 = 107. 
Now square the diameter of cover, or 13.375, and adding this last re- 
sult we have (13.375)'" + 107 = 285.890625, and extracting the square root 

of this we get 2-^^ — 7: — 7 — =16.0 or 17. Raise up the cover to fit the 
^ i 285.890625 y ' ^ 

pot, tin them both, planish and smooth ; then put on the handles, 
those on the cover first, then on the pot, placing them in such a posi- 
tion that they will pass each other when being turned around on the 
pot. 



ART OF COPPERSMITHING. 



FISH AND TURBOT KETTLES. 

Fish and turbot kettles were made shallow and similar to stew 
pans. The work being of the same nature, a general description of 
them will avoid unnecessary repetition. There seems to have been 
one size for turbot kettles. They were made of light copper and of a 
suitable shape for the fish they were named after, they were about 
5^ inches high and wired at the brim ; the handles were 
placed at the two furthest corners ; the cover was pitched about ^ 
inch, similarly to a stew pan cover, as shown in Fig. 182. The inside 
was supplied with a perforated fish plate. Fig. 183, having two lugs or 
handles with which to lift it out ; the plate was tinned on both sides, 
planished bright, and then wired around the edge. The fish kettle, 
Fig. 184, was made oblong, with circular ends and straight sides, and 
about the same depth as the turbot kettle, and supplied with a fish 
plate. Fig. 185. Any workman who is skillful enough to make a good 
sauce pan may be trusted with the work of making either of these 
kettles without fear of failure. 



ART OF COPPERSMITHING. 



103 







104 ART OF COPPERSMITHING. 



BRAISING PANS. 



The body of a braising pan, Fig. i86, is similar to a fish kettle 
except in shape, which is nearly a true ellipse; the pan, which is about 
6 inches deep, is made strong and without wire. The cover is a diffi- 
cult piece of work and requires more skill, as will be seen by referiing 
to Fig. 187. Let us make a cover, and let the kettle measure 15 inches 

long and 11^ wide; then the circumference is-^^ x 3.1416 = 

2 

41.626. Now, the outside case or pan of this cover at a, Fig. 187, is 
about 3 inches deep, and the wire. No. 6, would require another y^ inch 
to cover it. The rim b which covers the kettle is i inch deep; add 
a quarter for seat and an eighth at c to turn on the inside to keep the 
cover proper in, the cover proper forming the bottom of the real 
braising pan. We then have for the width of the outer rim K + 3 
+ ji + 1 + }i = 4%. The strip, then, to form the upper pan of this 
cover would be 41^ inches long and 4^ wide. Cut it out, bend 
round and braze the joint; trim the seam, knock it down and anneal; 
take in a course on the head secured in a square shank, as shown in 
Fig. 188, until the size at x z, Fig. 187, is a good ^4 i^ch smaller all 
round than the cover M; now turn it up and work down the seat d with 
a mallet on an anvil, Fig. 189, and bring up the narrow rim to fit the 
rim of the cover M, Fig. 187. Next raze out the upper part or flare 
evenly all around until it measures i6^A inches the long way, and 
turn the edge for the wire; now make the cover M and tin it inside 
and scour clean and fit the cover to the rim, planish and smooth both; 
then put in the wire, set the cover in the seat tight; then turn the edge 
of the outside rim over it, as shown at r, which finishes the cover or 
real braising pan. Finally put on the handles and clean. 



ART OF COPPERSMITHING. 



los 







io6 



ART OF COPPERSMITHING. 




Fig. 189. — Working Down the Cover Seat. 



ART OF COPPERSMITHING. 107 



TEA BOILERS. 



Tea boilers, as shown in Fig. 190, were made 40 years ago, to fur- 
nish a reservoir of warm water, as well as to provide for boiling a 
larger quantity than the common sized tea kettle would hold. They 
generally stood on the hob of the iire place, and as close to the fire as 
was convenient, this gave place to the hob boiler, when the kitchen 
range was introduced, which cut off much of the brazier's work ; but 
they are still made and used occasionally in the rural districts of 
England. The swivel in the bail served to hang it by, where there 
was a bar in the chimney on which to hang the pot hook and rack. 
Fig. 191, the loop being made to hang on the teeth of the saw shaped 
plate, by which to raise and lower the hook on which the boiler hung 
by the swivel in its bail. Tea boilers were made from about the 
same weight of copper as the larger tea kettles, and to hold from 2 to 
8 gallons, advancing in capacity ^ gallon with each size, making 
nine sizes in all. We will make one to hold 4 gallons. Tea boilers 
were made of a cylindric form, as shown in Fig. 190, the same depth 
as their diameter, hence a boiler 12 inches in diameter would be 12 
inches deep. To find the size of the pattern or sheet to make a 4-gallon 
boiler we may proceed as follows : Four gallons (English measure) 
contains 277.274 x 4 = 1108.896 cubic inches, and converting these 
into cylindric inches we have 1108.896 -4- 0.7854 = 141 1. 891, and extract- 
ing the cube root of this we get ^1411.891 = 11.22, or about 11^ 
inches. Then 11.25 x 3.1416 = 35.343, or 353/^ inches for the circum- 
ference. As the depth is 11^ inches, add to this ^ inch for the lag, 
and % inch for edge to seam on the top ; then the pattern will be 
353/^ inches long by 12 inches wide, and made from 12-pound plate. 
Cut out the pattern, cramp, thin, form round, and tie with wire to 
hold while making the seam, Fig. 192, after which anneal and put in 
the bottom as previously directed. True to size, and run over the 
body with a hammer to stiffen it, and turn the edge for 
the top. The breast, cover and pipe are next in order. The 
breast has a rise or pitch of one-third, and the rim for the 
cover, from ^ to i^ inches deep, finished, according to size — that is. 



io8 



ART OF COPPERSMITHING. 





Fig. 190. — Tea Boiler. 



Fig. 192. — Body and Bottom of 
Boiler. 





Fig. igT,.— First Method of Formittg Tea 
Boiler Breast. 



Fig. igi.—Pot Hook 
and Rack. 



ART OF COPPERSMITHING. 



109 





^1 

55 




no ART OF COPPERSMITHING. 

after being wired. Now, the breast or top may be made in several 
-ways — namely, first, hollow it up and pitch the ring, as in Fig. 193, 
which is done in this way: After the ring is made and wired, take a 
creasing hammer and then sink the bead in a creasing stake, as shown 
in Fig. 194, and after putting the collar through the hole, as in Fig. 
193, turn the edge back, and close the bead and edge down close to the 
top at one and the same time. Second, the top may be cut out flaring 
or conical, as shown in B, Fig. T95, and the ring partly formed before 
the seam is made. The cone is shown by A B C, and the pattern and 
ring by x y z, m n ; the distance around the pattern x y z being six 
times the radius A D of the finished cone ABC. Cut out the pattern, 
cramp, thin, and then work out the collar or ring on an anvil or table 
of the side stake ; then braze the seam, finish the ring and wire. 
Third, cut out a disk so that its surface is equal to the breast and 
ring before wiring ; wrinkle it, as in Fig. 196, and form the 
ring O P, making the opening about 5 inches in diameter 
and the required depth, and then work out the wrinkles ; this can be 
done in one course, if necessary, and in as little time as either of the 
preceding methods, and is a much nicer job when finished ; now tin, 
planish, and wire. The cover is made in the same manner as are 
those for saucepans, and which has been previously explained. The 
pipe for this size should be about 7 inches long, i^ inches in diam- 
eter at the large end and to fit the faucet at the other. Cut out the 
pattern and make a cramp at each end. Fig. 197, and lay the edge 
close, when turned ready for brazing, then braze. Tin the inside of 
boiler, pipe and cover, then pitch the pipe for collar, similar to a tea 
kettle spout, and work out the collar in the side of the boiler about an 
inch from the bottom, to fit the pipe, as in Fig. 198 ; then brown the 
boiler, planish and smooth it ; next put in the pipe and double seam 
on the top ; put on the ears, bail and finally clean. 



ART OF COPPERSMITHING. 



C^^ 




Fig. 198. — Separate Parts of Tea Boiler. 




Fig. 197. — Pattern for Pipe. 



ART OF COPPERSMITHING. 



WARMING PANS. 



Copper warming pans were once quite largely in demand, and 
kept men busy at work for a considerable time during the year, as 
almost every household, rich or poor, possessed a warming pan, and it 
is presumed it would be a difficult task, to-day to find a house in the 
rural districts of England without its warming pan, many of them 
having been handed down from father to son for generations. Warm- 
ing pans are made or raised up and formed from a disk whose 
surface is equal to the surface of the pan and the cover seat, together 
with the covering of a 5-16 wire. They are wired as in Fig. 199, 
though they have been made so that the cover fitted into a ^ nm 
turned up on the pan, as in Fig. 200, and left without wire, but in such 
a case they must be made stronger, the joint of the cover being riv- 
eted to the socket, as shown. They were made in five sizes — namely, 
10, io>^, II, ii}4 and 12 inch. Let us make one to measure 11 inches, 
and from 10 pound plate (the plate or brazier's sheet, by which the 
strength was designated, measured 2 feet wide by 4 feet in length), 
and let it measure at the lag i}4 inches less than at the brim, as in 
Fig. 201. Our first move is to get the size of a disk equal in surface 
to the pan thus represented ; first the ring a, which is to cover 
the wire; then the cover seat d ; next the sides of the pan c, 
and then the bottom of the pan (/ ; these are all shown 
separately in Fig, 202. This is probably one of the best 
lessons in the trade for a boy (or man either) who desires to be fa- 
miliar with the art of measuring and converting surfaces into forms 
suited for the work in hand. It will be seen by referring to Fig. 202 
that there are four different problems involved in this calculation, 
— namely, the cylindnc ring a, the disk ring d, the flaring ring c, and 
the disk or bottom ^. Now we want to reduce these four 
problems to one form or denomination — that is, to one 
disk whose surface shall equal the whole of them taken to- 
gether. First, the cylindric ring a, to cover the wire, i^}4 inches 
in diameter and an inch deep ; then 13.5 =3,1416 x i = 42.4116 square 
inches. Next the disk ring d, whose outside diameter is 13^^ inches 
and inside diameter 11 inches; then 13.5'^ — 11^ = 182.25 — 121 = 61.25 



ART OF COPPERSMITHING. 



"3 







114 



ART OF COPPERSMITHING. 



^P\ "^ 







ART OF COPPERSMITHING. II5 

disk inches. Now the opening of the pan c at the brim will equal ii 

inches and at the bottom 9^2 inches and 3 inches deep ; then 

II + 9.5 -=- 2 X 3.1416 X 3 = 96.6042 square inches ; and last, the bottom 

d^ which is qYz inches m diameter ; then 9.5" = 90.25. Now we must 

reduce the surface of flaring ring c, which is in square 

inches, to disk inches also ; and the cylinder a which is 

now represented m square to disk inches ; to do this we 

96.6042 + 42.4116 
add them together and divide by 0.7854 ; then ^ 

= 177, and^adding these to the disk inches of the bottom 
d and ring b we have . 177 + 90.25 = 267.25, and extracting 
the square root of this last result we get 16.3477, or nearly 16^ 
inches, which will be the size of the disk for our pan. Cut it out, 
smooth the edges and describe the bottom d, as in Fig. 203, and start 
a course with a mallet on a suitable long head in a square shank, 
then take a razing hammer and raze down the wrinkles, working 
first on one side of the wrinkle and then on the other, then on the 
front of it, and continue until all the wrinkles are worked out and the 
rim has the measure of 13^ inches, as in Fig. 205, annealing at the 
conclusion of each course. Now work it up until the pan proper is 3 
inches deep, and measures 11 inches across the brim, as in Fig. 206. 
Then take it on an anvil, or the table of a side stake, and with 
a mallet raze down the cover seat or flange B, Fig. 201, leaving the 
edge of the wire standing, while the seat is brought down to its 
proper width, or \% inches wide all around, then anneal. Now true it 
up to size and shape, then planish and put in the wire. The cover and 
socket are next in order ; the cover is pitched about Y^. inch deep and 
wired on the edge, and a few small holes punched in it, as shown in 
Fig. 207 ; then planished and smoothed, leaving the cover raised or 
hollowed, and the bottom a little also, so that it will slide smoothly 
between the bed clothing. The cover joint, Fig. 208, may be hung on 
the wire of the pan, as in Fig, 199, or separate and riveted on the 
socket, as shown in Fig. 200. Now hang on the cover and rivet on the 
socket, Fig. 209, and put in the handle, which is usually about i^ 
inches in diameter and 5 feet long, turned from some nice looking 
wood and oiled ; then clean with tripoli and oil, and polish with the 
dry powder. 



ii6 



ART OF COPPERSMITHING. 




Fig. 207. — The Finished lVar7nittg Pan. 




Fig. 208. — Cover Joint. 




Fig. 2og.— Socket for Handle. 



ART OF COPPERSMITHING. 



17. 



PRESERVING PANS. 

Preserving pans, Fig. 210, were made in sizes ranging from about 
9 to 18 inches. These pans, like warming pans, have been kept and 
cherished as heirlooms, passing from one generation to another, and 
whea made strong are very durable — with careful usage they may be 
m good condition at the end of a century. Preserving pans are 
raised up from a disk similar to warming pans, and usually wired 
with a heavy wire; the pan should be strong, too; therefore let our 
pan be made of 20-pound plate and 15 inches at the brim, 14 at bot- 
tom and 414 inches deep, including the wiring edge; then a disk 
whose surface is equal to the surface of the pan is found thus : 

— X 3.1416 X 4.5 = 204.9894. Converting this into disk inches we 

204.9894 



have 



261, and adding this to the square of the bottom we 



0.7854 

have (14)^ 4- 261 = 457, and extracting the square root of this last 
result we get i'457'' = 21.377, or 21^ inches nearly, for the disk to 
make our pan of. Preserving pans are made in the same way as 
warming pans, described in the previous chapter. The first step is 
to mark the side of bottom on the disk and the second to form the 
side wrinkles for razing. When razed up to the proper hight turn 
the edge for wire, as in Fig. 211, and then planish and smooth, being 
careful to have the bottom level; the sides usually beige a little from 
the bottom up. Finally, put in the wire and clean up with tripoli 
and oil and then put on the handles. 




Fig. 211. — J^an Turned for Wire. 



Fig. 210. — Copper Preserving Pan. 



Il8 ART OF COPPERSMllHING. 



DRIPPING PAN AND LADLE. 



Dripping pans, represented in Fig. 212, which we will now con- 
sider, are utensils probably as old as any in the trade, and which are 
in almost daily use in all the old manor houses and baronial halls of 
England. Their name is suggested by the use to which they are 
put — namely, to catch the drip from large joints of meat while they 
are roasted before the kitchen fire, the spit upon which the joint 
revolves being turned by a chain from a smokejack. These pans are 
considered a good job, and, like stock pots, are usually made by old 
and experienced hands, or men who have been some time in the 
employ and have gained the confidence of the employer, and are of 
known and tried ability ; apprentices rarely have an opportunity to 
try their skill on these. Dripping pans have been constructed m 
several ways ; first, with the well in the center of the pan, or in the 
middle of one end, as shown ; sometimes with legs fastened to the 
pan ; at other times without legs, but made to fit in a frame with legs. 
They are usually made in any case as large as the sheet will permit, 
a sheet being 2 feet wide and 4 feet long, and the sides of the pan be- 
ing turned up some 3K inches and wired with a tV rod. The corners 
may be made square and brazed in the corner, or cut to form a round 
corner and brazed, or they may be wrinkled, and razed up solid, as may 
seem most advisable, or as the taste of the employer or the purchaser 
may require. We will make one to be 3 inches deep when finished, 
having the corners round and brazed, as shown m Fig. 212. The pan is 
shown bottom upward in Fig. 213. Let it be made of a common sized 
sheet and of 20-pound plate, and wired with a A rod, the corners to 
be part of an 8-inch circle at the top and flaring at an angle of 120° 
at the lag. Now, this would make the corners what the old braziers 
called " funnel fashion " — that is, if all the corners were joined to- 
jjether in one entire circle they would be in the shape of a funnel, of 
60° at the apex (see Fig. 218). Now, then, square the sheet as in Fig. 
216, and mark off around the edge the depth of the pan (including the 
edge for the wire), 3^ inches, drawing the inner lines parallel to sides 
and ends of sheet. Then draw the line AC, and with G C, 2^ inches, as 
radius, describe the arc G M, which is the size of the circle of the corner 



ART OF COPPERSMITHING. 



119 







ART OF COPPERSMITHING. 



£ 




Fig. 216. — Pattern for Dripping Pan. 




Fig. 21-].— Diagram for Cutting 
Corners. 




Fig. ai8. — Corners Bent to 
Funnel Shape. 



ART OF COPPERSMITHING. 121 

at the lag. Now look at the corner marked B. Draw the line 
Y C, extending it to Z, also X C to W, making the distance in each 8 
inches, and describe the arcs X V and Y U. (Every boy knows that a 
half circle turned round and the ends joined will make a funnel.) 
Then the circle in Fig. 217, which is intended to represent the four 
corners of the pan brought together, will be 8 inches in diameter, 
and to make a funnel this size it is necessary to have the half of a 
circle with a radius of 8 inches, or 16 inches in diameter. Let the 
circle, Fig. 217, be 8 inches in diameter; then N B D will be the half 
circle with a radius of 8 inches. Divide the circumference into eight 
equal parts, as D O, and make the distance X V and Y U in the cor- 
ner B, Fig. 216, equal to O D, and draw the lines V W and U Z and 
describe the arcs X V and Y U and P S and S I. Then cut out the 
pieces V S U and P S I, and the pattern for one corner is complete. 
Repeat the process at each corner. Cramp and thin; bend up the 
sides; bring them together and braze the seams; now trim and finish 
the corners and true up to size and shape, making the middle of the 
pan sag from i to 2 inches, so the drip will flow to the well. If the 
VvcU be at the end then the pan may be made enough deeper at one 
end, or the legs enough shorter, so the drip will drain to the well at 
the end. Next turn the wiring edge, tin, planish and wire. The 
well, which is next in order, is made about 9 inches in diameter ar^d 
formed like a basin, or half sphere nearly, as shown in Fig. 214, with 
flange % inch wide to rivet to the bottom of pan. The strainer 
ring and cover are made to fit tight inside the well. The ring 
is about 2 inches deep and goes into the well about Y^ inch; 
there are also slits, as shown, made at intervals of about 2 inches all 
around, so that no cinders may find their way into the well. When 
the well is made and tinned inside, and the ring and cover are tinned 
all over and ready, put in the well and scrub the rivets so the surface 
is smooth; now put the ring into the well tight and soft solder to its 
place. The ladle, as shown in the pan, Fig. 215, always accompanies 
the pan; it is made about 4 inches in diameter, and with the bottom 
like a shallow cup, the top being full of small holes to answer for a 
strainer. The ladles are tinned inside and out. The handle is made 
of iron and from 20 inches to 2 feet long, with a hook at the end 
by which to hang it. 



ART OF COPPERSMITHING. 



COAL SCOOPS AND COAL HODS. 

Bright copper coal scoops have been considered an adornment for 
the parlor, as well as a necessary accompanying adjunct for the fire- 
side, as long probably as any article which has been wrought out from 
this sheet metal. There has been called out in their production as 
much art and painstaking care, perhaps more, as in any other thing 
upon which the brazier has been called to exercise his skill. They 
have also unconsciously furnished a stepping stone or preparatory 
course for the perceptive and studious beginner at the trade. In the 
manufacture of the various kinds of coal scoops which have been in 
use up to the present time, scope is given for the execution of some 
of the prettiest work of which the workman, under ordinary every day 
necessities, is called on to perform, and, furthermore, they must give 
much satisfaction to the zealous worker for the labor bestowed. 
These goods may be made by a skillful workman in any shape to suit 
the taste and please the fancy of the most fastidious. They furnish 
•sometimes for boys, or young men who are approaching the end of an 
apprenticeship, an opportunity of becoming proficient in the use of 
a hammer. There is, however, little profit in coal scoops ; that is, in 
those ordinarily in use, for they were among the goods which were 
paid the least for, considering the labor necessary to produce them m 
such a maner as the purchaser desired. On this account men sought 
the assistance of a good careful boy when the opportunity offered, 
and in this labor a pathway was opened for the boy which was closed 
in other instances where better wages were given for the work. 

Coal scoops were made in a number of fashions, among which, 
besides the common hod. Fig. 21Q, w^ere the round mouthed scoop, in 
Fig, 220; the square mouthed or flat bottom, Fig, 221; the Tudor, Fig. 
222 ; the Florence, Fig. 223 ; the Nautilus, Fig. 224 ; the Royal, Fig. 
225 ; the Boat, Fig. 226 ; and the Helmet, Fig, 227. In Fig. 228 is 
shown a round bottomed scoopet and in Fig. 229 a flat bottomed scoopet. 
Some of these names are variable, according to the factories in which 
they are made, while others have had the same name from the time 
they were first designed. The hod has always been a hod, and the 
common round mouth shape, as in Fig. 219, has never received any 



ART OF COPPERSMITHING. 



125 





Fi^. 219. — Comvion Coal Hod. 



Fig. ■2'2\. — Square Mouthed or Flat 
Bottomed Coal Scoop. 




Fii^. ■2.20.— Rotmd Mouthed Coal Scoop. Fig. ■2'2'2.— The Tudor Coal Scoop . 



124 



ART OF COPPERSMITHING. 





Fig. 222.— The Florence Coal Scoop. Fig. 224 — The Nautilus Coal Scoop. 





Fig. 225. — The Royal Coal Scoop. Fig. 22fi.— The Boat Coal Scoop. 



ART OF COPPERSMITHING. 1 25 

Other cognomen ; the same with the helmet scoop, Figf. 227, which has 
always been wrought. The same and will probably continue to be, 
while the metal is used for this purpose. 

We will now endeavor to describe the manufacture of several 
scoops in which we participated some forty years since, and while 
there have been deviations made during this long time, judging from 
late observations, it would seem that nothing of any marked importance 
has been introduced to inconvenience one from resuming work as of 
yore. The hod seen in Fig 219 is of a cylindric form, the mouth be- 
ing shaped in front similar to one-half an elbow as far as the ears, 
while the other half curves or returns up a little at the back, perhaps 
i^ inches. Let us cut out and then work two of these hods 
bright, and let them measure 12 inches in diameter, and from the front 
of the lip to the bottom, 18 inches, and 13^^ inches at the back, or let 
A B G L K, m Fig. 230, represent the outline of the proposed hod, of 
which C D F H is the plan. To describe the shape of the top of 
hod, from A to B would be about 56^. From the point E, which is 
midway between M and H, on the line A H, with E B as radius, de 
scribe the arc B G, which completes the shape of top. To outline the 
pattern, divide the semicircle CDF into any convenient number of 
equal parts, in this case six. Lay off the distance O P, equal to the 
circumference of the circle C D F H, which divide into twice the num- 
ber of parts, as the semicircle C D F,and erect the parallel lines i, 2, 3, &c. 
Place the blade of the J-square at right angles to A K, or, which is 
the same, parallel to the stretchout line O P, and bringing it succes- 
sively against the points in A B G, cut the corresponding measuring 
lines, as shown. Then trace the curved line S I J through the points 
of intersection, which will give the form of the top or mouth of the 
hod. Now cut out and scour bright with sand, vitrol and water; 
rinse in clean water and dry in sawdust, and then remove the saw- 
dust; clean and place two together and dog them so that they will be 
held fast; then with a planishing hammer weighing about 4 pounds, 
proceed to a bottom stake or an anvil; planish the surface in regular 
blows, lengthwise or crosswise as is most practical, so long as the 
surface is treated regularly all over and not in a promiscuous way. 
When the surfaces have been covered entirely, take them apart and 
scour the hammered side with sweet oil and tripoli, and then polish 
with the dry powder, being careful that all dust and oil are removed. 
When this has been done go carefully over each one singly again 



126 



ART OF COPPERSMITHING. 






ART OF COPPERSMITHING. 



127 



with a smoothing hammer. When this course is completed, wire, 
form on a former, grove together, and then bottom. The back 
handle is of cast copper, filed and burnished; the cross handle or 
bail is of ^-inch pipe, filled and bent, then filed and burnished. The 
ears may be cast or wrought, and should be made so the bail will lay 
on the wire at the sides, but leave room for the fingers in the loop, so 
that the handle may be grasped with ease. When the hod and both 
handles are ready give the hod its final clean up, and rivet on the 
handles the last thing. 



:28 ART OF COPPERSMITHING. 



MAKING COAL SCOOPS. 

The plain round-mouthed coal scoop, as shown in Fig. 220, is made 
in four pieces, the bottom H and bridge B being shown separately in 
Fig. 23 T. The sheet and wire from which the bridge is made are 
shown in Fig. 232, while the foot is shown in Fig. 233. Let us work 
up two of these plain scoops, as shown in Fig. 220, and let them meas 
ure 15 inches when completed — that is, 15 inches from the back inside 
to the front of the mouth. Our rule for this particular kind of scoop 
was that the width should be four-fifths of its length ; hence the width 
of our scoop across the bridge B or back (see Fig. 235) would be 12 
inches from X to Z. The bridge itself was one-third the length of the 
scoop in width when finished, or 5 inches, and the bottom of foot C, 
Fig. 233, one-half the length of the scoop in diameter ; therefore, the 
foot C would be 71^ inches in diameter when finished. 

We will first describe the pattern for the bottom or body, H, Fig. 
231, as shown in Fig. 234, which from E to F, including % inch for 
wiring edge and }i for back edge, is 15^ inches, and from C to D is one- 
half the circumference of a 12-inch circle, with the wire edge added ; 

that is, C D = 0.5 x = 0.5 -f- 18.8496 = 19.3496, allowing >4 

inch for wiring; then, with the radius H C, equal to one-half of C D 
(9.67 inches), or 9^ approximately, describe the semicircle C F D 
and extend the ends on each side parallel to each other to M N. Then 
draw M N so E F will measure 15^ inches, which gives the pattern, 
of which two are to be cut. We next require the pattern of the back, 
as shown in Fig. 235. The semicircle X Y Z would be 12 inches plus 
the edges for seam, making 12% inches. The radii of arcs X O and 
N Z is one-third of X Z, with the edge for seam added, making 4^ 
inches. The radius of the arc O N is equal to X Z, with the edge 
added, or 12^4; inches. With S as center, describe the semicircle X Y Z 
and divide the diameter X Z into three parts, as X P, P R, R Z, and, 
with P X as radius, describe the arc X O, and, with R Z as radius, de- 
scribe the arc N Z. Then, with P M equal to 8 inches, erect 
the triangle P M R on P R, and, with O M as radius, de- 
scribe the arc O N, and we have the pattern for the back. 



ART OF COPPERSMITHING. 



129 





:>i s 





130 ART OF COPPERSMITHING. 

The length of the bridge (see Figs. 231 and 232) is found as fol- 
lows : It will be seen that the top part of the back is half an ellipse 
whose transverse axis is 12 and conjugate 9 inches nearly ; then 
the length of the bridge will equal one-half the circumference of the 

11- ^1 X 12 , 10.15 + 3.1416 , , . 

ellipse 9x12 thus : = 10.5 and — — - — = 16.4934 ; to this 

2 2 

add a ^-inch for groove and we have the length of the bridge, which 

is 17 inches nearly. Let it be 17 inches long and 5^ wide, including 

edge for wire and back, and we have the desired pattern. 

The foot is a part of a cone of funnel fashion and cut obliquely 
through the sides, as shown in Fig. 220. The scoop is set on the foot 
in this way to tilt it up, so that any drip from wet coal may drain to- 
ward the back rather than run out on the floor. In the foot repre- 
sented at C, in Fig. 233, the riveting flange is turned inside, as shown, 
but in the foot D (for an iron scoop) the riveting flange is laid off on 
the outside, there being no flange in front or behind, and only enough 
flange laid off to get three rivets in each of the flaps. 

In order to obtain the pattern for the foot let E F G H, in 
Fig. 236, represent the bottom of scoop and A B C D represent the 
funnel or foot adjoining the same. The part of bottom of scoop 
which joins the funnel, as X' L Z' is a semicircle struck from the 
center S'. Produce A B and D C until they meet in the point Y, 
thus establishing the apex of the cone. Draw the semicircle 
R S T, representing one half of the profile of the cone at the 
larger end or base. Divide R S T into any number of equal parts, 
as indicated by the small figure i, 2, 3, 4, &c. From the points thus 
established carry lines at right angles to A D, cutting that line as 
indicated. From the points thus established in A D carry lines 
toward the apex Y, as indicated by the dotted lines in the engrav- 
ing. The next step is to produce the opening of the funnel, as it 
would appear when viewed from a point opposite the end, or as in- 
dicated by M N in the engraving. Lay off the straight line M N 
parallel to the axis of the bottom, making it in length equal to A D 
of the elevation. Transfer to it the several points produced in 
A D by lines dropped from the points in the half profile R S T, 
and through the points thus established draw lines at right angles 
to M N, as indicated. Then, with the blade of the J-square placed 
parallel with M N and brought successively against the points 
in the line A D, cut corresponding lines drawn through M N. By 



ART OF COPPERSMITHING. 



131 




JFig. 235. — Obtaining Pattern for Back of Coal Scoop, 




-Fig. 236. — Elevation, Plan ana Developtnent of Pattern for Foot of Coal Scoop. 



132 ART OF COPPERSMITHING. 

this means half of the profile will be obtained, and from it 
the other can be duplicated, giving the required shape. In 
the same manner bring the blade of the f-square against 
the apex Y in the elevation and cut the center line I 7, 
thus obtaining the point X. Then, with a straight edge cutting X and 
brought successively against the different points in the profile just 
established, draw lines cutting the plan of the pipe, as shown by the 
small figures to the left of L. Then, with the blade of the J-square 
parallel with the axis of the bottom, and brought successively against 
the points thus established in the plan, cut lines of corresponding 
number drawn from the points in A D to the apex Y, or as indicated 
from C to B. This done, we are ready to lay off the pattern. With 
the blade of the J-square ii^rallel to A D draw lines from each of the 
points established between C and B, producing them until they cut 
the line A Y, as shown. From Y as center, with Y A as radius, de- 
scribe an arc, as indicated by U Z, and upon it step off the stretch- 
out of the profile R S T, as shown, marking the points, as indicated 
by the small figures. From these points draw radial lines to Y, 
as indicated. ■ Then, with Y as center, and with radii correspond- 
ing to the points established in A Y, as already set forth, 
describe arcs, producing them until they cut corresponding 
numbered lines drawn from the arc Y Z to the point Y. Then a line 
traced through the intersections thus established, as indicated by V 
W, will be the pattern joining the cone, as shown in the elevation 
from C to B. U V W X will be one-half of the pattern, and the whole 
pattern may be obtained by continuing the same process, or by dupli- 
cating. Allowance for joining to be made at U V, for wire on U Z and 
for the flange on V W. 

Having the four patterns, we are now ready to proceed. Dog all 
the pieces together, two and two, and planish them the first course, 
having previously cleaned them bright ; then take them apart, and 
with a clean flannel wisp scour with oil and tripoli and polish with the 
dry powder. Having carefully removed all oil and dust with a nice 
soft, clean rag, go over them singly again to smooth and finish. We 
are now ready to form and put the scoop together. First notch for 
wire and groove ; then break the bottom on the former, Fig. 238, 
by bending first one way and then the other, being cautious 
not to rib it ; proceed slow and easy, carefully avoiding sud- 
den bends. The former should be at least one-half the 



ART OF COPPERSMITHING. I33 

diameter of the scoop. When formed, turn the wiring edge and wire, 
letting the wire come within 2 inches of the notch on each side, and 
leave the edge open at the end on each side to receive the bridge 
wire. Now fold the grooving edge and wire the bridge, turning the 
edge on the inside and sink the wire into a creasing stake, the 
wire being left out 2 inches at each end of the bridge, as in Fig. 
232, and bent to hook hold of the bottom (see B, Fig. 231), 
and complete the wiring of the bottom. The wire of the 
bridge should butt the wire of the bottom in the middle 
of the ear. When this is done, groove the bridge to the bottom and 
finish the wiring up to the turn of the bridge. Now double seam on 
the back, then make the foot, which may be grooved together or riv- 
eted, the wiring edge being turned on the inside, and the flange for 
riveting to be about ^ inch, also turned on the inside. Now prepare 
the back handles and bails, and clean all up, putting on the handles 
the last thing. The loop for the scoopet should be about 2 inches 
wide and riveted to the bridge, in which the scoopet is placed when 
not in use. 

The flat bottom scoop, Fig. 221, is made m nearly the same pro- 
portions as the round mouth. Fig. 220, and the work is about the same 
or similar in the most essential features, the difference being only in 
its form, shown in the back. Fig. 239, which may be made either with 
the sides of the bottom straight or curved to suit the taste, as in Y or 
Z, Fig. 240. If the sides be straight, then the mouth is generally 
square or angular, as in Fig. 221, but if they are curved, then from 
the corner of the mouth to the ear it would usually be made curved ; 
they may, however, be made either way without offending the eye, if 

Note. — In an old shop I once saw and used a simple, yet effective, substitute for a 
tilt hammer, which is shown in Fig. 237. A large block was made fast to the floor, and 
an anvil some 8 or 9 inches square on the face set in it. There were four upright tim- 
bers fastened to the floor and ceiling. The hammer, which weighed from 10 to 14 pounds, 
was put on a long elastic handle, made of ash and having a sufficient spring to lift the 
handle after the blow was struck. The shaft was bolted, as shown, to the two upright 
pillars, and the hammer end of the shaft raised and made to work between two others, 
as close to the hammer as convenient. One man or boy gave the blow while the other 
manipulated the work under it. The block was of such a hight that a man could com- 
fortably slide the sheet or work it about on the anvil, which weighed some 75 pounds or 
more. The whole contrivance was considered a good tool then, and I have done, and 
seen others do, some good work with it ; the blow when struck covered a space as large 
as a half dollar. If a hammer like this were to be provided, the sheets could be planished 
the first course before the work is cut out. 



134 



ART OF COPPERSMITHING. 




Fig. 237. — Spring Hammer for Planishing. 




SO.i'U. 

Fig. 238.— Wooden Forme 



ART OF COPPERSMITHING. I35 

the work is done well. We will mark one out and describe the varia- 
tions which may be made in this class of scoop. Let it be required 
that the scoop shall be 17 inches ; then, as the back of a 15-inch scoop 
is 12 inches across at the bridg-e, 15 : 12 : : 17: 13.6 ; that is, 13.6, which 
in practice would usually be called 13^. Now divide the distance a b 
across the bridge into three parts, as in Fig. 239 ; that is, 

-^-^ = 4.5. Then on c d, with eg equal to a d, erect the triangle c g d 

and continue g d and g c to e and f; then with d i> as radius describe 
the arcs df and a e, and with radius g e describe arc e f; then draw b I 
and a h parallel to ^ ^ and c g, and h I parallel to a b, 
making a h equal to c k and b I equal to d k. Then h a e bfb I 
forms the back. If the side is to be curved, then with the radius a b 
describe the arc b I, as shown by the dotted line, and the form of the 
back is again complete. The bottom. Fig. 241, or body of scoop from _y to 
Tis 17 inches when finished; from w to ;c two-thirds of 17 or iifo inches, 
from 7V to u 6 inches, from u to v 10%. inches, from the notch s to w 
one-third of 17, or 5/^. Join^acP and «y thenay T is the pattern for an an- 
gular flat bottom coal scoop. If the bottom be curved at the side, then 
from the point g on the liney T, with q as. radius, describe the arcs 
shown by the dotted lines op and P s, and the pattern is indicated by 
the dotted lines from to/ and from P to^. The bridge finished will be 

5^% inches wide and one-half of — '- ^ x 3.i4i6,which is 18.0692, long 

without the grooving laps and edges. The foot. Fig. 242, may be 
marked out as in Fig. 243, and will very nearly fit, but not near 
enough. To meet this, in the absence of scientific knowledge, the 
foot is formed and placed in position on the scoop and marked around 
with a compass, and then trimmed to fit ; and this means often is 
adopted in practice to save time, even when the knowledge is 
possessed by the workmen. The Tudor, represented in Fig. 222, 
and the back of which is shown in Fig. 244, will now be con^ 
sidered. By examination it may be seen that the measurements are 
nearly alike. If the scoop is to have straight sides, then a h I b will 
represent the bottom or body, and a e f b the bridge, taking 
the dotted lines on each side as the shape. If the scoop is to 
have the sides of the bottom or body as shown by the semicircle 
a k b, then the bridge is again shown by a e f b, taking the solid line 
area on each side as the shape. In these Tudor scoops the patterns 



136 




ART OF COPPERSMITHING. 

/ 



Fig. 239. — Back for Flat Bottom Scoop. 





Fig. 240. — Bottoms with Straight and 
Cttrved Sides. 




Fig. -z^-z. — Section through Foot. 




Fig. 243. — Pattern for foot. 



/'i 


/r^ 






^/^ 1 


/ ^^ 


y^ 1 


'1 1 Nt. 


yy 1 


/ 1 ^\ 




/ 1 '^\r 


^ / i 


/ 1 

/ I 
/ 1 


/ i \ 


/ 1 


/ 1 \ 


/ 1 


/ 1 


\r 1 


/ 1 -k 


1 









Fig. 241. — Pattern for Bottom of Scoop. 



ART OF COPPERSMITHING. 137 

for the bottom were furnished to us ; the illustration will suggest the 
shape of the sides at the mouth, which is variable, according to the 
taste of the employer when he superintends the design. I may here 
say that while these different styles have been frequently made and 
were fashionable in their turn, I think, generally, those made easiest 
and with the fewest corners or angles were most popular, aad gener- 
rally took the best with the purchaser. The planishing is performed 
as described in the previous article, and the forming suggests itself. 
The scoopets were made similar and to correspond with the scoop, as 
shown ; the scoopets were usually made one-half the length of the 
scoop for this size, and 6% inches across the bridge ; that is, the 
scoopets were about one-eighth the size of the scoop. They were 
supplied with a socket and wooden handle, japanned, oiled or 
polished. 

The Nautilus is next in rank, and is represented in Fig. 224. In 
this style of scoop the bridge is formed in such a manner that it sup- 
plies one-half the back, which is razed down from the end of the bridge, 
as it were, while the other half of the back is raised up from the bot- 
tom or body. Now, these are a good job, and require altogether 
another method tor their construction than the preceding styles. 
The back when complete, it will be seen, is one-half a hollow 
sphere, the bridge being a little in excess in the front, 
to ornament or give a finished aspect to the scoop. Let 
us cut one out, required to measure 16 inches, and pro- 
ceed to work it up. Proceeding as before, 15 : 12 : : 16 : 12.8, or 12^ 

inches we should call it in practice ; then ^ 3-^4^ _ 20.0277 • 

2 • / / J 

that is, the circumference of the bottom half of the scoop is 20 

inches. Let Fig. 245 represent the pattern for the bottom of 

our scoop, to describe which we proceed as follows : Draw a b, m.aking 

it 20 inches from a to b, and erect the perpendicular ^ ^ at the 

middle ; now lay off the distance c d oxi perpendicular equal to 16 

inches. Draw e b and / a parallel to c d, and / e parallel to a b; then 

dividing f e into three equal spaces,/^, g h, h e, and with the radius 

fg (that is, g /), describe the arcs g m and h n, from / and k as 

centers, and we have the form of the mouth indicated by ?n g h n. 

Now we want the back, which may be raised up solid, or cut and 

brazed together if time is an object. If the end is raised up solid, 

it will be seen in Fig. 246 that the whole back finished forms a half 



138 



ART OF COPPERSMITHING. 





^ 






^ 




( 




Al \ 








r/ \ ^ 


'« 


.i 


/ \ 


\ 




\ 




1 




^ 


V J 




v^ 




/ ^-~- — """^^ 


y/ 






J 


K 


y" 



ART OF COPPERSMITHING. ^39 

of a hollow sphere approximately, the curve of the razed down 
bridge being made spherical, while the curve of the raised up back is 
elliptical in form when finally finished, u u being the foci. 
The pattern, however, it would seem, was cut to suit a spherical end, 
the deviation being made during the process of raising, as the surface 
is about the same or near enough for practice. Let the pattern then 
be made to suit a spherical back of 12^ inches diameter across the 
bridge, as above ; then from a to b, Fig. 245 is 20.0277 i'nches, and from 

{ ^ '^ \-v c u 

a to c one-half of a b, or 10.01385; then ^" ^ ^ = s u; that is. 

(i°;^y 5.00697 

\ 5-°° 97/ _ j2_g^ ^T^Q radius s b (that is, s u). Describe the 

2 
arc a u b, and the surface outlined by the segment a u b c will be equal 
approximately to the back required, but the parallelogram a T R ^ 
containing the segment a v b i^xn. excess of needs by the corners v R 
b and vT a, and the segment is lying the wrong way. Turn it, or 
describe it as shown by R r T z', and with the radius v R describe the 
semicircle R « T, forming the lune R ^ T ?/, and we have the pattern 
T U R « /« ^ in for the bottom or body completed. Now cut it out and 
wrinkle up the pattern around the lune, Fig. 247, forming at the same 
time the turn at the mouth as shown in Fig. 248, making the wrinkles 
small at the sides, and enlarging them in proportion to the sur- 
face to be operated on. Then take it to a suitable head, Fig. 249, in a 
square shank, as in Fig. 250, and proceed to work up the back until 
the distance across the bridge is 12^ inches and the back is the curve 
required. Now mark out the bridge, using Fig. 251, and the dimen- 
sions delineated hy a v b u, 2lS, in Fig. 245, leaving on one 
side enough in excess so that it may hang over in front 2 inches, as 
shown in Fig. 246. Extend Y u, Fig. 251, 2 inches to x, and form the 
lune a X b y, and the pattern of the bridge is complete, but without 
edges for wire or groove, which must be allowed and left on. To raise 
up the bridge, wrinkle the edges both sides. Fig. 252, in the same 
manner as the bottom, and sink the center in a hollowing block. Fig. 
253, letting the wrinkles firm regularly round the edge until the 
proper curve is reached. Then take it to the shank or bullet stake^ 



I40 



ART OF COPPERSMITHING. 





Fig. 248. — Mouth For»ied on Pattern. 



Fig. 247. — Wrinkling up the Pattern. 




Fig. 24g. — //ead Used in Working up Back. 




||i|piiiiiiiiiiiHi!iiiii!ii!iiiiiiMiifflMniTniimim — 

Fig. 250. — Working up Back and Bridge for Nautilus Scoop. 



ART OF COPPERSMITHING. I4T 

Shown at the right in Fig. 250, and with a razing hammer raze down 
the wrinkles one course, and then wrinkle again until the desired 
curve is obtained. When this is accomplished trim the edges on each 
side ready for the wire and groove, then planish and smooth both 
bridge and body, and wire both, leaving the wire out at each end of 
the bridge, and turn the grooving edge inside so that it will lap over 
the bottom. Now lock them and groove them together, letting the 
end of the bridge wire butt the wire of the body in the middle of the 
ear of the bail. Then make the foot and prepare the bail and back 
handle, and clean all up, riveting the foot and handles on the last 
thing. 

If the back of the body for a Nautilus scoop is cut to bring it near 
the shape required, and then brazed together, it may be formed, or 
the pattern may be cut as follows, see Fig. 254 : (The pattern of the 
mouth is the same as in the last example, and has been already 
described.) In Fig. 255 let A E C B represent the back of the scoop 
and A B the radius of the curve. Draw A D perpendicular to A B, 
and from B lay off the distance B C, one-fourth of the semicircle G E 
C B, and draw B D through C ; then B D in Fig. 255 will represent 
and be equal to a R, u R., T S and ^ s in Fig. 254, Divide a i> in Fig. 
254 into four equal spaces, aJ>,/> c, c and b, and with p c SiS radius 
describe the semicircle y p. Now, with the radius Ra (that is, D B 
in Fig. 255), describe the arc a u, and with S b, also equal to D B, de- 
scribe the arc T b. Then, with s oin Fig. 254 (that is, D C in Fig. 255), 
describe the arcs v and/ x^ making them equal to ^_>' and/j' respect- 
ively : join u x and T v, and the pattern is complete and ready for 
work. First punch two small holes at/ and and thin the edges and 
cramp them one side ; then form and bring the edges together and 
braze them, as shown in Fig. 256. Clean off the joint, knockdown and 
anneal and wrinkle the edges,as in Fig. 256, and then proceed to pounce 
the bottom into shape on a bullet stake, at the same time break- 
ing down the corner or lag along the curved seam. While this is being 
done, the side and bottom will bulge out sufficiently to give it the re- 
quired shape if it receive the proper treatment, which treatment, 
however, can only be learnt by practice or from a tutor on the spot. 
When the bottom is prepared, proceed as before to trim, planish, put 
together and finish. 

The Royal comes next. This scoop has no bail, but is mounted 
with a handle similar to the back handle, as shown in Fig. 225. The 



[42 



ART OF COPPERSMITHING. 





Fig. 2^\.— Pattern f 07- Bridi;e. 



Fig. 253. — Sinking the Center of t/ie Bridge. 




Fig. 252. — Bridge with Edges Wrinkled. 



ART OF COPPERSMITHING. 



^43 



; 
/ 

/ 
/ 


OS 

t5 


^\ 


// 
// 

V 






'"5 
O 




\ 

\ 


rt 





144 ART OF COPPERSMITHING. 

bridge is made a little stronger and the wire about two sizes larger 
than usual, to strengthen the bridge enough to bear the strain of 
carrying when filled with coal. The pattern for the bottom may be 
the same as for the round-mouth scoop, or, as is sometimes done, made 
a little fuller, or to rise about i inch in the curve at the mouth, 
as shown in Fig. 257. When the bridge, see Fig. 258, has been brazed 
to the bottom, the back end is wrinkled and razed in, forming the 
curve, as shown in Fig. 257. After this is done the back is cramped 
in. The wiring is made to go completely round the scoop, commenc- 
ing and finishing in the middle of the bridge. The scoopet is made 
to correspond with the scoop. 

The Boat, Fig. 226, is next in order. It will be seen that this 
scoop is formed like and a little in excess of three-fourths of a sphere 
that is, up to and where the lip commences the back and bottom, so 
far as the ears are, are formed similar to the Nautilus ; the other 
quarter, when half up, being worked out again to form the lip, similar 
to an earthen jug. Let it be required to make a Boat scoop of the 
same dimensions as the Nautilus — namely, 12^ inches across the 
bridge. The bridge may be cut from the pattern already described 
(allowing for the extra dip in the front), and the bottom may be made 
thus : Conceive the bottom to be one-half a sphere, 12^' inches in 
diameter, then a disk whose surface, is equal to this half sphere of 
12% inches will be : 



/ 



12.75 ^ 31416 



0.7854 = '^-"'^^ 

Then draw the line A B in Fig. 259, making it 18 + inches long, and 
draw D C at right angles to it ; then with the radius P C describe 
the semicircle A C B. This forms the pattern for the back of the 
bottom, A E B for the front, and the lune A D B E is the pattern for 
the lip. Then A D B C is the pattern required for the bottom of the 
boat scoop without wiring edge. Wrinkle up the edges and raise up 
the back and sides with a razing hammer on a bullet stake until the 
curve has reached the middle of the back, and as far as the lip in 
front, leaving wrinkles enough to form the lip in the second course ; 
then proceed to work back the lip of the mouth with a round-faced 
mallet, which will require perhaps three courses. After the 
desired shape is obtained, planish and smooth ; then wire both bridge 



ART Of7COPPERSMITHING. 



145 




Fig 257. — Side Elevation of Royal Sco 




Fig. 258. — Patterns for Botto7n and Bridge of Royal Scoops 



146 



ART OF COPPERSMITHING. 




Fig. 259. — Patte7-n for Bottom of Boat Scoop. 




Fig, 260. — Side Elevation of Helmet Scoop. Fig. 261. — Body of Helmet Scoop Brazed 

Together. 



ART OF COPPERSMITHING. I47 

and bottom as directed for the Nautilus and put them together ; 
clean up and put on the mounting. 

The Helmet scoop, Fig. 227, was considered at one time by old 
braziers as the summit of excellence in this line ; but I think that a 
careful study of the subject will show that there is as much or more 
skill required to produce the Natilus or the Boat as is required for 
the Helmet. They however, all demand proficiency and along, care- 
ful training with much patience to acquire the skill necessary for the 
execution of the various steps through which they pass to completion. 
In my boyhood we knew nothing of buff wheels or any of the other 
devices which have sometimes been used to substitute this labor ; our 
work was smooth and complete from the hammer except the final 
scouring to remove the hand or finger marks. While it was a tedious 
task to acquire this proficiency, it was a continual source of pleas- 
ure and profit to any who possessed the attainment. 

We will make a Helmet scoop, and then describe the planishing 
and smoothing as I was taught to do it. ' It will be seen by reference 
to Fig. 260 that the scoop-, if made true by a workman, is two-thirds of 
an ellipse, with the lip added, as shown by the outlines G D A C. The 
foci of the ellipse are B and S, which are obtained thus, and form the 
foundation of the work. Draw B A equal to the depth of the scoop, 
and D C at right angles to it ; divide B A in two equal parts at S, and, 
with. S A as radius, describe the arc I H ; then with S A lay off from A 
each way the distances A I and A H, and through S draw the line H 
N, cutting the line N B C at N. Now, with K H describe the arc H 
C, and with J I describe the arc I R, and draw R D at right angles to 
N D ; with N D as radius describe the arc G D, and G D A C forms 
the outline of the body required. Continue I M through M to F, and 
with B A or K H describe the arc X B C, and join G X, giving the 
curve of the mouth when finished. To fashion this we must prepare 
a cylinder, indicated by the dotted lines running through E B C P O 
in Fig. 260, and more clearly shown in Fig. 261. The envelope or pat- 
tern for Fig. 261 may be drawn similar to that described for a coal 
hod in a former chapter. The pattern then being given cramp, put to- 
gether and braze, trim the joint, knock down and anneal, then wrinkle 
at O P, and on a head in the square shank raze in the end so that 
the seam of the bottom may be covered by the edge of the foot when 
riveted on. When the proper size, stag in the edge to stiffen, and 
proceed to work out the lip, after which put in the bottom and true 
up to shape and make the foot ready. 



148 ART OF COPPERSMITHING. 



PLANISHING AND SMOOTHING. 

Planishing as understood by braziers is the art of first molding 
smoothly or shaping the metal when first formed ; second, hardening 
or closing the grain, and third, by the aid of the hammer giving it 
a gloss or a kind of case-hardening sufficient to receive the final polish 
with tripoli, which is a very fine powder having a purple hue. To 
planish the goods under consideration, it is necessary to have the 
heads as near their curves as possible, and the square shank of the head 
should be taper enough to make it fit tight into the tools which receive 
it ; the convex curves of the round heads may run from 4 inches 
to 2 feet or more, the long heads the same, the long heads being 
about twice their width in length. It is also necessary to have a few 
saddle heads for such work as requires them, and though we had no 
bright mandrels then, later experience has taught me that they would 
'have been better adapted to our use for many things than the little 
short heads we had. Our hammers were various, some with round 
and some with square flat faces, see Fig. 262, or commonly called so, 
and ranged from 10 ounces to 3 or more pounds. The concave ham- 
mers. Fig. 263 — that is, those whose faces are hollow — ranged from 
a circle of 4 or 5 inches to 15 inches, and were used for spheri- 
cal or ball-shaped work. The saddle hammers. Fig. 264, and 
those with long faces were used for such work as helmet scoop lip ; 
we also had a number of bright bullet or convex hammers for special 
purposes. 

Now, let us suppose we have heads and hammers suitable for the 
Royal scoop, and that the scoop has been scoured clean and bright. 
We first take it to a long head, and commence by smoothing down all 
the irregularities with a clean, smooth-face mallet. Take then a 
suitable flat-faced hammer weighing, say, about i pounds, and com- 
mence with blows from back to front in the middle of the bottom, 
and in regular succession until the edge is reached, making each line 
of blows lap a little at their edges; now work up the other side 
and over the bridge. Then proceed with the back in circles on a 
bullet stake, or a head in an upright shank, the same way until the 



ART OF COPPERSMITHING. 



149 




Fiq. 262. — Routta-Face Hammer. 








Fig. 263. — Concave-Face Hammer. 



Fig. ■2'ai\. — Saddle-Face Ha?nmer. 



150 ART OF COPPERSMITHING. 

first course is completed. Next give it a good rubbing down with a 
clean rag, so that the blows of the next course, which is done with a 
spring-faced hammer, may be readily seen. When this course is fin- 
ished the scoop should be in good shape. With a flannel wisp scour 
with sweet oil and tripoli, and clean off carefully all oil and dust. 
Look over and examine to find omitted spots and touch them up. 
Then muffle the head with a piece of shalloon or a piece of skin parch- 
ment drawn tight over it, and go over the work lightly to finish. The 
spring face may be changed from hammer to head, according to the 
ingenuity of the workman and to suit the work in hand. The shal- 
loon supplies the place ot a spring face, as also does the skin, their 
purpose being to take off or counteract the effect of the impact of the 
hammer, the impinging of which on a naked head causes a sharp 
ridge all around the blow, and this can only be obviated by the 
muffler inside or by the spring face outside. The concave 
and all other hammers may be fitted with false or spring 
faces, according to the work for which they are to be used. 

The parts of the Nautilus may be treated in the same manner as 
directed for the Royal. The Boat and Helmet scoops will call into 
requisition both flat and concave, as well as long and saddle-faced 
hammers. In working around the lip of these scoops it should be 
stated that the lips should be bright and smoothed on the inside as 
far as the eye catches them at first sight ; the rest is left dead — that is, 
as the skin or shalloon leaves it, clean but dull, not bright. 

The planishing described in the foregoing is for the best kind of 
bright work. The next grade is for common brown work, which is 
finished in two courses. The brown used is good Spanish brown, put 
on dry with a tow wisp, well rubbed into the grain and applied so that 
plenty hangs on, but uniformly all over ; it is then hammered into the 
grain in the first course, and then smoothed in the second. Another 
style of planishing is executed in a way that every blow may be seen 
distinctly and in regular succession, and is adopted in that kind of 
goods where closing the grain or hardening is the principal object m 
view, as in washing coppers and some other work ; while for many 
rough kinds of braziery, such as carboys, sugar molds, pump heads, 
air vessels and various kinds of boilers, the hammering is done in a 
promiscuous way, so long as the surface is covered and the work 
hardened sufficient to maintain its shape. 



ART OF COPPERSINIITHING. 



CRANES OR SYPHONS. 

Cranes or syphons may be said to possess or perform the func- 
tions of a self-acting pump, but their operation, in reality, is only the 
effect of destroying the equilibrium of the liquor by the unequal 
lengths of the legs or ends of the bent tube through which the liquor 
passes. The liquor acts as if it were a rope hanging or passing over 
a nicely adjusted pulley wheel, Fig. 265, the excess of weight on the 
one side pulling the lighter or shorter end over; or, as the perpendic- 
ular hight of the column A C, Fig. 266, is greater than that of B D, 
and the pressure of the atmosphere the same at both orifices, the 
pressure or weight of water at C is greater than at D, and therefore 
the weight at A, Fig. 267, overbalances that at B, and draws the 
liquor over the bend. In the meantime the atmospheric pressure at 
the end B is forcing the liquor up through the orifice at B, and it con- 
tinues to flow from A until the liquor in the vessel falls to the level 
of the orifice B. These simple machines were made for, and are 
principally used by, brewers and wine and spirit merchants to draw 
off the contents of casks of various kinds, where it is not desirable 
to insert a faucet. They are usually formed of a copper tube about 
i}( inches inside, and with a cock at the longer end, as shown in Fig. 
268, for the purpose and convenience of stopping the flow when 
necessary. They are also supplied with a small tube, E, running 
along the side, by which the liquor is made to flow when 
the air has been exhausted through it by the mouth, the long 
end of the syphon being stopped with a cork or by the hand covering 
the orifice, or the syphon may be charged through a stopcock with 
funnel at the crown G when the liquor to be drawn off is of an offen- 
sive nature, as is sometimes the case. The inside of the bend H is 
reinforced with a saddle piece from A to B to protect the bend from 
the hoops of barrels being emptied. The stopcock was soldered to its 
place and the end lengthened out with two plumbers' joints, D and F, 
and the ends strengthened as. at C, to shield it from contact with the 
ground while moving it about when in use. A pipe of 25 to 30 pound 
plate was considered fairly strong. 

We will make one, and let be i^ inches inside (the thickness of the 



152 



ART OF COPPERSMITHING. 




Fig. 265. — Rope and Pulley Illustrating 
Syphon. 



,..C iC. 

'••A. 



Fig. 266. — Water Columtts in Syphon. 





Fig. 267. — Syphon in Operation. 



4k 

Fig. 268. — Copper Syphon. 



ART OF COPPERSMITHING. 153 

metal will be about 1-16 inch) ; then to make pipe a 1-16 inch thick and 
1% inches inside diameter we have 0.0625 + ^-^S x 31416 = 4.1232, or 
4}^ inches wide, and some 7 feet long.* Now thin the edges on oppo- 
site sides and trim and smooth them with a file and anneal ; when 
cool scour clean and take it to a vise and with a razing hammer sink it 
between the jaws of the vise or some other suitable tool, such as a 
blacksmiths' swedge block (if handy). When half turned finish it on 
I inch steel bar, closing the edge uniformly down the whole length. 
Now jar some borax and water through the joint and charge it with 
solder, which may be done on the outside or inside, as preferred by 
the operator, although it is the best job when charged inside. Dry 
carefully, and when the borax is all down run the solder down the 
joint with a moderately brisk but clean fire. When cool examine and 
repair any deficiency ; then trim the joint and swage on the bar; then 
anneal, and fill with rosin, and in the absence of any other conven- 
ience it may be bent in a well-worn hole in the edge of the bench. 
Before bending see that the edge of the seam is perpendicularly in 
the center of the pipe and that it laps toward the inside of the bend> 
because if it is bent with the seam lapping toward the outside there 
is a tendency to break. Be careful that no cinders or other foreign 
matter gets into the pipe ; and have the rosin clean and solid when 
cool. When bent and the resin has been taken out solder in the sad- 
dle piece, A B, put on the rings, C and K, and fasten in the cock; next 
put on the air tube, F, below the cock, clean off all the soft solder 
practicable and finish up clean, 

* Note. — The fii'st syphon I saw when a boy was made in three pieces — that is, the bend and 
two legs soft soldered together. The reason for this was, our sheets were only 4 feet long ; and 
again, our forge was not adapted for this kind of work. The next one was made in two pieces 
and brazed together and bent after. The last one was in one piece of solid drawn tube with 
the cock and the air tube brazed on. 



154 ART OF COPPERSMITHING. 



PUMPS. 

Copper pumps, or rather pump heads with cylinder, have been 
and are now made in several different styles and shapes to be used 
for various purposes; among which are those made for brewers and 
bargemen, tanners, oilmen and others. The pump illustrated in Fig. 
269 is the simplest kind made, so far as the brazier is concerned. It 
consists of a straight piece of pipe of the desired length, usually from 
8 to 10 feet long, with a flange at each end, the head being made large 
enough to hold about two strokes — that is, to have room enough so 
that it may not overflow while in operation. The head is a straight 
cylinder, Fig. 270, having the bottom turned in far enough to take 
the bolts so that it may be bolted to the flange, as shown, the bolt 
heads being on the inside; the spout. Fig. 271, is flanged and riveted 
to the side of the head near the bottom. The iron ring and double 
eye, Fig. 272, in which the handle works, is then riveted to the top 
edge and the copper turned over evenly all round the rim. 

We will make one 10 feet long from bottom to spout, and let it be 
1-16 inch thick and 2^ inches in diameter inside; then we have 0.0625 + 
2.5 X 3.1416=7.2648, or 7^ inches; cut the strip and trim the edges, an- 
neal and scour clean. Now lay it in a trough. Fig. 273, made by a 10 
X 2-inch oak plank, having two other pieces 2 inches thick fastened 
to its sides, making a trough about 5 inches wide. With a mallet sink 
the sheet in the trough; then turn it over on the mandrel and finish 
the turning, being careful to keep the seam straight and closed down 
evenly (I have sometimes put a cramp at each end and one in the 
middle to keep the joint close). Now jar some borax and water 
through the seam and with a reed. Fig. 274 (that is, a strip of light 
copper about i inch wide turned half round), filled with solder, charge 
the seam by sliding the full reed through the length of the pipe, and, 
turning it over on the joint, jar the solder out of the reed and remove 
it. Take the tube to the fire and dry it; then gradually make it hot 
all along, and when the solder is all down, run it down the seam on a 
moderately brisk; fire. When cool examine and repair all faulty 
places, if there are any; clean off the joint and planish on a smooth 
mandrel as near the size as you have at hand, and then braze on the 



ART OF COPPERSMITHING. 



55 




:?3 






^56 



ART OF COPPERSMITHING. 




Fig. ■2']^.— Barge or Tanners'' Pump. 




Fig. 276. — Head and 
Cylinder . 



Fig. ■z-j'&.—Pump 
Barrel. 




Fiq. ■2']-].—Piimp for Pipe or Hose 
Connection. 



ART OF COPPERSMITHING. 157 

flanges. Make the head to hold, say, i gallon. A strip of copper 24 
inches long and 6 inches wide would make i gallon head, but there 
must be in addition i inch to turn in for bolts and Yz inch to turn over 
the iron ring, making the width, therefore, 7}^ inches. Cut it out and 
work it up, and make the spout 2 inches in diameter, flange it, fit it 
and rivet it on, and then bolt the head to the flange and clean up. 
The cylinder for this pump is made of gun metal and the clacks are 
all ground in the pump, as it is used principally for hot work. 

The next pump. Fig. 275, is used by bargemen, tanners and others 
to pump liquids from barges and tan pits, wells, cellars, foundations, 
&c. This pump is somewhat similar to Fig. 269, but is usually fur- 
nished with a wooden bucket and leather clack; the bottom clack is 
also of leather, although it may be, and often is, fitted with brass 
bucket and clacks when made for brewers. The pump, when com- 
plete, is usually 10 feet from bottom to the delivery spout, but they 
are made whatever size is required, so that any number of men may 
be used to work them. It will be seen that the cylinder of this pump, 
in which the bucket or plunger works, is enlarged, and forms part of 
the pump, and is drawn in small enough to suit the suction pipe, 
which is invariably the same size as the bucket clack, so that the full 
column or capacity of the suction pipe may be thrown from the de- 
livery spout. When this pump is correctly made the barrel is per- 
fectly cylindrical, and is a good job when completed. Let us make one 
and suppose the cylinder to be 4 inches in diameter inside and 2 feet 
'long, and let it be 1-16 inch thick; then 0.0625 -i- 4 x 3.1416 = 12.75, the 
circumference or width of the sheet required. Cut it out and trim off 
the burrs and trim; cramp, making the cramps about 2 inches long, 
turn and bind with wire, and close down the joint carefully, so that the 
inside is smooth; that is, after the joint has been laid with a hammer. 
Then take a mallet and with a few smart blows bring the joint down to 
the spindle, which should not be less than 3 inches in diameter; next 
charge the joint and let the solder follow the zigzag course of the 
edges of the cramps; dry and heat the back of the pipe to take off 
any spring, and then turn the joint to the fire, and run it down, care 
being taken that the fire is clean. The suction pipe is made in a 
similar way, but need not be cramped. Flange the cylinder G, Fig. 
276, and draw in the end, making a collar, say, i^ inches wide, and 
fit the suction pipe to it and tin both parts of the joint. Make the 
head Y, Fig. 275, about 8 inches in diameter and the same in depth to 



158 ART OF COPPERSMITHING. 

the turn of the bottom. To do this there is required a strip 10 inches 
wide, together with y^ inch to turn over the ring and double eye, 
making a strip 10^ wide by 2^% inches long. Cut it out and form 
and raze in the bottom end of G, so that the hole is 4 inches. The 
barrel, or cylinder, may now be riveted to its place and the suction 
pipe joined to it by a plumber's joint, D, Fig. 275, or it may have a 
socket joint, Y, also soft soldered. Solder the length of pipe together, 
making the whole, when complete, 10 feet from bottom to delivery 
spout. Now put in the lower clack about 12 inches from the bottom, 
then the bucket and clean up. The next pump, Fig. 277, is made in 
every way similar to the last, excepting that it has a flange brazed at 
the bottom of the barrel, Fig. 278, while the additional coupling flange 
is attached to a piece of iron pipe and screw threaded, for iron pipe or a 
leather hose. 

The pump, Fig. 279, is used by oilmen and others to lift oil out of 
barrels and is a good job for a young man approaching the end of his 
apprenticeship. The head is made spherical, and the spout after being 
bent extends from the pump about 2 feet. The pump from clack 
to delivery spout is usually irom 4 to 5 feet long and 2 inches in 
diameter. The spout is tapering from t^ inches at the bend to 2 at 
the flange. This head may be formed from a strip of metal the 
required size, as shown in Fig. 280, the two ends being razed in 
similar to a round tea kettle body, leaving the wiring edge as the work 
proceeds. When the bottom end is razed in sufficiently the short 
flange pipe or flanged collar is cramped in as shown and brazed; the 
head is then planished brown and wired and the collar tinned. The 
flange of the spout. Fig. 281, is worked out so that it will fit on the 
underside of the head to empty it and the operation of flanging is 
performed during the turning; that is, it is begun while flat, and as 
the work proceeds the spout curls round the seam, being on the under- 
side. When flanged and the seam soldered, fill with rosin or lead and 
bend the end. Now make the pipe. Fig. 282, and let it be 2 inches 
inside diameter. Cut out the strip, thin, sink in trough, Fig. 273, and 
finish, turning on the bar and making the joint straight. Solder it 
downward, clean off and put it on the bar. Fig. 283, then with a swage 
and a sledge hammer smooth the pipe, making it cylindrical and 
smooth, so that a brass plunger or bucket will work uniformly through 
it. Next swell out the end to receive the collar of the head. Fig. 284, 
which must be the same size as internal diameter of the pipe, so that 



ART OF COPPERSiMITHING. 



159 




[6o 



ART OF COPPERSMITHING. 




^ 




ART OF COPPERSMITHING. l6l 

the joint may be smooth inside. Rivet on the spout, solder in the 
head, fit in the clack and the bucket, put in the handle and clean 
all up. 

The next pump, Fig. 285, is called a single jigger. This pump is 
mounted on a heavy cast-iron plate with avenues or water courses on 
the underside. The cylinder and first bend with flange is cast of gun 
metal, and the stand or upright pipe and air vessel are made of 
copper. The outlet or discharge pipe may be either soft soldered or 
plain, or it may be riveted and soldered, or brazed on. The air 
vessel may fit on the inside or end of the pipe, or be swelled 
out to receive it. The' handle, or jigger, is fastened to the stand pipe 
with a clamp and bolt, which is made to form the double eye for the 
jigger which is suggested by the sketch. 

The last or double-jigger pump is shown in Fig. 286, and as far as 
the brazier is concerned, is the same as the pump, Fig. 285, with the 
addition only of the J piece at Y, the cast-iron plate also being 
made larger to conform to the needs of the two cylinders forming the 
double-action pump. 

And now in closing my recollections of light sheet copper work- 
ing or braziery, from early childhood to manhood, if I have been 
fortunate enough to have supplied the means of helping some 
struggling, earnest boy on the road to success, the purpose of these 
articles is acccomplished. At the same time, it is hoped by the writer 
that they may be read with a degree of pleasure and profit by some of 
the elders of the craft. 



l62 ART OF COPPERSMITHING. 



RAILWAY AND MARINE 

COPPERSMITHS AND THEIR APPLIANCES 

Men skilled in the art of working sheet copper are usually divided 
into three classes, which may almost be designated as three separate 
trades. The first and most ancient have been known for centuries as 
braziers. These men were employed in the manufacture of all kinds 
of cooking utensils, transmitting their craft from father to son for 
many generations, and have guarded their patrimony with a jealous 
eye. The next division was turned in the direction of larger and 
heavier vessels, such as brewing coppers, tallow coppers, dyers' cop- 
pers, stills of various kinds and vacuum pans for refining sugar, worms 
and coils, pumps, and many other heavy articles and vessels. These 
men are called coppersmiths, and properly so, because a majority of 
their work has no need of soldering or brazing, and as a rule they are 
poor brazers. With the advent of the steam engine another and third 
branch was called into existence. These men are employed about 
locomotive and marine engines, and seldom seek employment in any 
other line. Their work principally consists in making pipes of various 
sizes, forming bends, tee-pieces, cross-pieces, and, in fact, twisting a 
copper pipe into any conceivable shape required to fit the position it 
is intended to occupy. We shall for the present engage the attention 
of the reader to this last class of coppersmiths, and endeavor to de- 
scribe a well-appointed shop for this kind of work. The first and 
most essential thing for a healthy coppersmiths' shop is a lofty, 
spacious room ; if possible, not less than 20 feet high, with a floor 50 
X 60 feet ; the light should, if practicable, come from the roof through 
opaque glass ; the roof should be furnished with dormers having mov- 
able slats, which may be raised and lowered as occasion requires to 
let out the fumes and gases that arise from the fuel in the forges and 
from the metal which is being worked, for they are often of a most 
repugnant and almost suffocating nature. The room having been ob- 
tained and provision made for the easy exit of the poisonous gases, 
benches for the accommodation of from six to ten men may be erected 
and fixed firmly against the wall on one side of the shop to suit con- 
venience, as shown in Fig. 287. The benches should not be less than 
3 feet wide and 3 inches thick, of some hard wood. They should 



ART OF COPPERSMITHING. 



r63 



TOOL BLOCK 



J L 

MANDRtL BLOCK 



SHOP 

5o'x 60' 



BENDING BLOCK 
□ 



CAULDRON FURNACE 



n o g 



^ 



BRICK FORGE 



□ 



BRICK FORGE 



□ 



n ' 



Fig. 287.— /•/«« of Shop. 



164 



ART OF COPPERSMITHING. 




ART OF COPPERSMITHING. 165 

be provided with capacious drawers for the tools of each man, with a 
vise at each drawer, Fig. 288, the vises being not less than 8 feet 
apart. The bench may reach as far as necessary along the side of th& 
shop, and may turn at the end as far as the door. The doors should 
be in the middle of each end, and large enough to allow such work to 
pass through as is likely to be done, and admit a current of air readily 
when necessary. On the opposite side of the shop three forges may 
be placed, two made of brick, and one. A, of iron. The two of brick^ 
Fig. 288, should be about 3 feet high and 3 feet wide, and reach 5 or 6 
feet from the wall. In the center of the top is the fire hole, which is 
about 10 inches wide and 12 long and from 8 to 10 deep. The blast 
can be supplied in the most convenient way, either from a fan or a 
large bellows ; if from bellows, they should be hung overhead out of 
the way, so as to be convenient for the two outside forges, pipes being; 
laid so the blast can be carried from one fire to the other, and to alll 
if necessary. The iron forge. Fig. 289, should be made of ^-inch' 
boiler iron, and so constructed that the side leaves can be taken off 
easily when necessary. 

In the spaces between the three fires should be two pits of con- 
venient depth to receive from 8 to 10 feet of pipe. These pits are 
about 3x4 feet and 6 deep, and covered with a lid of 2-inch oak plank; 
one plank of the lid or cover being left loose, to give access to the 
pit. In one of the outer corners of the pits a blast pipe is fixed for 
work which must be done over or near a pit. On the same side of the 
shop is a bin to hold coke, Figs 287 and 289, and which is placed close 
to the door. On the opposite side and in the space from door to wall 
a furnace is erected having a cast-iron caldron for the purpose of 
melting lead, also a fire to melt the rosin used to fill pipes for bending. 
Above each of these fires and forges is a kind of tramway for wheels 
to run on, the lower wheel carrying a chain, as shown in the cuts. 
The chain should be large enough so that a hook at each end of it can. 
be readily caught in the links. The chain is used to hoist up and 
sling the, work that it may be easily manipulated over the fire and at 
the mandrel block. To the wall is fixed a hitching hook for the pur- 
pose of tying the fall end of the chain when work is slung over the 
fire. The tramways are conveniently placed so that work may be 
easily carried from one place to another and to and from the fire; also- 
to hold the work balanced while being operated on at the mandrel 
block or bench. The mandrel block is made of cast-iron plates some 



i66 



ART OF COPPERSMITHING. 




ART OF COPPERSMITHING. 167 

2 inches thick, and about 5 feet long- and 4 feet wide, stood on edge, 
2 feet apart. The plates, which are firmly fixed opposite each other, 
have holes in them both round and square to receive round and square 
mandrels, which go through both plates, so that the mandrels may be 
securely wedged and held fast in their places. Some 20 feet from the 
back or furnace end of shop floor is fixed a cast-iron post, B, from 
12 to 14 inches square. This post is for the purpose of bending pipe, 
and is called a bending block. It should be placed as near the middle 
of the shop as convenient, and must be firmly set in the ground with 
a good broad foot at the bottom, as it requires considerable power to 
bend 5-inch pipe filled with lead, and if the block is not solid the 
power used in bending would loosen it. The top of the block has a 
ledge 4 inches deep for a strap to rest upon, the strap holding the 
lead-piece. The strap is of iron, 1 inch thick and 3 inches wide, made 
like a square staple with the ends drawn down so that a i^-inch 
thread can be cut on them. Another piece of iron with holes in each 
end is made to go over the threaded ends of the strap. This strap is 
to hold a thick lead-piece on top of the block, the lead having a hole 
in it large enough to take the pipe in easily which may be required to 
be bent. 

Since this article was prepared I have been favored by Mr. More- 
ton, one of the workmen in the coppersmiths' shop of the London and 
Southwestern Railway of London, England, with two views of the in- 
terior of a new and larger shop than the one above described, the 
arrangement of which is a little different from the old shop. In these 
two illustrations of the new shop, Figs 290 and 291, I notice the old 
brick forge has been discarded and the position of all the forges has 
been changed. The new ones are apparently placed in the middle 
of the shop, which has probably been found more convenient, The 
first object in the picture. Fig. 290, is the floor block, with a bottom 
stake standing in it. A little to the right of this is an anvil, used to 
work down the saddles of bends which are made in two halves. (One 
of these bends is lying on the end of the mandrel block in Fig. 291.) 

On a table near are two brass valve covers, the crowns of which 
have just been brazed in. The next thing beyond these covers is a 
forge, in which there was a fire when the picture was taken. Other 
prominent objects are three brass dome covers, the making of which 
will be described later. 

The next thing we notice is a coping, which is made of sheet 



i68 



ART OF COPPERSMITHING. 




ART OF COPPERSMITHING. 



.69 




170 ART OF COPPERSMITHING. 

iron and screws as a finish to the lagging of the back end of the fire 
box. Under the left-hand end of this coping is a pit with a blast pipe 
at the southeast corner of it. Hanging on the wall is another kind 
of coping for the front end of the fire box, and which connects the 
lagging of the fire box with that of the boiler. The traveler chains 
used for slinging work are all clearly shown hanging at different 
points m the shop. In the other picture, Fig. 291, taken from another 
point, the benches are shown. The principal object on the bench is 
another iron coping finished ready for fitting, and in the corner are 
two long boiler steam pipes 6 inches in diameter, which are the larg- 
est pipes usually made in a locomotive shop. The next thing is the 
mandrel block, upon which are lying four cods, six small heads of dif- 
ferent shapes and three large long heads: In the end hole at the left 
hand of the mandrel block is a wooden bar made to receive the shank 
of the large heads, the end of the bar being shoed with an iron strap 
to keep the head in and form the hole for the head shank. 
The shop, it will be noticed, is illuminated by electric light, 
two lamps being shown. In the left-hand corner of the mandrel 
block, and securely fastened, is a 3-inch round iron bar about 7 
feet long, upon which are two cast-iron blocks that slide up and 
down the bar as required. These blocks have holes in them to 
receive mandrels, and are made fast by a suitable set screw at the 
back, which holds the block at any required hight when the main 
mandrel block is too low for the work in hand. A little to the left of 
this bar is a screw jack, used to hold up one end of a pipe at the lire 
or for other purposes. On the wall may be seen various wire tem- 
plates of delivery and other pipes. Altogether these pictures afford 
an interesting peep into a London railway coppersmiths' shop. 



ART OF COPPERSMITHING. 17I 



MAKING COPPER PIPE. 

Copper pipes until recently were made by hand in lo and 12 foot 
lengths, and from ^ inch in diameter to any required size, and so great 
was the demand with the advent of the steam engine that many men, 
who were called pipe makers, were employed exclusively in making 
copper pipes and brass tubes. The marine coppersmith is now sup- 
plied with all sizes of straight pipes ready to his hand, but formerly 
lie made them all. There have been rapid strides made in this art, 
and, like all other arts, that of the coppersmith has had to succumb to 
the march of scientific and practical research. Copper pipes are now 
drawn and made without seam, yet it often happens that the copper- 
smith is called on to make a few lengths in an emergency, and the 
most efficient method of doing this by hand will now be described. 
If the sheet of which the pipe is to be made is heavy the edges are 
thinned on the opposite sides of the strip; it is then turned and lapped 
only. If, on the other hand, the sheet is light, the edges must be 
cramped before thinning. If the pipe to be made is more than 6 feet 
long, we use a trough, Fig. 292, made of two long planks about 2 
inches thick, placed in crossed pieces similar to a sawbuck, and lying 
at right angles to each other. The sheet is laid in the trough and a 
straight bar is dropped on the sheet metal, which yields to the falling 
bar, and the first form is thus given to the sheet. It is then further 
rounded by placing it the other side up over one of the edges of the 
trough and bringing it together with a mallet. When brought together 
sufficiently the joint is laid even on a long steel bar fastened at 
one end in the mandrel block. If the pipe is to be made of thin 
sheet metal, then the joint should be cramped together. This is 
done by cutting the edge on one side about every 2 or 3 inches 
with a chisel held slanting so that the cramp will form a lap where 
cut, as shown in Fig. 293. The edge is now suitably thinned, after 
which the sheet is turned round. The outside cramps are then lifted 
so as to admit the other edge, which is not cut, and which is put 
between the cramps, one going inside and the other outside. 

The pipe. Fig. 294, is then bound together with pieces of binding 
wire placed about 2 feet apart and pulled up tight, the cramps are 
closed down and the joint laid evenly with a hammer or mallet to suit 



172 



ART OF COPPERSMITHING. 




Fig. 2^2. — Trough for Forming Copper Pipe. 





Fig. 2Ci2,.—Edge of Sheet Cramped. Fig. 2q^.-Pipe Ready for Brazing. 



fig^ '2^^.— Reed for Placing Spelter on Seam. 




Fig. ■zf^.— Portable Supports for Holding Pipes while Brazing. 



ART OF COPPERSMITHING. 173 

the joint required. The joint must now be made to chatter — that is, 
jarred to loosen it enough so that the spelter may have room to flow 
freely through the joint when it is being brazed. All the foregoing 
directions having been followed successively, we now proceed to 
charge the joint with spelter. The spelter is mixed with clean water 
and borax, equal amounts of spelter and borax by measure being 
used. The best results follow if the mixture is made ready two or 
three da^^s before wanted. To charge the joint take a strip of metal 
and form it into a V-shaped reed. Fig. 295, the length of the pipe 
and large enough to hold a sufficient quantity of spelter for the joint. 
Fill the reed evenly with spelter, and then slide it carefully 
through the pipe, laying it evenly on one side of the seam. 
Then turn the reed over on the seam, jar the spelter out of it 
and carefully remove the reed. The pipe is then ready for the 
fire. The fire must be clean and made of clean coke, care being taken 
that no lead or soft solder is on the forge or in the fire. The pipe is 
laid on the supports. Fig. 296, which are made of angle iron and bolted 
to a heavy foot so as to stand firm. The angle irons have holes 
punched about i inch apart, and a ^-inch rod run through with a 
wheel between the standards having a groove in it large enough to 
lay the pipe in so that as the joint is brazed it can easily be drawn 
through the fire without any unnecessary friction. During the process 
of soldering a pan of powdered borax must be at hand in case at some 
point the spelter should need more to flux it. After the pipe is cooled 
the seam is cleaned oE by a sharp file and taken to the mandrel, and 
with a bright top swage it'is rounded up and smoothed ready for use, 

PIECING AND JOINING PIPES. 

There are two ways of piecing or joining copper pipes — namely, a 
flush joint and a socket joint, soft soldering and hard soldering or 
brazing being employed. The manner of making a flush joint for 
soft soldering is shown in A and B, Fig. 297. A represents a flush 
joint prepared and ready for soft soldering. B represents a socket 
joint prepared for soft soldering. C a flush joint for hard solder, and 
D a socket joint for hard solder. The socket joint is adopted when 
it is necessary to preserve the full bore of the pipe ; the flush joint 
when it is necessary to retain the exact size outside, as in the case of 
a gland, or where a screw nut has to pass over the joint. 

In Fig. 297, A, it will be noticed that one piece has been reduced, 
or swaged down ; this may be done with a top and bottom swage used 



174 



ART OF COPPERSMITHING. 





ART OF COPPERSMITHING. 175 

by blacksmiths, if proper care be exercised, and the part operated on 
kept soft, or it may be reduced with a raising- hammer. The inner 
piece should be carefully fitted, and, where reduced, of sufficient 
length to allow of its being kept cool at the end, so that it will retain 
the solder when the fire is applied to the joint. The female or outside 
piece should be thinned at the end, and the male or inside piece care- 
fully hammered (not filed) to fit the scarf of the female end, which 
should project from the side sufficiently so that a suitable stick or bar 
of solder, when the joint is made hot enough to melt solder, can be 
drawn around the joint without any of it running down the outside, or 
when being filled from a ladle of solder, as is often done. Sometimes 
it is best and most convenient to wipe a plumber's joint, as it often 
happens that a fire cannot be applied or used in the work, either from 
its situation or because it would be unsafe to apply a fire. 

The socket joint, Fig. 297, should be carefully fitted as in the case 
of A. the projection of the edge of the socket answering the purpose 
of the projection as in the flush joint A — namely, to insert or run the 
solder into the joint. 

The flush joint C should have the same care given to it as in the 
case of A and B, but with this addition : On the female end a collar or 
flange must be laid off of the desired width, as Shown, to form a chan- 
nel or receptacle to hold enough spelter or hard solder when melted to 
n.ll the joint full. 

The socket joint D is prepared the same as B. These sockets are 
made or enlarged on a suitable mandrel or steel stake by hammering 
until expanded to the proper size ; the flange or collar is then laid oflF 
and the two ends are fitted easy, so the male end will go snugly into 
the socket without binding, but with sufficient room for the solder to 
flow freely about it and fill the joint full and make it solid. If the 
foregoing instructions are closely followed we are now well on with 
the work to be accomplished. We must now tin the joint (coat the 
ends with tin), both male and female, if for the joints shown by A and 
B ; but the male end should be tinned only to within ^ or >^ inch of 
the end. On this spare space a little plumber's soil is applied to pre- 
vent the solder flowing down too far while the joint is being made. 
To clean the joints for soldering cover the parts with a strong solu- 
tion of common salt and water, heat them in a clean coke fire to a 
cherry-red heat, and then plunge into water; next scour with a clean 
tow wad and sand and water, and finally dry. The pipes are now 
ready to place in position for the fire. 



176 ART OF COPPERSMITHING. 



THE FIRE POTS. 



Having secured a suitable position, the application of the fire 
is next in order. In Fig". 298 is shown my first fire pot, which subse- 
quently went through some two or three transformations, but was only 
improved to a limited extent by being cast in halves to suit some pur- 
poses, and in three sections for work of larger proportions. The first, 
however, was a ring of No. 20 sheet iron, about 3^^ inches deep, and 
perforated with holes, which, in the aggregate, were equal to or a little 
in excess of the capacity of the supply pipe. Around this iron ring was 
placed a hollow half-round ring made of copper, to receive and con- 
fine a blast from a fan, or wind from a bellows. The copper was in- 
closed as shown by section in the flanges of the iron ring, which was 
closed down close to the hollow half-round copper ring top and bot- 
tom. The supply pipe was flanged and riveted to the hollow copper 
ring as shown, the supply pipe being about 2 inches in diameter. The 
holes in iron ring were burred toward the inside, projecting enough to 
assist in holding a coat of fire clay to protect the iron from the action 
of the fire and keep the ring from burning. This answered for a time, 
and was fairly successful, but many little difficulties, and sometimes 
great ones, attended its use The next pot. Fig. 299. was constructed 
in a similar .way ; but the iron ring was of boiler plate, about J:^ inch 
thick. This obviated the use of a fire-clay lining, and was a partial 
success until we got a job for which it was not applicable, in conse- 
quence of its being a complete ring. This compelled or suggested 
that the pot should be made in two parts, which was done in the best 
way that would answer the purpose. This one finally gave way to one 
of cast iron, a little different in shape, but the same in principle. 

Fig. 300 shows the shape of the last pattern, which was of cast iron. 
It will be seen that the cavity for the blast was easily provided in 
this form, and the inside w^all was made thick enough to render the 
lining unnecessary. With this pot the bottom of a joint could be more 
successfully kept cool, so as to check the molten spelter from running 
down too far, or leaking through the joint at the bottom. For gen- 
eral purposes this was the best, and we are not aware that it has ever 



ART OF COPPERSMITHING. 



177 



been improved. Fig. 300 also shows a sectional view of this pot cut 
through the feed pipe. For large work it is necessary to have the 
blast let in on both sides, and sometimes in three directions, the pot 
being then made in sections, with a feed pipe in each section, 
care being taken that none of the inner holes are opposite the inlet 
blast pipe. 




Fig. 298. — First Form of Fire Pot. 




Fig. 299. - Second Form of Fire Pot. 




Fig. 300. — Cast-Iron Fire Pot. 



178 ART OF COPPERSMITHING. 



FIRE POT SET FOR BRAZING JOINT. 

We shall now proceed to make use of the fire pot, and describe the 
process of hard soldering- or brazing by its aid. The pipe having been 
placed into position, care is taken that the socket is level across the 
brim, perhaps secured in the pit, or fastened to the forge or other 
suitable and convenient place, so that the roller and chain overhead 
is handy if necessary to the job. By referring- to the engraving, Fig. 
301, the clamp to hold up the pot is seen, which is made of 2)4 x X 
inch iron, the arms being formed so that they will clasp the pipe, and 
are held there by two bolts, as shown. There may be space between 
them, so that they could be used for different sized pipe. These 
clamps are fastened up under the bottom of the socket, then the plates 
which form the fire-pot bottom are laid on, as shown in Fig. 302. Now 
spread a thin coat of moist fire clay over the plates, and hollow it up 
the socket from i inch to i}^ inches. This is to keep the joint cool at 
tne bottom, so that as the spelter melts it will not run down through — 
that is, not lower than the clay. Now place the fire pot in position, 
as shown in Fig. 303. This is the most critical and important feature 
of the work. Care must be taken to have the pot level with the 
socket flange which is to hold the solder. The pot would be better 
rather below than above, for if the spelter be too far out of the pot 
the blast will be too low down, and if it be too low in the pot there is 
danger of running out the seam in the upper pipe. Then, again, the 
joint cannot be skimmed off handily or so well attended to. When 
the pot is in position draw the clay around the bottom of it on the 
outside, so that the flame will not escape between the pot and bottom 
plates ; then apply the blast pipe. If the joint be less than 6 or 7 
inches in diameter one blast pipe will be enough, if the blast is of 
sufficient strength, but if the pipe to be joined be larger than 7 or 8 
inches, then there should be two entries, as in Fig. 303. The joint is 
now filled with clean mixed spelter and borax. If the joint to be made 
is on brazed pipe, then spread a little of the moist fire clay over the 
seam up to the rim of the socket. Fasten the two screw clamps, 
Fig. 304, opposite each other on the top end of the pipe, and pass the 
chain through them and hook in a link or hook around the chain. 



ART OF COPPERSMITHING. 



179 




^3 ___ 




Si 




l8o ART OF COPPERSMITHING. 

On the other end of the chain a counterbalance wei'g^ht is attached, 
nearly equal in weight to the male part of the job, or upper piece, or 
the chain may be fastened to the hitching hook on the wall in such a 
"Way that it will take the weight of the top piece of pipe while the 
joint is hot. 

We are now ready for the fire. First, place a little dead charcoal 
On the wet clay, then put in a layer of live hot pieces, and cover them 
with a few more dead ones, and fill up with nice clean coke of the 
size of a walnut, covering the spelter some 2 inches ; that is, pile the 
coke up around the pipe in a conical form from the edge of the pot. 
Then let in the blast slowly and be patient until the joint is just red- 
"feOt right through. While this is going on slowly, touch down the coke 
into a compact mass. When the joint is red-hot take the coke back a 
little from the pipe and dust a little freshly-powdered borax on the 
spelter ; by this time the fire should be m good condition. Draw the 
coke up to the pipe again and replenish the fire and let in the blast at 
a brisk rate, keeping a watchful eye on the spelter and the blast slide. 
When the spelter has run and the joint is full and well fluxed, skim 
it off with a hot iron poker or a rod, Fig. 305, flattened at the end, 
and stop the blast ; take off the pipes and lift the pot, then throw a 
little common salt on the joint to kill the borax, which is hard on a 
new file. In all cases the draft through the pipe should be stopped, 
as the cold air going through tends to keep the joint cold, and in the 
larger pipes greatly retards progress. The directions above given 
are intended especially tor learners, although old hands would save 
themselves some time, and often trouble, were they in the majority 
of cases to follow them out. The practice in many shops is to make 
a large fire on the brick forge, and then take a shovel full of hot 
coke and fill the pot with it ; and a failure is often th e result. But 
practice will partly balance the chances, because a man must make 
himself acquainted with the "ropes " (customs) of the shop in which 
he gets employment, no matter how absurd they are. Advance or 
innovation is seldom countenanced by workmen without trouble. I 
never failed when the fire was started with charcoal as above 
directed. 

Soft Soldering the Joint. 

To make a soft solder joint, the fire pot is placed in position in 
the same manner as for brazing, and charcoal is used in preference 
to coke entirely. The solder is run from a suitable stick or from a 



ART OF COPPERSMITHING. 



l8l 





Fig. 304. — Screiv Clamps for 
Holdmg Pipe. 



Fig. 306. - Charcoal Fire Pot 
Within a Pipe. 



m^ 



Fig. 305. — Skiniming Rod. 



l82 ART OF COPPERSMITHING. 

ladle. Joints in small pipes may be made with the aid of a pair of 
round tongs made hot. Joints in large pipes are sometimes more con- 
veniently made by a pot of burning charcoal, Fig. 306, applied on the 
itjside, held by and lowered into the pipe with the chain, care being 
taken to keep the lower end of the joint cool, and sizing the male 
part with size made of lampblack or ivory black and gold size, or any 
other pigment that will answer to prevent the solder from running 
through the joint. The fire pot for large soft solder joints is made 
to fit easily, and to hold a sufficient quantity of charcoal to do the 
work required. The bottom end of the pipe in this case is kept open 
if possible, so as to permit the draft, which in fhe other case it is 
necessary to stop. It will be seen that the bottom of the socket must 
be kept cool enough to stop the solder from running through ; or the 
possibility of a leak may be prevented by rubbing into the inside 
some moist clay, if one can get to it to do so. 



ART OF COPPERSMITHING. 



TEMPLATES. 



183 



Taking templates for bends is an important feature as an adjunct 
to the successful performance of the operation of bending ; for if the 
template be taken without a proper knowledge, trouble often ensues. 
Many a good piece of work has been mutilated and valuable time con- 
sumed by ignorance on the part of the maker of the bend, or the 
maker of the template, or perhaps it should have been said, from the 
want of a mutual understanding between them, when it happens that 
the coppersmith does not take the template himself. Templates for 
use at the bending block are usually made from an iron rod, which is 
stiff enough to retain its form without fear of alteration while being 
handled. It should be formed so that it will run through the center 
of the pipe after it is bent. Templates for large work are usually 
made by a pattern maker, showing the exact curve by cutting boards, 
and nailing the flanges to them in the position desired. When the 
position the pipe is to occupy affords sufficient space, due regard, care 
and attention should be exercised so that the pipe when finished will 
hang perpendicular, and lie horizontal, and the bends occupy as near 
as practicable the center of the space through which the bends run — 
that is, neither cramped nor straggling, but filling the space with a 
flowing ease. Having the templates in proper shape, we will now 
proceed to filling and bending. 



FILLING AND BENDING. 



All copper pipes and brass tubes should be carefully annealed 
before bending— that is, that part which is to be bent ; the other ought 
to be left hard. The part to be softened should when hot be a cherry 
red in a clear north light (not sunshine); when cold the part to be 
bent is filled with either lead or rosin, whichever is the more suitable 
to the particular bend it is required to make. If the desired bend is 
short— that is, part of a small circle— lead is the best for the pur- 
pose, new soft lead without any foreign substance mingled with it. 
If, on the other hand, an easy, flowing bend is desired, then rosin 
is the best adapted to the purpose. If the bend is to be made at the 
end of a long pipe it is not necessary to fill it the whole length. We 



[84 



AR'J' OF COPPERSMITHING. 




^ig- Z°l-—Bendhig Block Arranged for Use 
with Back Plate and Center Pin. 




-Back Plate for Bending 
Block. 




■^'g- 309-— Bending Block Arranged for Use with Lead Piece and Back Plate. 



ART OF COPPERSMITHING. 185 

usually roll up hard a ball of waste or paper and ram it in tight as far 
as it is necessary to fill it, and then pour in the lead or rosin as the 
case may be. Wtien the work is done and the lead is out, heat the 
pipe blood red and the wadding will fall out, or it may be blown out 
by applying the blast pipe to it. We now proceed to the bending 
block. The center pin is used when from the nature of the work noth- 
ingwill answer in its place. It is ?dapted to a great many forms of 
bending which practice alone can teach the learner. It will be no 
ticed in Fig. 308 that the back plate is a piece of iron, usually about 
i^ inches thick, with two legs, the top of the bending block having 
four holes an equal distance apart at each corner to receive the two 
legs on any side, so that with the center pin the bending may be 
done on whichever side of the block is most convenient to the 
operator. 

Fig. 307 shows the block ready for bending. A. loop ; B, packing 
C, lever ; D, pipe to be bent ; E, center pin, and F, back plate in po- 
sition. The pipe is first marked by laying the straight part of the 
template on the pipe and running the curved part along until the 
straight part at the other end of the template lies level on the pipe 
again, and marking- with chalk where the bend begins and terminates 
0.1 the pipe. It is then laid between the pin and back plate, Fig-.. 307, 
or put through the hole in the lead piece, as shown in Fig. 309. Be- 
tween the plate and pipe is put a soft piece of wood or lead, and be 
twcen the pin and pipe a piece of thick sheet lead ; these are to save 
the pipe from being marked by the pressure exerted against the pin 
and back plate in the operation of bending. (It is always necessary 
to have a helper at the block when bending.) Now put the loop A on 
the pipe and slip the lever C through it, which may be of iron or 
wood — in some cases a wooden lever is the best, in others an iron one. 
Then put a block of soft wood, B, between the lever and pipe. After 
the loop is on one mark and the other mark behind the pin, or just 
inside the hole in the lead piece, then apply the necessary pressure to 
bend it to the required curve. The rope loop A, Fig. 307, is made of 
one strand of rope and formed like a sailor's grommet. The copper 
loop shown at the side in Fig. 309 is made of a strong piece of sheet 
copper. Sometimes the rope is the best adapted to the job in hand, 
at other times the copper loop ; experience must dictate this. With, 
the apparatus described, pipes up to 5 inches in diameter may be bent 
If anything larger is needed, a hydraulic press must be provided. 



l86 art of coppersmithixg. 

Made Bends. 
Bends that are not filled and bent are made in two ways princi- 
pally and in halves ; one way the seams are on the side, the other the 
seams are in the throat and back. When the seams are on the side 
the inner piece is called the saddle and the outer piece the back. To 
make a bend saddle and back, take two strips of copper, each one-half 
the circumference of the pipe in width ; let the saddle piece be nearly 
the diameter of the pipe shorter than the back piece ; file the edges of 
each piece up carefully, half round, so that there are no rough burrs 
or small cracks left made by the shears in cutting the strips. Bend 
each to the working template. It will be found that the saddle, as 
the edges are being turned over on a mandrel, has a tendency to open 
out straight ; this may be obviated by bending the saddle piece a 
third smaller than the bend is required to be when finished, as shown 
in Fig. 310 ; that is, if a mallet is used in making the saddle. If the 
saddle is made with a hammer and drawn over on an anvil, the ham- 
mer will curl it around enough to the template, because the edges will 
be drawn longer. When the work is performed with a mallet the 
center is upset nearly as much as the edges of the strips are drawn, 
and a more equalized thickness is obtained and therefore a better 
bend. The back is turned similarly, under the same conditions, to 
the saddle, and the edges are puckered or wrinkled at regular inter- 
vals and then brought round to the template by hollowing in the cen- 
ter of the back in a hollowing block. Fig. 311, allowing the wrinkles 
to come up regularly until the back has curled round about a third 
less circle than the template. Gradually work out the wrinkles, first 
a little on one side and then on the other, over a J-stake, as shown in 
Fig. 312, until they are worked down and the edges are smooth and 
fit the edges of the saddle half. Then thin the edges with a double 
paned hammer on the inside of the two halves, saddle and back, and 
file the edges true along them. They will now be ready for softening 
and cleaning, which is done at one and the same time by covering the 
parts with strong brine of salt and water and heating to a cherry red 
(out of the sunshine), and quenching in a vessel or trough of clear 
water, and scouring with a clean tow wad and clean sand and water. 
It is now ready for cramping, as shown in Fig. 310. When cramped, 
open the cramps and bring the back to it ; let one go inside and one 
outside ; pull them up together in a vise and wire them together, as 
shown at D in Fig. 313. Dress down the cramps and hammer them 



ART OF COPPERSMITHING. 



187 





Fig. T,'io.—Made Bends.— Seams 
on Sides. 



Fig. 311. — Hollowing Block fo7- Forming 
Made Bends. 




Fig. 312. — Half Bend Being Worked 
Over T-Stake. 



ART OF COPPERSMITHING. 





Fig. 313. — Mandrel Block. — Cods Keyed to Bent 
Mandrels. 



Fig. 314.— -•:/ Cod. 





\ 



-P'g- 3,-i-5-—Made Bends.— Seams , 
Throat and Back. 



Fig. 316. — Diagram Shelving Size of Bend, 



ART OF COPPERSMITHING. 



189 



close and even on a bent mandrel and a cod to fit. A cod is an egg- 
shaped casting, Fig. 314, having a square hole through its transverse 
axis, so that it can be keyed on the end of a bent square mandrel, as 
at D and E, one end of which is fastened in the mandrel block T, Fig. 
313. After the cramps are hammered down smooth, chatter the joint, 
when it is ready for charging with spelter and the fire. 

Seam in Throat and Back. 

We will now work on the other two halves, top and bottom. Fig. 
315. In working these two halves into shape, the method usually 
adopted by workmen is to draw the throat down on an anvil, and then 
hollow up the back in a block ; but this is not satisfactory nor can a 
Teal good job be done in this way, because the throat is drawn thin 
too much by the hammering and there is difficulty in keeping the 
work to the template ; then, again, there is an excess of stuff in the 
"back ; yet this method is still in use. While engaged at this kind of 
work the writer discovered a very much better way by which the 
throat is scarcely touched ; and when the bend is finally shaped 
~ the throat is practically the same thickness as the sheet from which 
it was cut. This method has never been taught to any one but one 
apprentice boy, and it is given to the public now for the first time ; 
that is, the formula. All bends are in the abstract but sections of 
a hollow cylindrical ring, and a square bend is one-fourth of a hol- 
low ring, having the straight part, if any, joined to it or left unbent. 
A little mathematical knowledge is now required to be able to fully 
understand the ground work or the theoretical part. Referring to 
Fig. 316, let the inner dotted diameter of the diagram be equal to 
^, and the diameter of pipe X equal 6 ; then the outside diameter 
•of the diagram will be 21. Now we want to unroll the outside edge 
of one-halt of this hollow ring, see Fig. 317, when cut horizontally, 
j/, and form it into the frustrum of a cone, E. To do this we pro- 
ceed thus : First find the convex surface of the whole ring. Here 
the inner diameter of the ring is 9, and the diameter of the thick- 
ness or size of pipe is 6 ; then (9 4- 6) x 6 = 15 x 6 = 90, and 90 x 
(3,1416)'^ = 90 X 9.8696 = 888.2685, the convex surface of the whole 
ring ; then ^^^-^^^5 ^ ^^^ ^^^^^ o^^ h^lf surface, and . 444-I342 ^ 

2 7854 

,565.4884.. Now add the square of 9, the inner diameter of the bend 
or ring, to this last result, and 565.488 4- 81 = 646.488. Extracting the 



190 



ART OF COPPERSMITHING. 




ART OF COPPERSMITHING. I9I 

square root of this last sum gives us 25.4262, the outside diameter of 
the circular disk G, Fig. 317. Now we want to transform this flat 
disk ring G into a frustum of a cone, E, whose convex surface is 
equal to the flat disk ring G. Practice has shown that a frustum of a 
cone formed of 315'' of a circular ring is the best pitch it can have to 
obtain the result required with the least work. To raise this disk to 

a frustum of a cone proceed thus : ^^„- ^ ^ _ i^_^2a2, the radius 

5-25 
or slant hight of the complete cone of which the frustum E is a 

part. Now take for a square bend one-fourth of 315° of circle D, or 
78.75°, F, and add to it whatever is required for the straight part at 
either end, if any ; then round up the edges with a file (as before 
directed), smooth, and it is ready for forming up into a half bend, pro- 
ceeding as follows : Take two pieces of copper, F, and curl them round 
a third smaller in diameter. Fig. 318, in the throat than they are re- 
quired to be, the circular part forming one-fourth of the cone E, and 
turn them right and left in opposite directions, forming one-fourth of 
a cone with the part intended to form the bend. Now turn the 
throat in to begin the forming. A, Fig. 318 ; then turn the outer edge 
up and pucker or wrinkle the edge at regular intervals, as shown in 
B, Fig. 318 ; then take it to the hollowing block. Fig. 311, and sink it 
in the hollow in the corner, letting the wrinkles come in regularly all 
alike, until it is curled up enough. Fig. 319 ; now work out the 
wrinkles, partly in the block on the inside and part on a cod outside^ 
until the edge is smooth and the two edges of the halves fit each 
other, Fig^. 320. Then thin the edges, file them true, cramp one-half 
and bring the other to it and wire ; dress down the cramps and 
chatter the joint ; it is now ready for charging with solder and the 
fire. 

Template Boards. 

The template boards are a very useful and convenient contrivance, 
made for the purpose of substituting the position in which pipes are in- 
tended to be coupled or occupy on an engine or tender or in a ship's 
hold. The single board is shown in Fig. 321. This board, or rather 
two boards, are hinged together at A and provided with two wings, 
B, about I inch wide, similar to that of a pair of compasses. These 
wings are fastened to the bottom leaf of the board, and slide through 
a loop which is fastened to the side of the other leaf. The loop is 
provided with a thumb screw, which holds the upright leaf in any 
position the flanges of a pipe may require. The double board. Fig. 



192 



ART OF COPPERSMITHING. 



:; 


'^x -^ ^^^^^g-^ 


-^^m s . 


.,J ^ ^%^ 


a S3 1 'H 


11 


■■IV. % s ■^ 


M'l; < IJM 


'= -^ 


■i i:;;l# ^ S 


Hp|-. |i|| 






■ ^^ 


It i 


7^ 


ij 


1 ^ 


1 Hi I 


i 




H '^ 


1 1^ ^lll -^ 




1 i^ 


pPLJj 


'^ 








ART OF COPPERSMITHING. I93 

322j is similar to the single board, but has two leaves. This board is 
to take the set of S bends, which are set at right angles to each other, 
as shown by the pipe standing on the double board. Fig. 322, Here 
is an example of its practical use. It often happens in the case of 
steam pipes, feed pipes and suction pipes that the pipe breaks off 
close at the back of the flange A, Fig. 323, and the flange is not dam- 
aged or the pipe either further than the flange being broken off, and 
it is necessary to put the flange back on the pipe again without piec- 
ing, and to have the bolt holes in the exact position after the pipe is 
repaired as they were before the pipe was broken. Suppose the pipe 
is broken at the bottom flange C, Fig. 321. First match the fracture 
and take a template of it on the board by making the board fit the 
flanges, as shown. When they are in their true position, as they were 
before the pipe broke, mark the flanges around with a pencil on the 
board and all the bolt holes ; then make a chisel mark on the edge of 
the flange, and at this point mark it on the board. Now all is ready 
to proceed with the repairing. Anneal and clean the end of the pipe 
inside and outside, and make a short thimble 2 inches long, D, Fig. 
326, of light copper and fit it tight into the end of the pipe, and place 
it so that whei* the fiange is put on over it the thimble will come 
through the flange E, Fig. 323, % inch. Braze the ferrule in the pipe 
on two sides inside, and run off all the old solder from the flange A,, 
and when cool fit it to its place again, being careful to match the 
fracture exactly and the holes and chisel mark on the template board. 
Then turn the end of the ferrule over the flange, forming a rivet, 
and draw the flange close to its place. Make a collar of a strip of 
thick copper, B, Fig. 324, and scarf the ends, and after bending, C, 
Fig. 325, put it around the fracture F, Fig. 327, making it wide enough 
to cover the break % inch. Then wire it on tight, and after care- 
fully charging it with solder around the top edge of the collar, sling 
it over the fire and run the solder. When the solder is set the wire 
may be taken off, while it is yet hot, quite easily. It the instruction 
here given be carefully followed, a strong, substantial job will always 
result. 



194 



ART OF COPPERSMITHING. 




Fig. 321. — Smgle Template Board. 





\M 



Fig. TfiT,.— Broken 
Pipe. 



Fis;. Tfii.— Double Teinplate Boara. 



ART OF COPPERSMITHING. 



195 



Fig. 324. — Copper Strip. 



Fig. 2,'2S- — Collar. 



Fig. 326. — Tk im ble. 




Fig. 327. — Method of Mending Fracture. 



196 ART OF COrPEKSMITHlNG. 



PATCHING PIPES. 



Patching copper pipes, like most other branches of the copper- 
smith's art, requires perception first, and then skill, with patient, per- 
severing ingenuity. Pipes are liable to so many different kinds of 
fractures and breakages that one can hardly prescribe beforehand a 
remedy suitable for all the many contingencies that may arise. We 
will, therefore, mention a few occurrences that are happening fre- 
quently, and let them act as stepping stones to the performance of 
others that may call for the attention of the operator. It often 
happens that pipes burst at the seam ; this may arise from one of 
several causes — namely, from imperfect brazing, such as overheat- 
ing while at the fire, or not enough heat to fuse the spelter so that it 
firmly adheres, or from freezing, continual jar, overpressure from 
force pump or flaws in the metal. If a fracture should occur from 
overheating — that is, if the part has been burnt — it is best to cut it 
out, as it can never be successfully repaired. 

If ever so good a job be done it is all to no purpose, seeing the 
foundation of the work has been made rotten, and it is useless, ex- 
cept in cases of extreme emergency, to waste time or material on it. 
If the fracture arises from the want of heat, or the spelter has not 
been run enough to adhere to the joint, then open the joint and 
properly clean it ; then close it down and give it a coat of warm 
borax and water, the borax having been previously dissolved in 
water ; jar this through the joint, then charge it with spelter, either 
inside or outside, as seems best. If outside, the addition of a little 
spelter inside will -do no harm if care is taken to see that it is com- 
pletely run. If from freezing, the fracture may be anywhere as well 
as at the seam ; then the metal will be parted as if cut through with 
a knife. If this be the case, file it down at the fracture, as at C in Fig. 
328, so that where the split is the edge is thin, making a scarf 
similar to those at the seam, and clean the split carefully on 
the edges. Make the patch a, thinning the edges down to 
a suitable thickness, d, and so that the edge of the patch will 
just cover the outside edge of the scarf on the pipe at c. When 
the patch is properly fitted, anneal it with some salt previously put 



ART OF COPPERSMITHING. 



197 



f-d 






I9«' ART OF COPPERSMITHING. 

over it ; when scoured clean cover it with a thin coat of fine spelter 
and run it smooth at the fire, throwing off all that will leave it while 
hot (this is to answer the same purpose as tinning). Wire the patch 
to the pipe, as shown in Fig. 329, the wires being sufficiently close to 
keep it from bagging when hot ; charge it with spelter, one-half on 
the pipe and the other on the patch, then make the pipe red hot all 
around at the back of the patch and along the length of it, preventing 
oxidation of the spelter by a supply of borax. When sufficiently hot 
gradually turn it over ana offer the spelter to a brisk fire. It should 
run easily, and if carefully perforfned, a good, sound and durable job 
will be insured. The cleaning off of the patch is next in order, which 
may be done as tastily as the job will admit of, to make it look as if 
the work had been performed by a mechanic. If a fracture is caused 
by continual jar or overpressure by a force pump, it will in all proba- 
bility be like that caused by freezing, and may be treated the same. 
Flaws in the metal are from many causes, and their particular condi- 
tion must govern the measures to be taken to remedy the defects. If 
in large work the flaws may be cut out and a piece cramped in or 
riveted, and then brazed. It often happens that continual jar pro- 
duces a lateral fracture at right angles to the length or around the 
flange, immediately above the spelter. To repair this a collar e, Fig. 
330, from ^ to ^ inch wide, is prepared of about the same thickness 
as the pipe. The pipe is cleaned as far up as necessary, then the col- 
lar is prepared to suit and covered with spelter as before directed, 
then coiled around the pipe and wired close, as at</. Fig. 331, the wire 
being placed on the upper edge of the collar to form additional room 
to lay the solder, care being taken that the collar fits tight up to the pipe. 
If the work is on a small pipe it is left open so that the heat may 
readily run up through the pipe to assist in the running of the spelter 
laid about the upper edge of the collar d. If it be a large pipe on 
which the work is being performed, then the end is stopped with a 
piece of sheet iron, clipped and bent at the edges, which is placed 
about a foot up the pipe, instead of 3 or 4 inches, as when brazing on 
flanges, as previously described. 



ART OF COPPERSMITHING. 



199 



OUTLETS. 

Outlets are made in two ways principally, and may be soft sol- 
dered to their places, riveted and soft soldered, or brazed after bei^g 
fixed in their positions, as the circumstances of the case may require. 
In many kinds of work where outlets are necessary they are more 
often soft soldered in place than brazed, but in marine work all are 
brazed, excepting when they are worked out from the main pipe, and 
can be of any size to suit the requirements of the work in hand. We 
will suppose that in the example before us the pipe, Fig. 332, is 6 
inches in diameter, and an outlet 3 inches in diameter is required at 
the point V. A short piece of pipe to form the outlet, of the length 
required, is cut to fit the pipe, the outlet being drawn a little taper- 
ing at the bottom ; then the edges are rounded up smooth and free 
from cracks, and a flange from y^ to % inch wide is laid off from the 
edge, the flange being next fitted close to the main pipe. The hole in 
the main pipe is cut out about }i inch smaller than the hole is required 
to be when finished, and a bur is worked out from the main pipe, as 
shown at T, and made to stand up % inch inside the outlet when it is 
placed on the pipe. Let the bur fit close and snug on the inside of 
the outlet, and the outlet flange fit nicely down on the main pipe. 
When the flange on the outside is fitted, clean the place it is to occupy 
by the heating process, using the salt and water pickle before making 
hot ; also clean the outlet the same way. When this is done spread 
an even coat of fine spelter on the flange of the outlet on the inside, 
Fig. 333, letting it extend as far into the outlet as the bur of 
the main pipe is likely to reach. Now take it to the fire, and run the 
solder smooth all around the flange, giving it a coat of spelter all 
around evenly. (This is to answer the same purpose that tinning 
does when making soft-solder joints.) Cool it in clear water, 
when the face of the flange should look like a piece of 
clean sheet brass. Place it in position and wire it fast 
to the main pipe. It may now be brazed on the brick forge. 
Fig. 334, by laying solder yi inch wide, more or less, around the joint, 
one-half of which should be on the outlet flange, the other on the 



ART OF COPPERSMITHING. 




Fig. 332. — Manner of Attaching T-Joiiit to Pipe. 




Fig. 2,Z?>-— Outlet with Flange Covered 
with Spelter. 




Pig- 3M-— -Brick Forge Used in Brazing. 



ART OF COPPERS.MITHING. 




Fig. 335. — Balloon Fire Pot Usea in Brazing. 



Fig. 2>yi-— Burring 
Pin. 




Fig. 336. — Working Outlets from Pipe. 



202 ART OF COPPERSMITHING. 

main pipe ; heat the main pipe slowly until it is blood red in the 
shade ; by this time the borax and spelter on the joint should have 
the appearance as if varnish was among the spelter, caused by the 
melting of the borax. Now offer the spelter to a brisk fire so it will 
flow with ease and fill the joint right through to the edge of the bur 
inside. If, however, it is inconvenient to handle the job by reason of 
its size and weight, or some other contingency, a balloon fire may be 
brought into service with advantage, and, as stated in a previous 
article, the fire may be taken to the work, as in Fig. 335. This fire 
pot is called a balloon fire pot from its similarity to a balloon. It is 
made of boiler iron, and usually from 10 to 12 inches in diameter and 
12 to 14 long, with a conical point at the bottom, at the end of which 
is an opening about 2 inches in diameter, through which the flame is 
driven by the blast, which is conveyed from the supply pipe to the pot 
by means of a hose. The cover is a flat piece of heavy boiler plate. 
Before using this fire pot it should be lined on the inside with about 
yz iioch of fire clay. The work is first made ready for this fire by 
heating it, as near as can practically be done, to a red heat, so that 
the pot may not have to supply too much heat to the parts surround- 
ing the joint, but that all its power or intensity may be concentrated 
on the point where it is required and most necessary ; when this 
instruction has been carried out the work is ready. The pot having 
previously been hung in position, it is now filled with live hot coke, 
which is made to lie compact in the pot, when it is then brought to 
the joint and a brisk blast thrown on the spelter, which will quickly 
run if it has been properly handled and kept in condition with a suf- 
ficiency of borax, and the parts adjacent to the joint have been 
kept hot. 

Outlets intended to be soft soldered should be fitted with the 
same care as are those for brazing, and may be riveted as at V, in Fig. 
332, in addition ; in some cases this is quite necessary and should not 
be omitted. To work outlets from the main pipe we proceed as fol- 
lows : On the pipe. Fig. 336, at the point where the outlet is to be, 
measure off the distance equal to one-half the circumference of the 
outlet required ; from the two extremities of this half circumference, 
and between them, measure each way a distance equal to the turn to 
be made for the flange I. Now drill two small holes, and with a file 
round up the edges of the holes smooth ; then insert the bar, Fig. 337, 
and with the end jar or drive out the collar while the pipe is hot ;. 



ART OF COPPERSMITHING. 203 

when it is out as far as necessary, slit it down between the holes as at 
A, Fig-. 336, and open it out until completed as shown. Care must be 
taken to file the edges of the outlet up round and keep them that 
way, so that no rough burs are left on. With ordinary mechanical 
ability an outlet can be worked out from the main pipe long enough 
to get on a flange, I, Fig. :^^6, by which to make connections with 
other pipes. 



204 ART OF COPPERSMITHING. 



EXPANSION JOINTS. 



Expansion joints are used in places where a long length of pipe 
is necessary to conduct steam or hot water from the boiler to its 
destination. These joints are made of any required size to suit the 
particular case, and are a means whereby the expansion caused by 
the heat may be taken up, and when the contraction takes place on 
cooling the deficiency may be supplied. Fig. 338 represents a broken 
view of an expansion joint in its finished state. Now we desire the 
easiest way to form this, so that the outer edge of the part intended 
to supply the elasticity may be about one-half the thickness of the 
original sheet from which it was cut, and give the required flexibil- 
ity to the joint. First represent one-half the joint in outline, as in 
Fig. 339, b d c e \ divide the diameter c d into six equal parts ; second, 
divide the diameter b e into four equal parts, and through the points 
/and h draw the lines /^ and // g, passing through the points/ and 
s ; then, with the length of the curved lines, b d and c e, measure off 
a distance equal to them on the lines s h and / / extended, and with 
the radius g v and g s describe the arcs x y and z n. Now develop or 
unfold the convex surface of the frustum. Fig. 340, along the curved 
line X y, making the line x y equal to the circumference of the trun- 
cated cone, Fig. 340. Draw lines x z y n j then the pattern x y fi z will, 
when turned round, form the envelope of the surface of the trun- 
cated cone, shown in Fig. 340. Having the pattern, two pieces are to 
be cut from a sheet of copper of the required thickness. Thin the 
edges, cramp them and make the joints by brazing ; when this has 
been done, clean them off and knock them down ; then anneal. Mark 
off with a gauge or racer, Fig. 341, the distance of the straight part 
in Fig. 338, as further shown in O M, Fig. 342, and with a bullet ham- 
mer inside, or a hammer pein outside, draw or stretch the edge one 
course out ; now turn the big end up, and take a course around that 
on the mandrel. Fig. 343, expanding or stretching the edge in each 
course as indicated by the dotted lines in Fig. 342, annealing at the 
end of each spell. When by these stretching courses the outer edges 
are of the required size, turn it back again and with it hanging on the 
mandrel, take in successive courses with a mallet until the straight 



ART OF COPPERSMITHING. 



205; 



^f 



i '^ 




S-!^ 



^ 




S 



^ 




2o6 



ART OF COPPERSMITHING. 




■5^ 




<. 





ART OF COPPERSMITHING. 



207 



part remaining is of the curve desired. True the job up, smooth and 
planish on a suitable mandrel ; then turn up the bottom edge all 
around, as shown in Fig. 338, and bring the other side to it and place 
it inside this edge and close it down. Charge with spelter and braze 
it round, then clean oif the joint and braze on the flanges. 

The foregoing specimen may be changed in form — that is to say, 
instead of the outer edge being put together sharp, we sometimes 
find it more suitable to make the edge round, as shown in Fig. 344. 
The process of making this joint is similar to the last example up to 
the point of preparing for putting together, when in this case the 
edges should be worked up in an. easy curve, so that when they are 
brought together they would make a half circle, and form the out- 
line of a body like an oblate spheroid or a skittle ball. The edges 
are then cramped together, as shown, and after the seam has been 
properly closed down on the head and bent shank, as represented in 
Fig, 344, the work should be slung over the fire for brazing, and have 
enough solder placed inside to flow around the seam. If carefully 
charged, however, it may be soldered from the outside, being slung 
at the fire in the same way. 

Fig. 345 is similar also to the first pattern. Fig. 338, but made 
double. The middle section in this one is made like the inside half 
of a cylindrical ring or the outside rim of a pulley wheel. The two 
outside pieces are made nearly like the single joint first described, 
with the addition of the circular or saddle piece between them, as 
shown in Figs. 345 and 346. Fig. 345 shows the joint put together ; 
Fig. 346 shows them separated for closer inspection. This is called a 
double joint, and will be readily understood from the engraving. 
Fig. 347 is another form of expansion joint, which is frequently used 
where there is plenty of room for it, and is a good device for the 
purpose for which it is intended. The engraving fully explains 
Itself. 



208 



ART OF COPPERSMITHING. 




Fig. 2,^6.— Joint with Farts Separated. 




Fig. 347. — Be7tt Fipe Expansion Joint. 



ART OF COPPERSMITHING. 209 



TEE PIECES. 



Tee pieces are made in several ways, but there are only two in 
common use as a general rule. These are, when the three passages 
are all of one size, as in Fig. 348, and when the inlet is equal to the 
two outlets or the reverse, as in Figs. 349 and 350. The first is 
formed by making two saddle pieces, a cap or bottom piece, and 
gusset. A, as in Fig. 348. This piece of work would look better 
without a gusset, as in Fig. 351, which can be done by leaving the 
corners on the two saddle pieces and squaring them up before 
putting together ; but there is the advantage of economy in favor 
of the gusset, as there is always a good supply of pieces available in 
all shops. The tee in Fig. 349 is formed of two taper pieces, the large 
end being equal to one-half the circumference of the inlet at one end 
and half of the circumference of the outlet at the other. This can be 
made with or without a gusset, as desired. The large end or stem 
should be kept the same thickness or diameter right through to the 
bottom or cap, and the other two taper off as if two frustums of 
cones were joined together at the base, the small ends having a short 
distance of them parallel from the end for a flange to fit on, to make 
connections with other pipes. I have made small tees from one piece 
cut from the sheet, as in Fig. 352, by working down the throats into 
shape with a razing hammer and forming the two outlets by bending 
the pattern in the middle and bringing the two edges together. The 
stem is thus in two halves, while the part forming the two outlets is 
one continuous piece, having the seam in the two throats, as in Fig. 
352. There is no reason why a large one could not be made the same 
way with economy in labor, but I never made one nor saw one made. 



ART OF COPPERSMITHING. 









ART OF COPPERSMITHING. 



THREE-WAY PIECES. 



Three-way pieces, Fig. 353, are made by putting together three 
saddle pieces and a gusset, the outlet pipes being an equal distance 
apart and usually of one size. They sometimes require one outlet 
equal to the other two in area. If the two inlets are made to approach 
nearer to each other than in the three-way piece, and the outlet equal 
in area to these two, as in Fig. 354, it is called abritch piece, and is 
made of pieces similar to those described for Fig. 349, excepting the 
crotch piece at the bend or turn is cut a third through on each side, as 
shown, and a gusset, A, cramped in and brazed; then the other two side 
pieces are brought together and wired, the seam dressed down and 
then brazed. 



ART OF COPPERSMITHING. 




Fig. 353. — Three- Way Piece. 




Fig. 354. — Britch-Piece 'oith Large 
Inlet. 



ART OF COPPERSMITHING. 213 



CROSS, OR FOUR-WAY, PIECES. 

Small four-way pieces are made similar to three-way by joining 
four saddle pieces together with a gusset, unless some special purpose 
calls for another method. In large work two ways are adopted. 
The first by cutting out two pieces as shown in Fig. 355, 
and razing down the throats and making the four joints by cramp- 
ing the pieces together in the four throats or saddles, and brazing. 
The other by making it in two halves with the seam on the side and 
cramping together, as shown in Fig. 356. To do this with the least 
amount of labor, we must reduce the surface of one-half of the piece 
to a flat sheet of metal, as in Fig. 357, proceeding as follows : From 
the point A, Fig. 358, with the radius A B, describe the arc B C ; divide 
the arc B C into three equal parts ; through the two points B and D 
draw the line G E ; on the opposite side of the figure draw E H, simi- 
lar to G E; then B I H G will represent a frustum of a cone. Now 
find the convex surface of the frustum which is thus represented 
Let B I H G, Fig. 358, be a frustum of a cone, and let I B = 3 
and H I = 4, and H G = 5. Then the convex surface of the frus- 
tum = 3 + 5 X 3-141 __ 20.2656, and converting this into circular 

2 

or disk inches we have ^°'^ ^ = 64. Now add the square of the di- 
0.7854 

ameter B I 3^ = 9; then 64 -f 9 = 73, the convex surface of B I H G in 

circular inches ; extracting the square root we have |/ 73 = 8.544, or a 

disk of sheet metal 8 544 inches in diameter, as in Fig. 357. Draw the 

line through the center O, and from the points P and G draw the lines 

N P M and S G V at right angles with the diameter P G, and measure 

off from the points P and G one-fourth of the circumference of I B, 

^^S' 358, making the lines M N and V S join R M and U N, which are 

tangent to the circle. Then the pattern V S M N, Fig. 357, will equal 

approximately the convex surface of E, Fig. 357. 

Having cut two pieces of copper like the pattern in Fig. 357, they 

are ready for forming after the edges have been rounded smooth. 

Begin this process by wrinkling or puckering, as in Fig. 359, then with 

the razing hammer. Fig. 360, raze the wrinkles down on a suitable 



214 



ART OF COPPERSMITHING. 





Fig. 355. — Patte7-n for One-Half of Four- Fig. 2,S^.— Four- Way Piece Made of Two 

Way Piece. Pieces, Seams on Side. 





Fig. 2^-].— Method of Obtaining Pattern for Fig. 358. — Diagram for Obtaining Pattern 
One-Half of Four- Way Piece E. for One-Half of Four- Way Piece. 



ART OF COPPERSMITHING. 




Fig. 359. — Method of Forming E, Fig. 357. 




Fig. 360. — Razing Hammer. 



Fig. 361. — Mandrel for Working Out Fotcr- Way Pieces. 



2l6 ART OF COPPERSMITHING. 

mandrel, Fig. 361 (secured in the mandrel block or bench strap), to 
form the frustum, and when it is of a sufficient length turn the two 
ends to form the cross way. 

Practice and experience only can supply the place of an instructor 
when making this bend. Care must be taken during the work not to 
press it too severely or work the metal when it is too hard, but anneal 
it at the close of every course ; when properly formed, the edges can 
be trimmed off and thinned from the inside. Now take the crown of 
the cone, about ^ inch from the edge, round up the edge free from 
rags and chisel marks, and then turn out the edge level with and 
forming a part of the outlet, thus extending its length that much 
further. It is next covered with salt and water, made blood red and 
quenched in clean water, scoured and dried. The halves, after one 
has been cramped, are now brought together and wired ; the seam 
dressed down and brazed, the work being slung in the traveler chain 
from overhead if necessary. When the seams are cleaned off and the 
work again scoured clean, it is put in shape and final symmetry on a 
cod. The seam is knocked down and the piece planished over to 
smooth and harden it. The mandrel. Fig. 361, is a piece of cast iron 
or steel some 6 inches in diameter having a 2-inch square hole in the 
center, so that it will slide on a square bar ; the four sides are planed, 
turned or cast from a pattern so they are segments of four circles 
from 9 to 20 inches in diameter, to suit the different sizes of pipes or 
cylinders. The mandrel is about 3 feet in length. It is necessary to 
have several of these mandrels of different sizes and lengths to suit 
different work. 



ART OF COPPERSMITHING. 217 



THE SADDLE FIRE. 

Bends made with the seams on the side are brazed on the brick 
forge ; but those with the seam in the throat and back must have a 
fire for the purpose, and made narrow enough to suit the curve of the 
throat seam. This fire is very useful for a great many special pur- 
poses besides the one tinder consideration. It is made of pieces of 
}^-inch boiler iron, Fig. 362, with four legs made of angle iron ; the 
hight of the fire being the same as the brick forge. This fire is about 
6 inches wide, 18 inches at the bottom where the blast pipe lies, and 
24 inches at the top, and 10 or 12 inches deep. It i^ coated with an 
inch of fire clay, and left to dry hard ; it is then fit for use. It could 
be lined with fire tiles inside, made to fit, which would be better, if 
they are obtainable ; if not, then fire clay must be used. The blast 
pipe. Fig. 363, at the bottom of the forge, is perforated with holes, 
whose aggregate area is equal to about twice the area of the convey- 
ing blast pipes, because when necessary the wind is let in at both 
ends. There should be two fires of this kind, one hollowed out, as it 
were, to fit the pipe nearly, Fig. 362 ; the other straight across, Fig. 
364, as they are often very convenient. 



2l8 



ART OF COPPERSMITHING. 



I 



m 




\ ^ 




ART OF COPPERSMITHING. 219 



MARINE WORK. 

In the preceding chapter we have been speaking of small bends ot 
from 4 to 5 inches inside diameter, which is the largest size usually 
made in locomotive works or railway shops. Marine work for war 
ships or ocean steamers is very much larger, requiring heavier tools 
and appliances, and we shall now describe some of the means em- 
ployed in the working up or making of pipes and bends from 6 to 15 
inches in diameter and upward. By a careful study of the engravings, 
Figs. 365 and 366, which we here present, * the reader can get a better 
idea of what marine work is than by the best written description with- 
out their aid. These large pipes and bends here represented in Fig. 
365, judging by the bench vise, the jaws of which usually measure 
from 5 to 6 inches wide, are about 15 inches in diameter, and, as will 
be noticed, the bends are made saddle and back, which is the usual 
way of making them when the bend required is of a reasonably long 
curve. A specimen may be seen in the middle of the two pipes, one 
of which is slung over a fire, the back being slung to the traveler by 
suitable hooks and in position for annealing. The large pipe slung 
on the right-hand side of this back has just had a flange brazed on ; 
the one on the left hand, it will be seen, is in position, and 
has a fire pot placed around it, for brazing a round joint, or 
joining this bend to another pipe. Carefully notice the standards 
upon which the bottom or floor of the fire pot is arranged. The pot 
appears to have two inlets for the blast, one on each side of the pot, 
so that the fi.re may be regulated in such a manner that all the solder 
will be run at the same moment of time, and the joint skimmed off 
all round instantly when ready. A little at one side of this pipe is an 
open hearth under a chimney, where the coke is prepared and made 
hot for the fire pot, a pan of coke being at hand. The apparatus oppo- 
site the hearth is for straightening and rounding up the pipe after the 
seam is made. The bend, which is slung and balanced at the vise 

* These engravings are from photographic views of the interior of the coppersmiths' 
shop of Messrs. Maudsley, Sons & Field, one of the oldest and largest marine engine 
builders of London, England, and kindly furnished by them especially for this work. 



220 ART OF COPPERSMITHING. 

bench, is in position for truing up and planishing on a cod. The next 
object is a wooden template for a pipe with two short bends in it, and 
showing the position of the flanges ; further on are two breech pieces, 
which appear to have their seams recently soldered or brazed to- 
gether, the seams being in the saddles or throats — that is, they are 
made in halves and from a sheet about a quarter inch thick. The 
several other pipes lying around are of minor interest, but the view, 
as a whole, gives a clear idea to the learner and those interested of 
what is necessary for a well-appointed shop. In the other plate, Fig. 
366, the first object on the left hand is an old bending apparatus, 
which no doubt is still found to be very handy. The next is a large 
bend, apparently about 20 inches in diameter. The main object is a 
hydraulic bending table, the whole machine being clearly shown, with 
a pipe about 8 inches in diameter in position for bending, and having 
one bend already completed. Carefully examine this machine. 
The hydraulic cylinder and piston are placed in an immov- 
able postion at the table, and before it in a groove in the 
table is a large screw, to which is attached the handle on 
the right hand of the table. The two upright pillars on which 
the concave blocks revolve are drawn together or spread apart by a left 
and right thread, the link placed over the pillars being to regulate 
and hold the pillars securely to the place required. These concave 
blocks revolve to suit the condition of the pipe as the power of the 
piston is exerted to bend the pipe between them. The workman's 
chalk mark is plainly visible, showing where the bending is to be, or 
the power applied to effect the bending. The link which helps to 
hold the pillars in position is provided with a screw and sliding block 
so that it may be lengthened or shortened to suit the distance the 
pillars are required to stand apart. Another and longer link is lying 
on the floor to be used for longer bends. The next prominent object 
is a pipe with a double bend. These bends have been soldered together 
just where the workman's file is lying, and the joint has been made 
with a round fire such as we have described in a previous chapter. 
Behind this pipe is the back of a bend in course of construction. The 
block on which it is being worked is cubical and made of cast iron 
or some hard wood. The holes or hollows are plainly shown in the 
block, and each face has a different size and hollow to suit different 
sized pipe. Notice the travelers at each mandrel loop along the 
bench and at other parts of the shop which show how the work may 




[221] 



Pi?- 2>^S-— Interior View of Coppersmith Shop 



1 

i 




•4 

i 




'/ Coppersmith Shop 



[222] 



Fig. :^bb.—Interiot 



ART OF COPPERSMITHING. 22^ 

be slung and manipulated with as much ease as possible. These views 
were taken from opposite corners of the shop, so that all the most 
important appliances could be clearly shown. The other objects are 
of minor interest.* As I have said before, these larger bends can be 
and are made saddle and back, according to the capacity of the work- 
man or the desire of the employer ; but much better results may be 
obtained by competent workmen when the seam is in the throat and 
back, especially if the inside curve of the bend is short or of small 
diameter. 

* These photographs have only been recently obtained. When the articles were written, 
they were entirely from memory, and after 20 years' absence from a coppersmith's shop I 
notice by them there has been no material advance. 



224 ^^T OF COPPERSiMITHIXG. 



MAKING LARGE BENDS. 

The large bends, Fig. 367, cannot be brought together after being 
formed by a vise ; it is therefore necessary to use a chain and lugs, A, 
and pull the halves together with a bolt. Neither can they be dragged 
along on the fire, owing to their weight, which would crush the coke 
and break down the fire, besides exposing the joint to probable injury 
while hot. They must be slung as shown in the illustration, so that 
the joint will lie level when on the side, and so that it can be brought 
to the fire continuously and with ease. When the slinging chains are 
properly adjusted, the sling is hooked to the traveler chain overhead, 
and the work may then be handled over the fire with ease. In the 
case of the joints being in the throat and back, as in Fig. 368, the 
halves are brought together with the chain and lugs as before 
directed, and then wired ; then two screw clamps N and U are 
fastened at each end, through which chain M is passed loosely. A 
hook and pulley, O, are now applied, the loose chain running through 
the clamps over the pulley wheel and the hook hooked to the traveler 
chain P from overhead, as before. By this means the throat seam 
may be easily handled, as also the back one, reversing the screw 
clamps to suit, as in Fig. 369, and guiding the work with the tongs K. 
A good fire is to be kindled in the forge, Fig. 362, with a supply of 
coke in the pans or hoppers on each side. The back of the bend is 
usually brazed first on the brick forge, and then the throat on the 
portable forge. Fig. 362. It sometimes happens that a job cannot be 
got at even with this narrow forge fire, or there is no convenience by 
which it can be used to advantage. When this is the case we carry 
the fire to the job, instead of the job to the fire, and charge the joint 
with spelter outside, carrying the fire inside with a pot having a 
hose pipe attached to it. Fig. 370, and slinging the fire on the traveler 
chain from overhead. The fire pot for this operation is made similar 
to those used for the joining of pipes, but with a bottom fixed to it. 
The work to be done governs the size and shape ; it may need to be 
of an oval shape in some cases. 



ART OF COPPERSMITHING. 



225 



bo 1-^^ 





226 



ART OF COPPERSMITHING. 




Fig. 2,(>g.— Betid Reversed and with Totigs for Guiding. 




Fig. yjo.— Portable Fire Pot to go Inside of Bends. 



ART OF COPPERSMITHING. 227 



DOUBLE BENDS. 



In large work we have only noticed so far single bends. We now 
come to double ones, which are, as occasion requires, twisted from a 
flat S-bend to any ?ngle required. When bends require to be twisted 
they are made single and then joined and brazed together, as in Fig. 
371. The operation is the same in principle as that described for 
joining straight pipe, the difference being only in the size of the fire 
pot and the manner of application, which is shown in Fig. 372, Four 
upright standards, with holes in them, are placed in position near the 
pipes, and the bottom plates laid on the two rods, which are put 
through the holes in the standards at the proper hight. The bottom 
bend is held in position so that the socket is level and securely 
fastened there, the top bend held in position and balanced with the 
traveler chain and then lowered into the socket. The pot is then 
placed around the joint as before directed, Fig. 373, which may be in 
two or three sections, see Fig. 374, so the blast can be applied by two 
or three supply pipes, as is most convenient or may be desired to suit 
the work in hand. After the seams of each bend have been dressed 
off clean and are in proper shape, they are cleaned with a pickle made 
of vitriol and water, about one part vitriol and two parts water, which 
may be varied to suit the requirements of the job. When it is 
thoroughly scoured and all the acid washed off in clean water and 
dried, it is usual to rub some dry Spanish brown all over, so that in 
hammering the hammer marks can be more plainly seen. It is then 
taken to the mandrel block, where it is planished true and into its 
final shape on a cod, and hardened by closing the grain of the metal 
with a hammer at the same time that it is planished. 



228 



ART OF COPPERSMITHING 




T,-]i. —S-Beiids Made hv Joinins;. 




Fig. T,-]2.— Bends at Big/it Angles Arranged 
for Brazins;. 



ART OF COPPERSMITHING. 




^^S- 373- — ^"'i' P'^t in Position for Brazing 




Fig. 374. — View of Fire Pot. 



23° 



ART OF COPPERSMITHING. 



BR/iZING ON FLANGES. 



The brazing on of flanges, large and small, has caused as much or 
more objectionable language to be uttered than almost any other 
operation usually performed in a coppersmith's shop, owing princi- 
pally to a want of a little knowledge, or the possession of an inquiring 
mind ; sometimes, too, owing to the greed of a manufacturer 
who will palm off a flange for pure copper that will not bear 
enough heat to run the spelter. This entails much trouble and 
annoyance to the workman, and not a little loss to themselves, 
because the extra time spent and liability of failure more than 
balances the advantage sought to be gained by the use of spurious 
metal. In speaking thus I do not wish it understood that pure cop- 
per is the best material from which flanges can be made, for the 
best flanges the writer ever operated on were cast from a mixture 
composed of i pound of old copper and i pound of brass tubes, which 
reduced to its elements would make the flange about i6 parts 
copper and 3 of zinc ; this makes the flange stiff and close 
grained, and much better for general purposes than pure copper. 
Having a good flange provided, the next thing is to have it properly 
prepared while at the lathe ; the only thing, however, that concerns 
the coppersmith is the hole into which the pipe is to fit. This should 
be tapered /a inch so that it will drive on tight, the end of the 
pipe being reduced that much. On the face side an eighth counter- 
sink should extend into the hole one-fourth of its thickness. When 
the flange is eased on the end of the pipe and the pipe is through a 
short distance, drive it back into the countersink, turning it over a 
little toward the face of the flange. It is now ready so far for braz- 
ing, but before taking it to the fire, if the pipe is small, it is sufficient 
10 stop the oppv^site end of the pipe with a ball of waste or a wooden 
plug, so that the heat cannot run up through the pipe. Around the 
countersink of the pipe, which is through the flange, rub some soft fire 
clay, and a little up the seam if it be brazed pipe. It is now ready 
for charging and the fire. Flanges for large pipes are bored the same 
as small ones, but it is necessary to take a little more precaution in 
preparing lor the fire, so that the heat does not run up through the 



ART OF COPPERSMITHING. 23I 

pipe. In this case take a disk of light sheet iron about 3 or 4 inches 
larger than the diameter of the pipe and clip this disk all around with 
the shears at intervals of about i inch ; now turn the edges up, form- 
ing a kind of pan, the places clipped acting as a spring. This pan is 
crowded into the end of the pipe about 4 or 5 inches from the end, and 
some soft fire clay is plastered in the cracks of the pan all around the 
edge, and also around the edge of the countersink of the flange. The 
edge of the fire clay should be an inch or two above the flange, or above 
the thickness of the flange, and so that no flame goes up the pipe. 
See that the joint of the pipe is well covered with clay a little beyond 
the top of the flange where the solder is to lay. Sling the pipe so 
that it will hang level, and it is ready for charging and the fire. If 
the flanges are of doubtful metal, try their quality before putting on 
the pipe by trying to run a small portion of the spelcer on the flange 
first. If it is suspected that the spelter will not run on the flange, it 
should be rerun — that is, remade — to do which take i pound of the 
spelter and melt it and add i ounce of zinc while it is in a state 
of fusion, and when cool enough to just char a hazel stick, place 
it in an iron mortar previously made warm, and break it up again. 
Then try it on the flange. If it still takes too much heat, or 
more than it is thought the flange will bear, lower it again with zinc 
until it runs at a low enough temperature to preserve the flange and 
there will be no danger of failure. Never use what is called black 
solder or spelter ; it is only used by those wanting a sufficient knowl- 
edge concerning spelters suitable for their work ; neither be tempted 
to add tin un ^er any circumstances. 



232 ART OF COPPERSMITHING. 



SHORT BENDS. 



Another bend of a special kind is sometimes needed to be worked 
on the end of pipes when it is required to get the shortest possible 
turn that can be made so that a flange will set right down close on the 
straight part of the pipe, as in Fig. 375. To turn this bend we proceed 
as follows : First measure along the pipe a length equal to one-half the 
circumference of the pipe on which it is required to make the turn, 
F^g- 376- At the point B make a small hole, and with a round file 
round up the edge all around the hole carefully. Now take the steel 
bar, Fig. 377, having the point bent as shown, make the pipe red hot 
about the hole, insert the point of the steel bar and jar it out with a 
hammer, as shown in Fig. 378, until there is a burr or turn, C, as high as 
the flange is thick on the long part. Then cut the pipe from the hole 
to the end, as in Fig. 379, and run out the seam at the back if it is a 
brazed pipe. If it is drawn pipe make a hole at the back or opposite 
side (without burring), and cut the pipe down as far as this hole and 
open it out, as in Fig. 380. Flatten out the flaps. Then with the radius 
of a circle whose circumference would be equal to one-half of the cir- 
cumference of the pipe describe the curve shown in Fig, 380, E, and 
from the line where the burr or bend turns take 78.750 of the circle (as 
shown in a former chapter), of which the section X is a part. Now 
thin the back edges of the flaps of the turn, Fig. 381, and work them 
over on a cod or some suitable bullet stake, and if large enough cramp it; 
then close the seam, and finish by brazing, Fig. 382. This is a method 
of making a short turn which it is often necessary to adopt in steam- 
boat work, and when it happens that workmen do not know how to 
make this turn a casting has to take its place at a much greater cost. 



ART OF COPPERSMITHING. 



233 





Fi§. ^-js.—S/iort Bena. Fig. 2,19.— Manner of Cutting Pipe 




Fig. 2,16.— Pipe Measured for Bend. Fig. 2,^.— Pipe Opened Out. 



^ 




Fig. 211-— Burring Bar, for Enlarging Hole 
for Bend. 



Fig. 381. — Edges Thinned. 




Fig. y]^.— Enlarging Hole with Bar 




Fi^, Zd,2.— The Finished Bend. 



234 ART OF COPPERSMITHING. 



AIR PIPES. 

Air pipes are used by ocean and other steamers for conveying 
fresh air from the upper to the lower decks and are somewhat similar 
in form to the bowl of a tobacco pipe, Fig. 383. They are frequently 
made of copper, the mouth being of any size required to catch and 
convey a sufficient quantity of air to the lower decks and cabins. 
When made of copper, the easiest and most economical way is to make 
the bend of three pieces or sections, as shown in Fig. 384. After the 
pattern has been cut out, the pieces, b and r. Fig. 385, are thinned at 
each end and cramped ; they are then bent, as in Fig. 386, and held to- 
gether with dogs, dor f, Fi^s. 387 and 388, at each side, as shown. 

Now wrap a chain around the section, as in Fig. 386, and sling it 
to the traveler so that it hangs level. Take a little warm borax and 
water, the borax having been previously dissolved, and jar the joint 
so that some of the liquid may penetrate through and all around and 
under the cramps in the joint, then charge it, laying the spelter on 
first with a short reed. Move the spelter over the edge of each 
cramp in a zigzag form, then slowly dry it ; when dry, slowly heat it, 
first on one side and then on the other, until the part is red hot and 
the spelter is all down on the joint ; next bring it over a brisk flame 
and run down the seam. The directions given may be followed for 
the other two sections. When the seams are cleaned off and knocked 
down and the sections annealed, open them and round them up on 
the mandrel block for the next step, which will be to draw the edges 
in at the back part extending to one-fourth of the circumference 
from the center of the back each way. This is done on a suitable 
head. Fig. 390, secured on a bent bar fastened in the mandrel 
block B, the part drawn in forming part of the regular curve 
and some 2 or 3 inches wide. When this is done sufficiently, 
pare the edges true, and see that the two parts which are to be 
joined together are exactly the same size in diameter, or as 
near so as possible ; then thin them with a hammer, which may 
need to be done with the pane if the copper is heavy, or with the face 
if it is light. When the edges are thinned and the ragged edges, ii any, 



ART OF COPPERSMITHING. 



235 





ART OF COPPERSMITHING. 



ii 


>H 


. h \ ■ 








c 






if^ 



















Fig. T,is— Pattern of Air Pipe Section. 






Fio. ^Sj.—Spri/ii^^ Dog. Fit;. 388.— 6Vrt'w Dog. 



Fig. -T^m.— Section of Air Pipe Ready 
for Brazing Seam. 



Fig. T,^.— Chain Hook. 



ART OF COPPKRSMITHING. 



23T 




Fig. 390. — Planishing the Air Pipe on Head and Mandrel.. 




Fi^. 29T-—Ma7iarel on Trestle Fratne. 



238 ART OF COPPERSMITHING. 

filed smooth cramp one side, making the cramps which will be on the 
inside one-half longer than those on the outside. Bring them together 
and secure with the lugs and chain, as in Fig. 384, the hooks g, Fig. 389, 
being made to hook on the ends of the pipe. When the seam is closed 
down true make a suitable cradle with wire and sling it, and proceed 
to charge the cramps, following them in their zigzag path so that the 
spelter covers the edges of the cramps, not forgetting to jar through 
it previously a solution of borax. Dry the spelter and heat the joint 
slowly. When hot enough show it to a medium brisk fire and run the 
joint around. After the circular joints are made, knocked down and 
annealed, scour it clean with vitriol and water and rinse off clean and 
dry it. When dry rub it over with Spanish brown. Now shape it up 
true and planish on the double-faced head. Fig. 390, at the mandrel 
block, finishing the small end on the mandrel C. The endless rope 
and small pulley D has a weight hung to it sufficiently heavy to coun- 
terbalance the weight at the large end. The chain and pulley E and 
sling hooked to the traveler chain assists the operator by balancing 
the work and giving him power to manipulate it with ease. 

The straight conductor pipe to convey the air to its destination 
is usually of light copper and made in lengths of from 6 to 8 feet 
long. Straight steam pipes may be made from material from ^ 
to %. inch thick and from 6 to 8 feet long. To planish these pipes 
after being made and properly cleaned a mandrel is placed on a tres- 
tle frame. Fig. 391, which supports the bar at both ends, or one end 
may be secured in the mandrel block and a screw crutch, A, Fig. 392, 
placed under it at the other end to support it. The mandrel should 
run through the entire length of the pipe, or as nearly so as is prac- 
ticable. 

The planishing should begin in the middle and finish at the ends; 
that is, about 2 feet at a time, beginning with the first 2 feet in the 
middle of the pipe, then finishing up at the joint after the planishing 
of the whole length has previously been coupleted. The planishing 
is done with a bright double-faced hammer. No. 3, Fig. 393, of suffi- 
cient weight, a number of which form the necessary equipments of a 
shop, and vary in size and weight from 8 ounces to 3 pounds or more, 
having square and round, flat and bullet faces, others having two 
panes for razing down, and bullet faces for hollowing up. These 
hammers are carefully looked after, and kept bright by being cleaned 
on a buff-board before being put away in the rack, and greasing with 



ART OF COPPERSMITHTNG. 



239' 




Fir. T,g2.— Mandrel for Planishing Long Pipes. 




Fig. 393. — Hammer Rack. 



24° ART OF COPPERSMITHING. 

pure goose grease to protect them from the various gases and acid 
vapors which always occupy a coppersmith's shop more or less. The 
hammers shown in the rack, Fig. 393, are No. i round face and pane; 
No. 2 round and square face ; No. 3 two round faces ; No. 4 cross 
paned ; No. 5 two flat paned ; No. 6 bullet or hollowing. 



ART OF COPPERSMITHING. 24I 



HOLLOW SPHERES. 



The forming of spheres or balls has taxed the ingenuity of the 
youthful metal worker, it is presumed, in all ages ; the coppersmiths 
of my youth have, and those at present engaged in the craft will con- 
tinue an ineffectual wrestle with this problem until there is a more 
universal application of the system of industrial or technical educa- 
tion so happily inaugurated now in some of the large cities. How 
strange ic is that our public educators scarcely ever seem to venture 
from the beaten paths of school book routine for the purpose of 
assisting the student to grasp a subject or shed a little light by 
which a pupil can mark out his course prior to an apprenticeship 
The properties of circles, squares, cubes and spheres are all Greek to 
the majority of boys sent into a shop ostensibly to learn a trade, 
and particularly does this happen in country places, as in the writer's 
case, where among all the men he was brought in contact with it is 
not remembered that one could measure the superficial area or solid 
contents of a single vessel they were working at in a mathematical 
way ; it seemed one continual grope in the dark, guessing, or work- 
ing by rule of thumb. It is hoped that this chapter may be so clear 
that any one who will exert an effort to make himself familiar with 
any ordinary work on mensuration will be able to form a hollow 
sphere of any metal ductile enough to bear the different operations 
necessary to its formation. The greatest stumbling block has been 
a want of knowledge as to the exact size of patterns necessary to 
cover the surface. It is a well known property to those versed in 
geometry that the convex surface of a sphere is equal to its circum- 
scribed cylinder, or the surface of a sphere is equal to four times its 
generating circle ; that is, the surface of a sphere is equal in area to 
that of four disks whose diameter is the same as that of the sphere. 
Then the surface of one-half a sphere would be equal to two disks 
the same diameter as the given sphere. Now, as hollow spheres, or 
balls, are usually raised up in halves, therefore to make a ball we 
must first start with two disks of metal, the surface of each being 
equal in area to the sum of two others whose diameters are the same 



242 



ART OF COPPERSMITHING. 




Fi^. 2,93,.— Disk for Half Ball. 





Fi,. :^,.-D.., m-i,.H., /.,■ For..n.„. Fi,. r^-^"* ••;^.iS"'*' ''""■"■'' 



Drawn Out. 



ART OF COPPERSMITHING. 243 

as the diameter of the hollow sphere required ; that is, the two taken 
together shall equal four times the surface of a circle whose diam- 
eter is equal to the diameter of the ball required. 

Let it be required to construct a hollow sphere, or ball, 9 inches in 
diameter ; then 9x9x2 = 162, the number of circular inches 
in the convex surface of a sphere 9 inches in diameter ; therefore 
1/9x9x2 = 12.7471, the diameter of a disk of metal required to 
make one-half a hollow sphere, or ball, 9 inches in diameter, no allow- 
ance being made for the thickness of metal or for joining together. 
Let us add these now, and suppose the metal to be }i inch thick, and 
that the joint requires >^ inch lap, which will be a quarter on each 
half ; then the area of this i^-inch band for lap or joint will equal 
9.125 X 3.1416 X .5 = 14.3335. Converting this into circular inches we 

have ~~"^~ = 18.25. Dividing this by 2 and giving one-half to 

18.25 
each disk we have = 9-125. Therefore, the whole value of one 

disk for one-half of a 9-inch hollow sphere ys inch thick, and % inch 

/9.125 X 3.1416 X 5 -^- .7854 
for lap will be (9.125)- x 2 + (^ ^ j = 175.6562 

and extracting the square roof of this last result, we have 13.2459, the 
size of disk required. 

We will now proceed to raise these halves to the spherical form. 
First, divide the diameter A D, Fig. 394, into four parts, as shown by 
A B C D, and with the radius B O describe the circle B C, which will 
be about 6^ inches in diameter. Wrinkle the disks in spaces of 
about 2 inches apart at the outer edge, forming a pan, as sho^vn in 
Fig. 384 ; now take it to the floor block, Fig. 397, and on a suitable 
bullet head in the shank S take in the first course,, draw out the 
wrinkles, working first on one side of each one, as in Fig. 396, and 
then on the other until they are all worked out and are smoothed 
down. Now smooth it some with the face of a hammer. This will 
conclude the first spell. Anneal it by heating to a cherry red, cool in 
water and wrinkle again, making the wrinkles which were the lower 
ones in the first spell the upper ones in the second, and continue the 
process with the razing hammer until the last course. This is brought 
up to the size without wrinkling. It should be a little under size, 
because smoothing and planishing will expand or draw it some, there- 



244 



ART OF COPPERSMITHING. 




pjg_ 397 —Floor Block 7C'ith Stakes and Head for Forming Half Balls. 




Fig. y^.— Section Showifig Ho7v Half 
Ball is Formed. 



Fig. 2,gg.—Finis/!ed Half Ball. 



ART OF COPPERSMITHING. 



245 



fore it may be about 8j4 inches in diameter when finishing the last 
course before smoothing. We now are supposed to have two pans as 
shown at R in Fig. 398, that are about 6 inches at the bottom, and 
4^4 inches at the side. These are to be taken to the block and on a 
suitable bullet head, S, or bullet stake, T, Fig. 397, break down the lag 
or corner of each pan with a mallet. As this is being done, the curve 
will be bulged out, part in the bottom and part in the side, as indi- 
cated by the dotted lines in Fig. 398. It is now easy to smooth them 
down true to the size required, after which anneal, clean and planish, 
as in Fig. 399. They are then ready to put together and finish the 
sphere. 

The directions in the foregoing are for metallic balls raised or 
formed of two solid pieces or halves — that is, with the middle seam 
only. It often happens, however, that time is an object in the con- 
struction, as also sheet metal of a sufficient size or convenient shape 
from which to make a ball in two solid parts. When this is the case, 
it may be made in this way : Let it be required to construct a ball 10 
inches in diameter; then proceed as follows to get out the pattern 
for one of the halves : In Fig. 400 on the line A B describe the semi- 
circle B C A, 10 inches in diameter, and with the radius A E divide 
the circumference of the semicircle into three equal parts, as shown 
by B H, H G, G A. Divide the versed sine C D into two equal parts, 
and through the center of it draw the line Y X and similar lines V Y 
and X O parallel to B H, H G and G A; then the convex surface of a 
truncated cone, Fig. 401, represented by the lines V Y, Y X, X O, 
Fig. 400, will equal approximately the convex surface of one-half of 
a sphere, which is represented by the semicircle B C A. Extend 
V Y and O X to K ; then with K as center describe the arc O N S 
and with the distance V O space off three spaces on the arc O N S, as 
shown. With the radius K X describe the arc X M Z and join S K ; 
then O N S X M Z will be the pattern for the frustum of a cone. Fig. 
401. File and round up the edges to rid them of all rough burrs, 
cracks or flaws, and thin the edges O X and Z S. Cramp one side ; 
then double up the pattern, as shown in Fig. 402, and braze the seam 
as directed for section of air pipe. Clean off the seam and knock it 
down — that is, hammer it down so that the joint is the same thick- 
ness as ;he rest of the sheet ; then round it up true, producing the 
sides of an inverted pan without a bottom, shown in Fig. 401. The 
:next step is to prepare the pan for the bottom, i. Commence to form 



246 



ART OF COPPERSMITHING. 





Fig. /^oo.— Method of Describing Pattern for Half Ball. Fig. A,o'2..—Sho-wing Pattc 

Doubled Up. 





Fig. 401. — Pattern Formed with Seam Brazed 
and Las: Raised. 



Fig. 403. — Raising Down the Lag fi 
Bottom. 



ART OF COPPERSMITHING. 247 

the lag by a course around the small end about % inch wide on the 
end of a mandrel of suitable size ; then anneal on the brick forge, 
cool and take to the floor block, and on a bottom stake, Fig. 403, finish 
razing down the lag for the bottom. Next cut out the bottom, which 
may be the exact size of the hole or a trifle larger, and thin the edges 
both of the bottom and the part forming the lag, after which 
cramp the bottom with a chisel if it is of heavy copper, and with 
the snips or shears if of light. Open the cramps far enough so that 
the bottom may be put in from the under side, or inside, each alter- 
nate cramp going through the hole ; that is, one inside and one out- 
side. Place it on the bottom stake and smooth down the seam and 
" popple " the bottom by a few blows in the center, then spring it in 
and out a few times — this will loosen the joint and answer the same 
purpose as chattering straight seams, to give room for the borax and 
spelter ; it is now ready for the fire. Charge the seam with spelter 
as previously described, following the cramps in their zigzag path 
around it ; then take it to the fire, and when the borax and solder are 
thoroughly dry roll the sides of the pan around on the fire, using a 
pair of duck-bill tongs for the purpose, until the fire can just be seen 
through it. Show the seam to the fire, turning the pan while the 
spelter is running ; then cool, clean off the joint and knock it down 
smooth, and afterward anneal it. Take the pan to a suitable bullet 
head and raze a course at the brim, enough to make it about g}i 
inches in diameter ; then break the lag down, round up smooth and 
planish. To one who is apt and quick at perception the outlines 
suggested above will give the cue for many similar pieces of work 
which offer themselves occasionally to the practical coppersmith or 
sheet-metal worker, who is called on sometimes for something out of 
the common run of every day work. One of the uses to which an 
article of this kind may be and often is put to when suitably perfo- 
rated is a strainer to keep out rubbish that might interfere with the 
working of bilge pumps on ships, or it may be used wherever it is nec- 
essary to have a strainer with capacity largely in excess of the pipe 
leading to the pump. 



•248 ART OF COPPERSMITHING. 



BRAZING SHEET BRASS. 

In both marine and locomotive work there is sometimes consider- 
able ornamental brass work of various kinds, such as edging for 
splashers, coping, hand rails, domes and a variety of moldings, and I 
have often witnessed a good deal of annoyance and disappointment 
among workmen (myself included) on account of their want of knowl- 
edge in relation to the law of expansion and contraction while 
attempting to braze joints necessary to the completion of their work. 
Then, again, the many d fferent kinds and qualities of brass made 
and sold often lead men into trouble, partly through the deception of 
the dealer or manufacturer, but mainly through their own ignorance 
of the nature of the material they are expected to work up. 

There are so many mixtures called brass that unless the 
workman is quite familiar with them, or on the alert and 
wary, he may encounter a failure when least expected. After 
much unpleasant experience in this direction it has been 
learned that when working on sheet brass of an unknown quality 
which it is required to join and solder together, before the work 
is begun, it is best to take a small corner and try its merits with such 
spelter as may be at hand ; if it can be made to run with ease on the 
scrap being tested, there will be no further trouble, but if it will not 
run on it, then it is desirable and necessary that some should be pro- 
cured that will. After the work is cut out there are usually some 
scraps that cannot be used for anything to advantage ; take a portion 
of these scraps, if there are any (if not, take a part of the sheet) say i 
pound, and having provided a small crucible, melt the scraps with 
some borax, and in the mean time have i ounce of zinc melted in a 
ladle ; when they are both in a liquid state, mix in the zinc and stir 
with a stick, theci pour it out, and when cool enough to only char a 
hazel rod, break it up in an iron mortar and try its merits on another 
scrap of the brass. If this new composition, now to be used as spelter, 
is found to require too much heat, melt it again and add a 
little more zinc, so it will run with safety to the work in hard — 
that is, without fear of burning the parts adjacent to the joint 



ART OF COPPERSMITHING. 



249 




Fig. 404. — Brazing Seam in Sheet Brass. 



250 ART OF COPPERSMITHING. 

or having the cramps fall off from excessive heat. Brass made to 
have a silvery hue when polished is always difficult to work, and 
requires the utmost vigilance while being brazed, as well as in the 
preparation for that operation. In some instances it is necessary to 
add a little silver to the spelter in addition to the zinc, which will 
reduce the heat necessary to run it, and add to its malleability ; the 
quantity required, however, will necessarily depend on the kind of 
brass, and must be left to the scrutiny of the operator. Having 
procured a spelter suited to the brass, we will suppose the work 
requires a strip of brass 12 inches wide to be joined and brazed 
together ; then trim the edges of both ends and thin them, and cramp 
one. The next step is to prepare a frame from a piece of i^inch boiler 
plate, Fig. 404, in the shape of a horseshoe, some 4 or 5 inches wide, 
and about 15 inches long, also two screw clamps C, and two pieces of 
bar iron D, strong enough to hold the brass fast on the horseshoe 
plate when the screw clamps are applied. Bend the sheet in the form 
shown, so that when the joint is brought together within the horse- 
shoe frame it will hang in a curve or bag between the legs of the 
frame. Now bring them together, open the cramps and let them 
receive the end of the other piece, and screw it fast to the plate with 
the clamps. Put an iron rod through the screw clamps and sling it to the 
chain. Remove it to an anvil and close down the joints, care being 
taken that all the spring is taken out of the parts about the joint 
before going to the fire. When at the forge, jar some liquid borax 
through the joint, charge it, and sling it so that it will balance and 
hang level ; then with a slow fire heat the parts within the frame 
gradually until the solder is all down ; then with a gentle fire the 
joint may be easily and successfully run down. 

The strongest spelter used by coppersmiths for heavy work is 
composed of three parts copper to one of zinc. Another is made of 
eight parts of old tubes or Bristol brass and one of zinc. Another, 
for copper of medium strength, is composed of 16 parts copper aad 
12 of zinc ; for the better kinds of brass, 16 ounces of copper and the 
same amount of zinc. It may be well to notice here some of the 
many alloys called brass. The following have been collected in a 
promiscuous way, as opportunity has offered, and are presented for the 
benefit of those interested : 



ART OF COPPERSMITHING. 



Bristol brass 

Muntz metal 

Pale yellow brass. 
MuDtz sheathing. . 
Mosaic gold 



Brass, reddish yellow . 

Princess metal 

Rolled brass 

English brass 

-German brass 

Watchmakers' brass. . . 

Pinchbeck 

Tombec 

Mannheim gold 

Button brass (white) . 
Bath metal 



Copper. 


Zinc. 


Oances. 


Oances. 


16 


6 


16 


lOf 


16 


13^ 


16 


16 


16 


17 


Copper. 


Zinc. 


Parts. 


Parts. 


86.6 


114 


83.0 


17.0 


79.6 


20.4 


74.6 


35.4 


66.2 


33.8 


49.5 


50.5 


88.0 


11.0 


44.5 


15.5 


70.0 


30.0 


30.4 


69.6 


32.0 


9.0 



Cymbal metal, 80 copper, 20 tin. 

Gilding bronze, 83.3 copper, 17 5 zinc, 0.24 tin. 0.03 lead. 

Button metal, 33 brass, 4 zinc, 3 tin. 

Tutenag, 45.7 copper, 36.9 zinc, 17 4 nickel. 

Chinese white copper, 40.4 copper, 25,4 zinc, 31.6 nickel, 2 6 iron. 

It will be seen that the workman who is ignorant of the many 
alloys commonly called brass, and incapable of forming an opinion as to 
their quality or the spelter necessary for the particular kind he may 
have to work up, can very easily and innocently fall into an error 
•and be placed in a very unpleasant position. I have found but little 
charity shown toward workingmen, or by them, when innocent fail- 
ures of this kind have happened, and I have had my share. It is 
hoped the tables above given maybe the means of assisting the young 
workmen,and old ones who are willing to learn, to avoid the chances 
of failure likely to occur in the working of any of the poorer kinds 
-of brass, if called on to do so. 



252 ART OF COPPERSMITHING. 



LOCOMOTIVE BRASS WORK. 



Among the various kinds of metals and their alloys which have 
been brought into use and wrought from the sheet into many fo ms 
of ornamental work, there is none excepting the two precious metals 
that has or can give to the zealous workman as great delight and 
satisfaction for the labor bestowed as sheet brass ; it matters little 
what hue or tint may be the most prominent, there is always a pleas- 
ant satisfaction after the work is finished, cleaned and polished. 
Especially is this the case when the work is finished complete from 
the hammer. The thought ever present in the mind of the careful 
workman, that the result of his efforts is destined to be brought under 
the scrutiny of the public eye, as well as of his fellow workmen, is 
an incentive to greater caution and care on his part, that the work 
shall be carefully and well performed. While there is work executed 
in copper which requires much greater skill on the average than is 
called for ordinarily in working sheet brass, it is almost always from 
the nature of things carried out of sight and covered up. Most work- 
men like to work brass after they have become familiar with its 
properties, and have learned by experience the best method of treat- 
ing it during the operation of shaping to the form desired. In this 
article, closing the description of a coppersmith's shop adapted to 
marine and locomotive work, I will describe three pieces of orna- 
mental brass work for a locomotive, at the same time showing the 
necessary appliances and their application, so that the young me- 
chanic may, by using ordinary intelligence, successfully perform that 
which has been and is now under some conditions regarded as a lead- 
ing cr first-class piece of work in the coppersmith's art, and which 
will serve as a guide to others of a similar nature, although they may be 
required for an entirely different purpose. The best brass — that is, 
the safest for the beginner — is Bristol brass (see tables in a previous 
chapter), which, being composed of 8 parts of copper to 3 of zinc, leaves 
a good margin for the spelter, which is of equal parts copper and 
zinc, and will run readily on brass as low as 6 of copper and 3 of zinc 
with safety. 



ART OF COPPEKSMITHING. 



253 



Now, it would seem there are fashions in dress even among loco- 
motives, for at one time they were covered with ornamental brass 
work and were very attractive. Among- these ornaments was a chim- 
ney to take steam from the safety valve, while another was a cover for 
the regulator dome. These were of many different kinds and shapes, 
and as the three I shall now consider will answer as a guide to all the 
rest, I will try to give the details as fully as possible, so that they may 
be easily understood by those interested and seeking such information. 
Let Fig. 405 represent the covering for a safety valve, and also to 
answer the purpose of a chimney to convey the steam escaping from 
the valve, above the head of the engineer. These chimneys were about 
2 feet 6 inches in hight, and some 18 inches in diameter at the base,, 
the foot of which was razed out and given an easy graceful flow over 
the boiler. The chimney proper, as will be seen hy a b c oi Fig. 406, 
was made in three pieces, which with the base, or foot d, made four. 
Thus the cover at the outset was in four pieces, three of which, a b c,. 
were brazed together after being formed into shape, and the fourth,, 
which was the base or foot, slipped into a bead formed on the lower 
end of the chimney and soft-soldered in place. I will now give 
directions for forming it, and for the different stages through which 
it will pass until finished, together with the tools used. Let it be 
required that the bell a, Fig. 406, at the top, measures 12 inches, the 
straight part b measures 7 inches at the top and 8 inches at the bot- 
tom, and the bell c 18 inches at the bottom. First prepare the top, the 
outer edge of which must be enough larger thin 12 inches to cover a 
j^ inch wire, say, about ^2 inch each side ; then the bell at the top 
before wiring would be 13 inches in diameter. The curve or flow of 
the bell is most pleasing to the eye when it is an elliptic curve, as 
shown in Fig. 407, all the lines of which are given as a guide. Let ay 
^^ of Fig. 408 represent the top bell of Fig. 407 before wiring— that 
is, with the edge fiat and measuring 13 inches in diameter, the 
bottom next the pipe or straight part being 7 inches. Draw the 
line a b oi Fig. 408 from the point a Yz inch from the outer edge 
through the points a and b, and divide the versed sine of the arc or 
curve into three equal parts. From the point b on the line b d mark 
off a distance equal to one-third the length of the versed sine, and 
from the point d! on the line ay mark off a distance equal to two- 
thirds of the length of the versed sine. Draw the line m c and con- 



254 



ART OF COPPERSMITHING. 





Fig. 405. — Valve Chunney. 



Fig. 406. — Parts of Valve Chimney. 





Fi^. iidi.— Manner of Obtaiuitig Pattern 
for Bell. 



Fig. /SfO-j.— Manner of Obtaining Curves for 
Valve Chimney. 



ART OF COPPERSMITHING. 



^55 




Fig. ^og.—Beli Folded and Suspended by 
Chain Ready for Brazing. 



Fig. i^w.— Mandrel for Planishing Bell. 





Fig. 410. — Saddle Head for 
Planishing Bell. 



Fig. 412. — Bell and Straight Part 
Cramped Together. 



256 ART OF COPPERSMITHING. 

tinue it to x. Draw x y. From the points c and d on the lines x o and 
xy, lay off the length of the curved line of the bell; then, with the- 
radius x y thus obtained, describe the arc ^ ay h, and with the radius 
X s describe the arc reds. Then the surface ot the truncated cone 
£ d m y will equal approximately the surface of the bell of which g a 
y h s r \^ the pattern. The pattern for the bottom bell may be ob- 
tained in a similar manner. File up round the outside and inside 
edges, after which thin the two ends and anneal and cramp them. 
Then fold it up as shown in Fig. 409, being careful that the two 
edges lie snugly together, and that all the spring is taken 
out after the joint is laid and ready for the fire. To assist in this, 
let the pattern be held together by four dogs, two on each side, 
as shown. Jar a little borax and water through the joint, and charge 
it. Now sling, and with a clean fire slowly heat it, first on one side 
and then the other, until the borax is all down; then with a gentle 
fire the joint may be easily run down. When cool, the joint can be 
cleaned, care being taken to see that all cramps are well filled. If any 
are deficient, open the cramp and carefully clean it on the under or 
inside, then close it down and lay a little fresh spelter on the outside 
and inside, and run it afresh, keeping the solder outside from oxidiz- 
ing by applying powdered borax. After the seam has been cleaned 
off outside ai^d inside it may be rounded up into shape. A hammer 
should be used as little as possible in dressing the joint. If an oven 
of a proper heat is at hand, the annealing can be better performed 
in it than in any other way. If there be none, place it 
over a clean coke fire, and gradually make it blood red. 
When cool take it to a suitable sized mandrel, and with 
a ball-faced mallet work out from the inside a light course at 
the small end, then turn it up and work out a course at the large end, 
also fro 31 the inside. Now hang it on the mandrel and work in a 
course each way from the outside, being careful that the blows are 
regular, so that all parts receive an equal amount of working strain. 
If this is not properly attended to it may crack when the annealing 
begins, as brass is very brittle when hot, hence it is necessary that the 
work should be performed regularly and uniformly all around in each 
course. When by continued courses, first inside and then outside, the 
desired curve is obtained, the edges at the small ends of bell and pipe 
may be thinned and annealed and the pieces planished, leaving 



ART OF COPPERSMITHING. 257 

enough of the outer edge of the bell soft to cover the wire at the top 
end and to form the bead to receive the foot at the bottom. The plan- 
ishing is best performed on a saddle head, Fig. 410, if one is at hand ; 
if not a mandrel, Fig. 41 1, may be cast to suit the curve and slide on a 
bar fastened in the mandrel block or in a loop in the bench. When 
the planishing of the two bells and the straight piece is completed and 
all the edges are thinned, annealed and scraped or filed clean, cramp 
the straight part and bring the bell to it, as indicated in Fig. 412, and 
with a bolt and two pieces of stiff iron draw them together, passing 
the rod through them and puUing them together, as shown. Smooth 
down the cramps, and the work is ready for the fire.* 

* W hen the writer first began making these chimneys a number of failures resulted, partly 
from ignorance of the laws of expansion by heat, but mainly from the fear that if the irons and 
rod were taken off the joint would separate; but one day, by accident, the joints not bemg in 
line, the bolt was taken out to adjust them, when it was found to be quite a job to pull the 
joint apart ; so after the adjustment an attempt was made to braze the joint without the bolt 
to hold it together, with complete success. The work was much better than ever it had been 
done before. 



258 ART OF COPPERSMITHING. 



BRAZING THE JOINT. 

Now take the straight saddle forge, Fig, 413, place in position and 
make a clean fire in it ; jar some borax through the joint and 
charge it slowly all around on the inside, and sling it in an endless 
chain running over a pulley. Hook it to che chain overhead, holding 
the end with a suitable pair of tongs. Now heat it slowly ; then tack 
it by running the spelter in two opposite places, slowly making it hot 
enough to bring the borax down, then with a gentle fire run it around, 
one cramp at a time, always having command of the blast slide so as to 
stop it immediately if necessary. The lower bell may be braze^ on in 
the same way. When both joints are cleaned off and the parts plan- 
ished about them, it is then ready for polishing, which is usually done 
on a lathe. The foot, by reason of its size, is usually made in halves 
m order to economize the sheet. After the pattern is cut (which will 
be described further on), the seams made and the foot rounded up, an 
iron band or hoop. Fig. 414, about i inch wide and % inch thick is put 
on the level end, and the brass partly turned over in some six or seven 
places. This is to keep the foot in proper shape while working out 
the flow — which is done after the same fashion as the bell — in light 
courses with a mallet. The valve cover, Fig. 415, has no straight part. 
The two bells (?/ of Fig 416 are put together at the small ends; the 
top or upper end of the foot g of Fig. 416 and A of Fig. 417 being razed 
over enough so that the lower bell may be cramped in with ease and 
readily brazed on the narrow fire, being slung as in Fig. 418. After 
the joint is brazed and cleaned off and the planishing is completed, it 
is put in a lathe and polished. 



ART OF COPPERSMITHING. 



259 




Fig. 413. — Saddle Forge. 



26o 



ART OF COPPERSMITHING. 




^ 













s 



ART OF COPPERSMITHING. 



261 




Fig. 419. — Cover for Regulator Dome. 




Fig. 420. — Parts of Dome. 



262 ART OF COPPERSMITHING 



BRASS COVER FOR REGULATOR DOME. 

The cover for a regular dome, Fig. 419, is about 2 feet 3 inches in di- 
ameter and 3 feet high, made from brass of No. 12 wire gaug»in thick- 
ness. To mark out the curve which will fit the boiler when the sheet 
is turned round, as in Fig. 420, proceed as follows : Let a b oi Fig. 421 
equal the diameter of the boiler, and c d equal the diameter of the 
dome cover. With the radius <? ^ describe the circle c b d g, and 
divide the circle into sixteen equal parts; then on the line h i lay off 
a distance equal to the circumference of the circle c b d g and divide 
h /into sixteen equal parts. Draw the lines parallel with h k to in, 
then from the points i 2 3 4 of the circle a b draw the lines 11,22, 
3 3, and 4 4, parallel to h i. Through the points of intersection draw 
the curved line A ^/ /, which will fit the boiler when formed into a 
cylinder. Round up the edges and thin the ends; cramp them and 
double the sheet, being careful, as before directed, that all spring 
caused by doubling is taken out before going to the fire- then sling it; 
jar some borax through the joint, and with a reed, charge it, laying 
the spelter in a zigzag line, following the edge of the cramps, which 
should not exceed an inch in length. Now, be patient, and slowly 
heat the sheet, each side, on a clean fire, being careful that there is no 
lead, salt, or any foreign matter in it (the coke should be clean and 
about an inch square). When the borax is all down, with a gentle 
blast slowly run the joint down, and when cool, clean off and round up 
on a suitable mandrel. In working out the foot, as previously ob- 
served, the most pleasing curve is that of the ellipse, which may be 
made of any length desired. 

Having the pattern of the curve, which will be one-fourth of an 
ellipse, commence raz mg out the foot or flow by a light course with a 
ball faced mallet, represented by F in Fig. 422, using a thick wooden 
block E hollowed out to nearly fit the circle of the cylinder, and 
sloped off at one end, being rounded nearly to the curve it is desired 
the foot should be. The block is dogged to the bench G as shown. 
Let each course taken to raze the foot out be light and the blows reg- 
ular, annealing at the conclusion of each course. The top, or crown, 
of Fig. 420 may be worked with the foot in alternate spells as they 



ART OK COPPERS.MITHING. 



263 




264 



ART OF COPPERSMITHING. 




il I 




ART OF COPPERSMITHING. 265 

are cooling, and thus economize time. When the writer first began 
to make these covers the crown was made an exact half- sphere, but 
while in the act of drawing the outlines it was noticed much time 
could be saved by taking a wider sheet and tucking in the top end, 
making the crown smaller, which method was adopted, the work being 
much easier performed with less time spent at the fire. The difference 
is illustrated at C in Fig 419, where it is shown that two-sixths of the 
circle is taken for the crown and the other sixth left on the cylinder, 
which lessened the labor and made the work required much easier 
than when the crown was one-half a sphere. 

1 will now form the top or crown, first cutting the pattern and 
forming it, and then complete the job. Let age, Fig. 423, represent 
the crown for the dome-cover, which is equal to two-thirds of one-half 
of a hollow sphere whose diameter is the same as the cylindric 
part of the dome-cover. Draw the line g c from the edge of the hole 
g ; also draw the versed sine x dividing it at the center, through 
which draw the line b e. With the radius b e describe the arc e a o f 
and measure off on its circumference j-ix times the radius n c and, 
draw b /, then e a /will be the pattern for the segment of the 
hollow sphere a g c,ox the crown of the dome cover. Now make the 
ioint and braze it ; round up into shape and anneal, when it is ready 
ior the first course. Crimp the edge at the bottom and take it to the 
mandrel block, Fig. 424. With a mallet, on the head take in a course, 
beginning one-third the distance up the side ; then the same at the 
top, and anneal. The next course should be enough to bring in the 
edge at the bottom and also at the top; then take a course in the mid- 
dle from the inside, which should complete the curve. It may now 
be smoothed up true, after which the crown is ready to be put in. 
Before proceeding to do this, see that the edges are true across their 
diameter, then thin them with a paned hammer, after which anneal 
and clean either by scraping or filing. Cramp the base part, then 
open the outside cramps, bringing the crown to it, and with a cross- 
piece, or two pieces laid across each other, pass a rod through them 
and through the crown, upon which lay another short piece, the bolt 
passing through it also. Now screw it up tight, tapping the joint 
occasionally all around to assist the bolt in bringing the joint up 
close. Turn it with the foot up, and at four opposite places close 
down four cramps and drill four holes, patting in four small brass 



266 



ART OF COPPERSMITHING. 





ART OF COPPERSMITHING. 



>67 








268 ■ ART OF COPPERSMITHING 

rivets, enough to hold it while the joint is being closed down smooth — 
which may be done by a helper holding a head inside or by putting 
it on the head as in Fig. 425 and balancing it with a weight, as shown. 
When the joint is ready, take to the fire and sling it in an end- 
less chain with pulley wheel, Fig. 426, hooking it to the traveler over- 
head. Jar some liquid borax through the joint, and sprinkle some 
powdered borax outside ; then charge it with spelter all around, 
warming it gradually, and then. tack it in four places between the 
rivets. By this time it will be fairly hot. Go once more around 
slowly, and when at the place of starting begin to run the joint with 
a gentle fire, one cramp at a time. A little help is now necessary to 
attend to the blast and sprinkle borax on the joint as required. As a 
hand-hold to use while at the fire, two screw-clamps are fastened to 
the points of the foot, as shown. When the joint is run and has had 
time to cool, it may be cleaned if found to be perfect. The whole job 
is now trued to shape and planished ; first the body, as in Fig. 427, the 
mandrel curve being rather smaller than that of the dome cover ; 
and then the crown, as in Fig. 425. The cleaning and polishing can be 
done in a lathe. 



A 




1269] 



Fij^. 428. — Interior View of Coppersmith Sh 




Showing Pipe Coils and Brewery Fittings. 



ART OF COPPERSMITHING. 270 



HEAVY PIPES FOR BREWERY WORK. 

The earlier pages were principally devoted to a description of the 
working of light sheet copper in the manufacture of cooking utensils or 
small articles generally, and known better as the braziers' art This 
was followed by the work for the locomotive and marine engine, which, 
it will liave been seen, in the main comprises the making of copper 
pipes, large and small, bending and twisting them into any shape to 
suit the position desired or exigent circumstances, and is known as 
light coppersmithing. From this point an endeavor will be made to 
interest the reader with some examples of heavy work, such as he may 
occasionally encounter in his way (as has happened with the writer) 
while moving from shop to shop, either from choice or necessity. To 
keep as nearly in a progressive line as possible, the subject of pipes will 
be resumed and considered in their various forms in large and heavy 
work for application in breweries, sugar and still houses. 

In breweries the principal uses for pipes are for refrigerators and 
attemperators, and these consist of coils of pipe of various forms which 
are made to fit the coolers or fermenting vats for the purpose of raising 
or lowering the temperature of the liquor by the aid of a current of 
water or steam passing through the pipes. 

In Fig. 428 is presented a view of the interior of a shop engaged in 
this kind of work, which gives the reader a good idea of the conven- 
iences that are necessary to perform it successfully. The photograph 
from which the cut was made was kindly furnished by G. Hendry & Co. 
of London, England, especially for this work, with a view of giving the 
reader a more faithful illustration than can be done by a pen descrip- 
tion. The picture is so complete that it would seem to need no further 
explanation. 

In Fig. 429 is represented a cooler having a group of pipes made to 
fit it, and so arranged that the pipes may be raised or lowered in a con- 
venient way when necessary to do so for cleaning. This grouping of 
the pipes is perhaps among the oldest contrivances used for cooling 
purposes in the manufacture of beer. It consists of a number of pipes 
of equal length, grouped together with horseshoe bends to form a con- 



271 



ART OF COPPERSMITHING. 




Fii^. 429. — Cooler zoith Moval'lt Pipes. 





Fig. 430. — Horseshoe Bend. 



Fijj. 431. — Set of Pipes for Small Cooler. 



ART OF COPPERSMITHING. 



272 







273 



ART OF COPPERSMITHING. 



tinuous run of piping sufficient to fill up the space on the bottom of a 
cooler, as shown. The horseshoe bend is shown in Fig. 430, and is 
made of brass or gun metal. The pipes are separated from each other 
by boards called channel boards. The two end pipes are left open and 
are provided with hose unions for connection with the water supply, 
which is made to run along inside the pipes in the opposite direction to 
the wort in the cooler. Fig. 431 shows a set of pipes for a small cooler 
without the lifting appliance shown in Fig. 429. For large coolers two 
and three sets of pipes may be and often are connected together, each 
working independently of the other, but all bolted on the same frame 
by means of the lugs on the bend. By this arrangement smaller pipes 
can be used and the cooling surface increased, while the consumption 
of water is proportionately diminished. The pipes are usually soft 
soldered into the bends. The foregoing apparatus is designed and 
used for cooling purposes, but the conditions are sometimes changed, 
and similar pipes are used for warming, which are called attemperators, 
and others are used for boiling coils. In Fig. 432 is represented a boil- 
ing round— that is, a round vat or tub, supplied with a coil of copper 
pipe lying on the bottom, which is set with a gradual fall toward the 
I center so that the condensed steam or water is drained off through the 
bottom, the condensed steam keeping the live steam at the full press- 
ure, thus making the liquor boil quicker, and preventing a waste of 
steam, which must occur if it was allowed to blow off into the air. The 
steam is turned into the coil by a valve fastened to the side of the round, 
as shown at X, Fig. 432. Fig. 433 is the same in principle, but made to 
suit an oblong vessel. This vessel is called a back, on account of its 
shape, so that it may be easily distinguished from a round vat. Another 
form of liquor back is shown in Fig. 434. The set of pipes is furnished 
with either ball joints or gland and stuffing box, so that it can be raised 
or lowered at will for cleaning, or to get it out of the way when neces- 
sary to do so. It is therefore much better and more convenient than 
the kind with fixed coil. Vats and backs are also fitted with spiral coils, 
as shown in Fig. 435 and Fig. 436. When they are fitted with coils in 
this way they are used principally for fermentation, thus distributing 
the temperature evenly through the mass of liquor. 

Let us make one of these coils, and let the pipe of which it is made 
be 3 inches in diameter and the coil consist of four rings, Fig. 437, the 
outside ring being 6 feet in diameter from center to center, and the in- 



ART OF COPPERSMITHING. 274 

side ring 2 feet. The first thing is to find the length of the coil, which 
we do by marking out the coil in Fig. 437, as follows : Draw the line 
Z Y, making it 6 feet, and bisect it in V, and with V as center and V X 
as radius, equal to i foot, describe the semicircle X U W; then divide X Z 
and W Y into three equal spaces, X a, a b,bZ\ W c,c d,dY, and from V on 
V Z lay off V e, equal to one of the spaces X a, and divide V ^ at T; then 
from the point T as center, with T W as radius, describe the semicircle W 
S a, changing the centers V and T for each semicircle in succession until 
the coil is complete. Now, we have seven semicircles, the center one,, 
X U W, 2 feet in diameter, the next, W S a, 2^, the third, a K c, 3^^, 
the fourth, c Q b, ^ feet ; the fifth, b^ d, 42^, the sixth, d O Z, 5^, and 
the seventh, Z N Y, 6 feet. Now adding these all together and divid- 

u u 2 + 2^ + 3>4+4+42^ + 5i^+6 
ing by 2 we have ^~~ ^^ ^i— — ^^^ ^^ — = 14, or a cir- 
cle of 14 feet equal to coil ; and multiplying this by 3.1416 we get 
14 X 3.1416 = 43.9824, the length of the coil. Hence we want 44 feet 
of pipe (exclusive of that required to make the joints) to make the coiL 
The pipes may be made, fitted and bent and joined together with 
socket joints. 

Copper pipe used in the making of coils of various kinds has usually 
been made in lengths varying from 10 to 14 feel, therefore all coils of 
any considerable size must be made in sections and joined or brazed 
together. To do this brazi g in the most convenient and expeditious 
way It is necessary to provide a wheel and axle, as shown in Fig. 438, 
upon which the coil may be fastened with a strap, A, and held in posi- 
tion for manipulation as each section of pipe is added to the coil and 
the process of brazing together i:; being executed. The wheel and axle 
are fastened to a suitable post and over a pit, the axle being placed 
about 3 feet from the floor, so that the socket when level will be on a 
line with the center of the axle, and can easily be attended to when 
the coil exceeds 6 feet in diameter. The accompanying illustration. 
Fig, 438, sufficiently explains itself. 

The method given above for describing a flat coil is perhaps the 
simplest that can be used, for those who desire to make a coil nearer 
the truth, it is necessary to resort to what is called an eye — that is, a group 
of points situated in regular polygon form for centers, which may be- 
gin with a triangle, as in Fig. 439, or with any other number of points, 
as in Fig. 440. I will explain these two methods, and leave the learner 



'75 



ART OF COPPERSMITHING. 




Fig. ^^b.—Attemperator Suitable fo7- Fermenting 
Back. 




■P^g- 437- — Diagratn for Coil. 



ART OF COPPERSMITHING. 



276 




Fig. a,'^^.— Wheel and Axle for Brazing Pipe. 



277 



ART OF COPPERSMITHING. 




Pig_ ^y:^,— Laying Out Coil ivith Triangle for Center. 




pio a^o.— Laying Out Coil wit /i Hexagon for Center. 



ART OF COPPERSMITHING. 



278 



to pursue the further study of the subject as he may desire. In Fig. 

439, the eye of the coil which governs the distance between the rings is 
an equilateral triangle. Now let it be required to make a coil 6 inches 
apart from center to center of the rings, then we divide the 6 inches 
into three and erect a triangle, ABC, making the sides equal to 2 
inches ; then with B as center and B a as radius, describe the arc a d ; 
and with C as center and C i^ as radius, describe the arc d c, and with A 
as center and A^ as radius, describe the arc c d, and repeat the process 
until the size of the coil is reached. In Fig. 440 the eye of the coil is 
a hexagon. Now let the distance apart be the same as in the last ex- 
ample. Then 6 inches divided into six parts gives us i inch for one 
side of a polygon of six sides. Draw a hexagon, A B C D E F, Fig, 

440, and make the sides equal to i inch ; then from A as center and A b 
as radius, describe the arc b c, and with B as center and B c as radius, 
decribe the arc c d, and repeat the process around the polygon, taking 
each corner in succession, until the coil has been completed the required 
size. 

The length of these coils may be obtained in a similar way to that 
already given — that is, by adding together the diameters of all the 
circles which compose the coil and multiplying by 3.1416 and dividing 
the product by the number of points in the eye of the coil. 

Fig. 441 shows a portable coil a d the manner of using. The three 
supporting stays are iron, bolted together and provided with eye bolts 
for suspending rods by which the coil may be hung in a vat or tun at 
any hight desired. The ends of the coil are supplied with unions for 
connecting leather or rubber hose. These portable coils are quite 
handy, as they may be removed readily with pulley blocks out of a tun 
when not required. Portable coils may be made any other shape de- 
sired. 

It sometimes happens that it is better and more convenient to have 
the two ends of an attemperator — that is, the outlet and inlet — lying 
side by side or close together in preference to having one end cross the 
coil, as in Fig. 441. In this case we resort to another plan, which is 
shown in Fig. 442. When it happens that the workman does not pos- 
sess the skill necessary to perform the operation of brazing the sec- 
tional joints of the coil, flanges may be employed for joining the sec- 
tions together, as shown in Fig. 443, the flanges being made just wide 
enough to get bolts in, and of sufficient strength to make the joint se- 



279 



ART OF COPPKRSMITHING. 




Fi^. ^x.— Portable Coil. 



ART OF COPPERSMITHING. 



280 




Fig. it\i.—Coil 7uith Openings Together. 




Fig. 443. — Coil with Flatzged Joints. 



281 ART OF COPPERSMITHING. 

cure. It may sometimes be better to put them together in this way, so 
that any section may be taken out for repairing when necessary. 

To find the length of a spiral coil, as in Fig. 435, whose diameter is 6 
feet from center to center of pipe and having three rings, with a rise of 
I foot to each ring, it will be seen that as each ring rises i foot the 
length of pipe required for the three rings of the coil would be the 
hypotenuse of a right-angled triangle whose base is equal to the circum- 
ference of three flat rings as the base and the foot rise of each of the 
three rings of the coil as a perpendicular. Then the length of the coil is 

2/ " ];;]^;^ 

V (6 X 3.1416 X 3)'' +(1x3)* = 56.58, or 56 feet 7 inches nearly; 
therefore to make a spiral coil, as in Fig. 435, we require 56 feet 7 inches 
of pipe, which is made of convenient lengths and put together with 
socket joints as before directed. 



ART OF COPPERSMITHING. 2821 



BREWING COPPERS OR KETTLES. 

Large brewing coppers are made in several different ways ; the 
accompanying illustrations give three of the styles most in use, and 
will, I think, be sufficient for our purpose. 

Fig. 444 is an open copper with a light course ; that is, an addition 
to the copper proper, to enlarge its capacity and lessen the cost, the 
light course being made of lighter material than the copper proper, 
and yet of sufficient strength, as it is usually supported by brick work 
built around the course nearly or up to the brim. Let us build one of 
these large coppers with a light course, and let it hold, say, 50 barrels 
in each course ; that is, the copper proper to hold 50 and the light, 
course to hold 50 barrels also. The coppers may be made in any pro- 
portions to suit the place they are to occupy ; that is, they can be tall 
or squat, as the room can be spared, because the copper, in consequence 
of its bulk, together with the brick work necessary for the furnace,, 
takes up considerable room, and therefore is usually placed in some 
convenient position, as much out of the way as possible. 

In an early chapter it was shown that the usual proportion for a 
copper to hold 106 gallons is, top 38, bottom 33^^ and depth 28, so we 
will make our proposed 50-barrel kettle in the same proportion, and 
then add the light course to it. Now, all vessels of capacity are in the 
triplicate ratio ; that is, comprise length, breadth and thickness, or 
their capacity is found by multiplying these three dimensions together. 

Therefore we will take the diameter at the top as the basis by which 
to obtain the dimensions required for the sides and bottom. Then the 

top diameter of a 106-gallon kettle measures 38 inches, and -^ = 54,872. 

inches, and as a barrel (English) contains 36 gallons, therefore 50 bar- 
rels contain 1800 gallons, and 1800 -7- 106 = 16.981, or the number of 
times 106 gallons is contained in 50 barrels. We now multiply the cube 
of 38, or 54,872, by 16.981, the number of times 1800 gallons contain 106. 
gallons, which gives us 930,781.432, and then extracting the cube root of 
this last result we get 97.63, or the top diameter of a copper to hold 50. 
barrels, which, in practice, we should call 8 feet 2 inches. Here thea we 



283 



ART OF COPPERSMITHING. 




Fig. 444. — Open Copper, luith Light Course. 



ART OF COPPERSMITHING. 



284 




Fig. 445. — Sketch li/ustra/ing Shape of Coppers. 




Fig. ^AJo.-^Dia^rani Used in Calculating Patterns. 



285 ART OF COPPERSMITHING. 

have the first dimension of our proposed copper, 8 feet 2 inches. We 
will now proceed to obtain the other two dimensions by proportion, 
thus : Taking the dimensions of our io6-gallon vessel, as stated, top 
38, bottom ^^ 5, and depth 28 inches ; then 38 : 33.5 :: 97.63 : 86. Again, 
38 : 28 :: 97.63 : 71.938 From this, then, we find the three dimensions 
of a 50-barrel copper to be : Top, 97.63 ; bottom, 86.068, and depth, 
71.938, whi h we should call 8 feet 2 inches top, 7 feet 2 inches bottom 
and 6 feet deep. We must now have the pattern for the sides, which we 
will proceed to get. By referring to Fig. 445, it will be seen that a 
copper is a part of the middle zone of a circular spindle ; that is to say^ 
the body of which it is a part is generated by the revolution 
of the segment of a circle, and the versed sine of the segment is one- 
half the diameter of the copper at the brim. Without a knowledge of 
the properties of the circular spindle, we can at best only make a good 
guess at what the pattern should be. 

The illustration here given shows two coppers with their brims 
placed together, and then the outline of the spindle completed. This 
when carefully and intelligently performed gives the key for cutting 
the sides of all bellied vessels which are built up of a number of pieces, 
as in the case of large coppers. Then as stated : The depth of the 
copper is one-half the chord of the arc A B, and is 71.938 inches, and 
the versed sine of the arc A B is one-half the difference between the 

11.57 
diameter of the top and bottom, which is — ^ or 5.785. 



71-938 

T785+ 5-785 

= 450,176, the radius E I, Fig. 446, of the circle of which 

the curve of the spindle (that is, the sides of the coppers from top to 
bottom, or from A to B) E A B F is a part. The diameter G H at the 

center of the spindle is 97.63 ; then one-half G H, or — — = 48.815, or 
the versed sine G J of the arc E G F, Fig. 446, and 450.176 x 2 — 
48.815 = 851.538; then f/851.538 X 48.815 = 203.611, or E J, which is 

i/ =^=^^ 

one-half the length of the spindle, and V 851.538 x 48.815 + 48.815. 

= 209.586, or G F. 



ART OF COPPERSMITHING. * 







>s^- 




■p>. 




P 




1 

Co 


^ 


J^ 


^ 


S' 










s. 


a 


^ 


^_ 


vS, 


i 


s. 


^ 






:? 


;*- 


^ 


^ 




287 ART OF COPPERSMITHING. 



T^ r- TT r- ir .u ( ^ 851.538 X 48.815 + 48.815 

But G F = G K, therefore _? — ^ — — -i i_Z_z 5 = 144.91, or 

2 

K N, the radius of the circle M G K ; whence K M is 144.91 x 2, or 
289.82 ; that is, 24.15 feet is the radius of the curve at the brim edge of 
the pattern, and 289.82 — 71.93 = 217.89, or 18.157 feet, is the radius 

for the arc S T at the bottom edge. Again ; 97- 3 x 3-^4i _ ^11^^24, 

6 

or the versed sine of the arc of the circle of which curve the side edges 

must be cut before hollowing in the hollowing tub, Fig. 447, ready for 

placing in position for riveting — that is, when the sides are in three 



pieces. Then ^^^ + 51.1424= 812.78, or the diameter in inches of 

51.1424 

the circle of which the curve of the two edges are a part or must be cut 

before hollowing. 

Therefore . '■!- = 406.39, or 33.8658 feet, for the radius of the two 

2 

side edges of the pattern. Here, then, we have three pieces or sides in 
the small sketch, Fig. 446, 102.2383 from O to P, 71.93 from M' to R, 
and 90.059 from S to T, with a radius of 33.8658 feet for the curve of 
the side seam edges, and a radius of 24.15 feet for the curve at brim, 
and 18.157 the radius of the curve at the bottom. 

These dimensions are, of course, all bare — that is, nothing allowed 
for the seams or the brim, which must be left on to suit the rivets 
which are to be used in the side seams and the width of the brim 
required for the light c urse, a part of which would be taken from 
the depth, as the side would not reach the lag of the bottom by some 
2 or 3 inches, for which allowance must also be made VVe now come 
to the bottom. To-day they may be had already milled up in one 
piece of any size or strength up to 15 feet in diameter. But when 
I was a boy there was no machinery then in existence of such capac- 
ity ; hence it was necessary to make large bottoms by hand in four, five 
and sometimes more pieces. Figs. 448 and 449. But we will suppose 
that we have the b:ttom supplied to use in one piece, and let it be 7 
inches deep. Now, the first thing is to put the bottom in shape for 
planishing — that is, form the crown, as shown in Fig. 450, by hollowing 
in the hollowing tub. This hollowing tub. Fig. 447, as we call it, is a 



ART OF COPPERSMITHING. 



28S 




I^ig. 451. — Crowning Bottom in Hollowing Tub. 




Fig. 452. — Planiskifig Bottom, 



.'89 



ART OF COPPERSMITHING. 



'i \ 

i \ 




Fig. i\^2,.— Copper 071 Trestles, Ready for Working. 



ART OF COPPERSMI THING. 



590 




Fig. 454. — Side Ready for Riveting. 



291 ART OF COPPERSMITHING. 

wooden ring like a washtub without a bottom, made of oak staves about 
2)^ inches thick, about 2 feet high and from 3 to 4 feet in diameter, 
taper, and supported by three stout hoops, which are bolted to their 
places after the wood has shrunk sufficiently. The bottom is laid over 
the tub bottom side up, Fig. 45 1, and two men with large mauls or ham- 
mers sink the bottom in the tub, while another man guides the bottom 
on the tub with the iron dog D, shown in Fig. 452, When the bottom 
fits the template it is turned the right side up and the planishing is be- 
gun, which is done as shown in Fig. 452. A suitable large head is placed 
in a block and the bottom is then smeared all over on the outside with 
wet plumbago, also the surface of the block on which the bottom rests, 
so that the bottom will slide about with ease while the planishing is go- 
ing on. The inside is rubbed all over with either wet or dry Spanish 
brown, so that the blows may be plainly seen. When the planishing has 
been completed, the bottom is placed on two or more suitable trestles, 
Fig. 453, and after marking the holes the proper distance apart, the 
rivet holes are punched in the bottom with a punch placed in a chisel 
rod and the hammer b, while a man holds a bolster, a, on the outside 
(the bolster a explains itself). Then all three sides, which have been 
previously prepared — that is, bellied or hollowed and planished, Fig. 
454 — ari placed in position and secured with bolts. Then the head is 
taken out of the block and put into a sling, d, Fig. 453, and one man 
holds the head in position inside while two others, opposite each other 
outside, work in the rivets, first with long-handled cross-peined ham- 
mers, c, and finishing with hammer b. The light course is now prepared, 
the sides of which may be brazed or riveted together, as desired, when, 
after planishing, the holes are punched in the bottom edge, and then 
the course is set in its place on the copper brim and the rivet holes 
punched through the riveting edge into a small bolster and the rivets 
worked in with short-handle hand hammers. The pipe or outlet is next 
worked in and all finished up complete. 

The same methods which are here described may be used for build- 
ing a vessel of any number of pieces in the side or of any shape. In 
Fig. 455 is shown a large open copper, with a light course, completed 
ready for use, and about to be set in its future resting place. This 
vessel was built in 1891 by Messrs. Shears & Co. of Bank-side, Lon- 
don, and is said to be the largest copper ever built in England. It 
has a capacity of 36,000 English gallons. This large vessel was built 



ART OF COPPERSMITHING. 



292 




Fig. 455. — Large Open Copper with Light Course. 



293 ART OF COPPERSMITHING. 

for Ind, Coope & Co. The reader can get an excellent idea of its 
construction, as well as its immense size. The size of the rivets 
should be noticed, the proportion of the copper proper to the light 
course, and then the three iron bands placed around the light course to 
strengthen it ; also that the wall at the end of the building has been 
taken down to let it into its place. This is a very interesting and in- 
structive illustration for these engaged in this kind of work. 



ART OF COPPERSMITHING. 294 



DOME COPPERS. 



Dome coppers, as will be seen. Fig. 456, are made similar to open, 
ones, the dome being substituted for the light course. Let us suppose 
we have a copper ready for a dome, and it is required to make a dome 
and work it on to the copper. As I have said before, a dome may now 
be had in one piece, but were this not the case, then it must be made 
in pieces, and thesemust conform to the size of the sheets at hand. 
Now, let the size at the brim be as in the last example, namely : 97.63 
inches in diameter, and the brim or dome seat 35^ inches wide, with a 
riveting edge turned up 2 inches deep, and the dome a half sphere, made 
in four pieces. To obtain the pattern for this we proceed as follows : 
The diameter inside the turned-up dome seat or riveting edge A B, 

Fig. 457, will be 104.63 inches. Then — ll-^ = 52.31, and y 52.31 x 2- 

2 

= 73.98 or C B ; that is to say, it equals the side of the inscribed 

square of a circle, A B, whose diameter is 104.63 inches, or the diameter 

inside the riveting edge, represented by the circle D C A N B. Now, 

ZM? = 36.99, or one-half the chord C B of the arc C D B, or F B, and 
2 

one-half the diameter DE — FE = DF; that is to say, 52.31 — 

36.99 = 15.32, and FB+DF = D B, or 36.99 + 15.32 = 40 30 ; that 
is, it equals the chord D B of half the arc C D B ; but D G equals D B, 



» 2 / I \ 2 » 

and D B minus one half of D F ^that is, D H^ equals H G, or DG 



DH 



? ? ? » jIq 

= H G, which is 40.30 — 7.66 = 39.42. Then _— +DH = DN x 2 

s 

or ' , -f 7.66 = 209.25, or the diameter of a circle of which the 
7.66 

curve of each side of the pattern is a part. Now construct a triangle 

on K G (that is, on O P, Fig. 458, which equals K G), and with D 

N or 104.62 or ^°^'^5 (that is, the diameter of the dome seat) as radius 



295 



ART OF COPPERSMITHING. 





ART OF COPPERSMITHING. 



296 




Fig. 458. — Pattern for Quarter of Dome. 




Pig- A^9-—Iii'ustrated Lesson by an Orange. 



297 



ART OF COPPERSMITHING. 



describe the arcs about the triangle O P Q, as shown in Fig. 458. Then 
at one corner, O, of the pattern, with a radius, O R, equal to one-half the 
diameter of the crown pipe, mark out the hole for it, making the 
hole so that when complete it will be about 20 inches in diameter, 
which will then complete the pattern required of one of the four 
sections- of the dome. Now, having the pattern and the four pieces 
cut out by it, bend an iron template to the curve of a radius of 48.81 
inches, and take the sections to the hollowing tub and hollow them 
until they fit the template every way, after which planish them 
in a promiscuous way on a suitable head placed in a solid block. 
Then punch them and place them in position in the seat, remem- 
bering to have the crown pipe also in position before the last quarter of 
the dome is put finally into its place. Next bolt them together 
in succession. The manhole may be prepared and fixed to the last 
quarter before placing, or it may be worked on after, at the discretion 
of the workman or employer. Put three or four temporary rivets in 
each seam of the dome and in the seat at each seam, and one or two 
between. We are now ready to work in the rivets, which may be done 
in a similar manner to that described and illustrated for an open cop- 
per with a light course. 

I wish here to make a suggestion for the benefit of the boy who may 
have occasion to peruse these pages in the hope of finding the assist- 
ance he is in search of, because I think this is one of the most appro- 
priate places which has suggested itself, where we can take a practical 
lesson from nature. Fig. 459 is the picture of an orange with the rind 
peeled off from three-fourths of the upper half of it, one-fourth being 
left on to illustrate a part of our lesson. Lying apart from the orange 
are the three-fourths of the rind which have been taken off. One piece 
is lying with the concave or flesh side of the skin upward and one with 
the concave side down and one lying perfectly flat. Now let us care- 
fully consider these three pieces of rind in relation to the lesson under 
consideration. Let the upper half of the rind of this orange represent 
the dome of the copper in the next example, and let the dome be 
made in four pieces, as before. It will be readily seen that the four 
pieces of orange rind, after being removed from the orange, show fn 
miniature : i, the exact shape of the pattern ; 2, the exact shape it 
should be when hollowed and planished, and, 3, the position of the first 
piece when it is placed in the riveting edge on the copper brim. Now, 



ART OF COPPERSMITHING. 298 

if we conceive the edges for riveting to have been left on at two sides 
of the pattern, then the rivet holes of the seam would come down the 
line of division where the rind of the orange has been cut. With a 
little study this should be plainly understood. We will now proceed 
to find the shape and size of this pattern, as suggested to us by the 
orange rind. Let the diameter C M of a spherical dome or an orange, 
Fig. 457, be 88 inches in the present example. Describe the circle A 
C B M to some easy scale that would represent a large-sized orange, 
say ^ inch to a foot, and divide its circumference into four equal 
parts, A C, C B, B M and M A ; then the diameter of the circle C M 
is fl inch, or 5)^ inches. Now draw the diameters A B and C M, and 
join C B ; then the arc C D B represents the bend of either side of the 
section when hollowed to fit the surface of the orange. Draw D B, which 
represents the chord of half the arc C D B. Now divide D F in two 
equal parts at H, and through H draw K H G, parallel to C F B ; then 
with D B as radius and D as center describe the arcs B G and C K, cut- 
ting K H G in K and G ; then K G represents the true length of the 
side of a triangle, O P, Fig. 460 ; that is, from point to point, when the 
■ section is lying fiat the same as the orange rind in the picture, the line 
D B having remained the same as it was before the section was flat- 
tened and made a plane by being pressed down level. Here, then, we 
have the length K G of one side of a triangle lying within the pattern 
O P, Fig. 460, and we find by actual measurement that the line K G is 
full 4}4 inches, which, being multiplied by 16, is 66 inches (or more 
correctly, 66.1). Now bisect P Q in S, and through S draw O S and 
continue it to T, making S T equal to D H, Fig. 457, or one-half of D 
F ; and draw the lines, or chords, T P and T Q ; and bisect these chords 
perpendicularly with lines meeting in U. Then from the point of in- 
tersection of these lines at U, with the distance U Q, U T or U P 
(which is 5.5 inches, and this multiplied by 16 gives 88 ; the first, the 
diameter of the orange, and the second, that of the dome), describe the 
arcs O P, P Q, Q O. Now, with O R as radius, describe the arc W V 
for the crown pipe hole, and W P Q V is the pattern of one section of 
the dome, as before, but without riveting edge, which must be left on 
the two sides W P and Q, V. 

There are very many useful lessons that may be learned in a similar 
•way to that suggested here by the rind of an orange, if the student is 
apt and is of an inquiring turn of mind. 



!99 



ART OF COPPERSMITHING. 




Fig. ^60.— Second Method of Obtaining Pattern. 



ART OF COPPERSMITHING. 



DOME AND PAN COPPERS. 



300 



Dome and pan coppers are a combination of the other two coppers 
we have been treating of, combined in one apparatus, with some few 
additions, such as the valves at the top of the chimney and the two side 
pipes to convey the overflow into the pan should the liquor in the cop- 
per tend to boil over; also to convey the steam generated in the copper 
into the liquor which may have been placed in the pan to be heated. It 
will be seen that the pan bottom is made separate, and when formed 
ready the inner edge is fitted to the sides, with the edge of the dome 
crown (except when the dome is in one piece, when the pan would be 
worked on the dome, as shown in Fig. 461), and then all three are riv- 
eted secure, and the rivets scrubbed up so that the heads are all smooth 
and even with the inner side. The inlet pipes are made of a suitable 
size, as in N, and connected by flanges with the pan bottom and the 
side of the copper. At the upper end of the inlet pipes and on the in- 
side of the pan bottom is bolted a screw valve. Fig. 462, which is secured 
to its place by the same bolts that hold the pipe flange to the pan bot- 
tom. When the pan bottom and crown (if the dome is made in pieces) have 
been worked in the manhole H, Fig. 461, and the inlet pipes also com- 
pleted, then the sides of the pan may be put up into position and the 
rivets worked in. The screw valves are now applied with a rod and J- 
handle with which to open and close them, the rod being held in po- 
sition by a bracket, B, bolted to the side of the pan. Any good work- 
man who has made a large open or d jme copper should be competent, 
after studying the preceding pages and the accompanying illustrations, 
to build a dome and pan successfully. I shall therefore let the direc- 
tions given for the building of the other two styles suffice for that of a 
dome and pan, and thus avoid repetition as much as possible. 



30I 



ART OF COPPERSMITHING. 




Fiq. 461. — Dome and Pan Copper. 




Fig. 462.— Sereia Valve. 



ART OF COPPERSMITHIXG. 



TALLOW COPPERS. 

In Fig. 463 is shown a tallow copper. These vessels were made for 
and used by tallow chandlers, whose principal use for them at one time 
was in manufacturing tallow candles. Tallow coppers are an extra 
good job, because of the greater care necessary to make them sound — 
that is to say, perfectly tight and not liable to leak. These coppers 
were at one time in great demand, when all England burned candles 
much more so than now. But there is yet an occasional demand for 
one, because tallow is still used for many other purposes besides that of 
making candles, and the shape of this copper is better adapted for the 
use of rendering out tallow than any other, as the curve or spherical 
shape of the sides tends to throw the fat that boils up the sides toward 
the center, which partially accounts for its peculiar shape, as compared 
with coppers for some other purposes. This copper has a wide brim, so 
that any slopping or drainings may be conveyed back into the copper 

Note.— In this connection some piece work prices for coppersmitli's work paid iu London 
■will be of interest : 

Brewing coppers, 3)^ cents per pound for men ; one-half the price for boys. 

Tieches for planishing general, 2 cents for men ; one-half tbe price for boys. 

Four-inch worms, 4 cents per pound for man and boy. 

Retorts, 6 cents per pound for man and boy. 

Stills, 31^ cents per pound, metal as well. 

Middle pieces, 4 cents per pound for brazed seams. 

Tour-inch tee-pieces, $1 each for men ; 50 cents for boys. 

Three-inch tee-pieces, 75 cents each for men ; 37]4 cents for boys. 

Four-inch bend complete, 83 cents each for men ; 4I14 cents for boys. 

Three and one-half-inch bend complete, 64 cents each for men ; 33 cents for boys. 

Three-inch bend complete, 50 cents each for men, 25 cents for boys. 

Two-inch bend complete, 37>^ cents each for men ; 18 cents for boys. 

Worms, when two men work at them, 8 cents ; when a man and boy work at them, 6 cents. 

The time usually consumed putting up sides into bottom of a 300-barrel copper by two men 
inside and three outside, two and one-half days. Punching holes, in bout, three men inside and 
two outside, one and one-half days each. 

Setting-to 105 holes, two men one day, Setting-to 20 holes in seam and working in 20 No. 2 
nails, with one man inside and two outside, three hours. 

Working one seam of 20 nails, three men, one day. Working one bout of 15 nails, No. 1, 
three men, one day. 

Time consumed taking off old bottom from a dyer's copper and putting on new one, the 
new bottom weighing 140 pounds, 38 inches in diameter and 9 inches deep. Cutting out old 
bottom and annealing sides and planishing, ten hours. Planishing new bottom, seven hours. 
Putting up block, punching hales, bolting together and working in 40 No. 4 nails, nine hours. 
Scrubbing up new bottom, eight hours. Total time for job, three days four hours. 



303 



ART OF COPPERSMITHING. 




Fig. 463. — Broad-By-im Tallozi) Copper. 




Fig. 464. — Section through Broad-Brim Tallow Coppe 



ART OF COPPERSMITHING. 304 

by it. They are made sometimes with narrow brims, in which case the 
broad brim is substituted by one made of lead, covering the whole of 
the brick work on its top surface about the brim, and turning down 
over it on the inside of the copper from 2 to 3 inches, which, in some 
cases, is preferable, because, then, none of the tallow can penetrate the 
brick work from the top. 

Let us make one of these broad-brimmed tallow coppers, and let the 
sides be made from a sheet of, say, 35-pound plate, or about 1-16 inch 
in thickness, to hold 200 gallons, and let its sides be in three pieces and 
the bottom in one. It will be noticed that this vessel, Fig. 463, is 
spherical in form, the body being made up of the middle zone and the 
bottom segment, the other or top segment being absent to form the 
brim or copper mouth. Now, the first thing we must do is to find the 
size of a vessel of this shape that will hold 200 gallons, which we will 
now proceed to do as follows : It is well known that a spherical inch is 
represented by 0.5236, but the copper is a sphere with a segment cut off 
equal in hight to one quarter of the diameter of the sphere (see Fig. 464), 
and the value of this segment cut off is 0.08181 ; therefore, 0.5236 — 
0.08181 = 0.4417. Now, there are 277.274 inches in a gallon (English 
measure), therefore, 277.274 x 200 = 55,454.80 cubic inches, and 

55>454- — _ 125,548; when, extracting the cube root of 125,548, we get 50 
0.4417 

inches as the diameter A B of the middle zone of the copper when ready 

for the bottom. If Fig. 464 be drawn to a scale of i/i inch to a foot, it 

will be found that from C to B is 47 inches, from D to E is 25, from F 

to E is 4 inches, and from D to G 3 inches. Adding these last three 

dimensions together, we have 25 + 4 + 3 = 32 inches for the depth 

•of the sides before working, and the diameter C B 47 inches, when 47 

X 3,1416 = 147.6552, and 147.6552 divided by 3, the number of sides to 

be used, we have 49.2184, or 49^ inches. To this we add 2 inches to 

each piece for seams, when we get 51 3^ inches for the length of each 

side, including edges, and 32 inches deep, including brim and lap for the 

bottom seam. Now we find the size the disk should be for the bottom 

before hollowing, as follows : It was stated in a former chapter that the 

surface of a sphere is equal to its circumscribed cylinder, and therefore 

the surface of any segment of a sphere is equal to the diameter of the 

sphere multiplied by the hight of the segment, multiplied by 3.1416 ; or 

the surface of a sphere is equal to four disks whose diameter is equal to 



305 ART OF COPPERSMITHING. 

the diameter of the sphere. From which we get 50 x 12.5 x 4 = 25oor 
and extracting the square root we get 50 inchts for the diameter of the 
disk to form the bottom before hollowing, or ^ 50 x 12.5 x^- Now 
we have the sides and bottom, and require the broad brim, which is 
obtained as follows : The brim when completed with a ^-inch wire in 
the outer edge should measure 10 inches or thereabouts from E to K^ 
Fig. 464. Now the wiring edge at K will take i^ inches, and will 
reach and lap at N 2 inches, which will make the brim before working 
ioy2 inches wide. Then the diameter of the brim from K to M when 
complete before wiring is 66 inches, and forms a frustum of a cone, the 
slant hight of which is H M, or 34.5 ; that is, x y, Fig. 465. With the 
radius J' x from j as center describe the circle x w v u s, making the dis- 
tance around it from x to s equal to the circumference of a circle whose 
diameter is K M, or 66 inches. Now 66 x 3.1416 = 207.24 and 69 x 
3.1416 = 216.66 and 216.66 — 207.24 = 9.42, or 9)^ inches nearly ; that is 
to say, the segment s y x from s to x, which would be taken out, is equal 
to 9^ inches nearly. The brim maybe put on in any number of pieces. 
In this case let there be four ; then s u a b \s one section of the brim bare. 
Adding 2 inches on for riveting edge, the pattern is complete and will 
measure from u to d 56.16, and from a to c 38.09, and from c to d 10.5 
inches. Here we have all the patterns and will now begin to put them in 
shape : First, the bottom, by taking it to a hollowing tub, and with suit- 
able mauls sink it in the tub until it is hollowed enough ; that is, until it 
measures across it 46 inches. Then mark the rivet holes for about No. 
I or No. 2 wrought copper rivets, and space the holes so that the edges 
of the rivet heads are about }4 inch apart. The sides are next in order. 
These will be put together with No. 3 or No. 4 rivets, and the heads about 
ys inch apart and reaching to within }{ inch of the lap edge. When 
the sides have been punched bend them into shape and put in a few 
temporary rivets ; take a racer and divide the depth into three spaces 
and proceed to raze in both ends ; the bottom end right out to the end, 
the top end to within 4 inches, making the lower end fit into the bot- 
tom about 3^ inches, and drawing the top end out until it measures 45 
inches at 4 inches from the end, when the brim is thrown back for the 
additional wide brim. While the two ends are being worked in the 
sides are put on the tub at the end of each course, and hollowed out 
to complete the spherical curve of the body. Now we form the brim by 
putting the four pieces together and wiring the edges with a ^-inch 



ART OF COPPERSMITHING. 



306 




Fig. 465. — Patter 71 of Briy. 



307 ART OF COPPERSMITHING. 

iron ring. The workmen may now select which is more convenient to 
him, and first put on the brim or the bottom. If the brim is first put 
on, carefully scrub the rivets and make the surface smooth about the 
rivet heads, and work the seam edge carefully down close, then the 
same with the bottom. It is usual to rub the seam well with white lead 
and oil on the inside after the job is finished. 



ART OF COPPERSMITHING. 308 



DYERS' COPPERS. 



Dyers' coppers, as compared with some others, are not a difficult 
job, which will be readily seen by referring to Fig. 466. A dyers' cop- 
per is made with a cylindrical body and a segment of a sphere for a 
bottom. The sides are usually made in two pieces, and the bottom in 
one. These coppers may be made with a broad or narrow brim, similar 
to that of a tallow copper ; or they may be supplied with a lead apron 
to catch and convey the drip and slopping, which is always a contingent 
circumstance in the dyers' art. Let us make a dyers' copper to hold 150 
gallons American standard. Now, we have learned by experience that 
the easiest way to build this vessel is to make the bottom one-fourth 
the depth and the sides three-fourths, without the brim, although this, 
like all othtrs, may be made any style or shape to suit the taste or con- 
venience of the purchaser. But we will suppose the sides needed are 
three-fourths the depth and the bottom one-fourth. An American gal- 
lon equals 231 cubic inches, and 231 x 150 = 34,650, or the number of 
inches in 150 gallons, and we have 0.7854, which repressnts a cylindri- 
cal inch ; then '' ^^ x 3 = 0.58905, or % cylindrical inch. The value 

4 
of a segment of a sphere whose hight is one-fourth its diameter is 
0.08181, and adding this to the value of ^ cylindric inch we have 0.58905 
-f- 0.08181 = 0.67086, the value of the figure which represents a dyers* 
copper. Then 34,650 ^ 0.67086 = 51,649.964, and extracting the cube 

root of this last result we have 37.3 as the diameter or a/ ■^'^ ^° = 3.73 ; 

^ 0.67086 

that is to say 37^^ inches is the diameter of the sides, and ^^ x 3 = 

4 
27-975) or 28 inches is the depth nearly, without seams, and 

37-3 ^ 3-141 _ 28.5858, the length of one side. Add to each side say 
2 

2^ inches to the length for seams, and we have 58.5858 + 2.5 = 60.0858. 

which we should call in practice 60 inches. Now, we must add 3 inches 

for the brim, and we have 27.975 4- 3 = 30.975, or 31 inches nearly. Let 



309 



ART OF COPPERSMITHING. 




2 '^S 



7 






ART OF COPPERSMITHING. 



310 




311 ART OF COPPERSMITH ING. 

the sides be 60 inches long and 3.1 inches deep. The bottom is obtained 
as follows: I/37.3 x 12.325 x 4 = 42.88; that is to say, the diameter of 
the copper multiplied by one fourth the hight, together with 3 inches 
added for the bottom seam, multiplied by four, and the square root of 
this last result is 42^8 inches, or the diameter of the bottom before 
hollowing. 

We are now ready to hollow the bottom, mark and punch it, 
also to prepare the sides for putting together in the same way. In 
the building of this copper we may use cast or wrought rivets ; let 
us use cast. I should here state that the sizes of cast rivets are des- 
ignated the opposite way to that of wrought — that is, No. o is the 
largest size in wrought rivets, which run from o to 8, while 8 is the 
largest cast rivet, which run from 8 to o. Fig. 467 shows the shape and 
sizes of both wrought and cast. (We usually call the wrought ones 
nails to distinguish them from cast rivets.) Take the bottom and wrin- 
kle it regularly around the edge ; then sink it in the hollowing tub, 
and work out the wrinkles carefully until the diameter is the size re- 
quired ; smooth up and planish. Now work and punch the sides and 
bend them to shape, and put three temporary rivets into each seam ; 
then with a racer mark off the depth of the brim and run around 
it with a hammer, Fig. 468, to harden it at the turn, and then lay 
off the brim. Draw in the other end at the sides to fit the bottom, 
Fig. 469, and planish the sides on the horse as shown in Fig. 470, and 
work in the seam rivets. Scrub and finish the seam, making the surface 
of the seam inside smooth. Mark and punch the holes for the bottom 
seam, after which set the sides into the bottom evenly all round, and 
mark the holes in the bottom by the sides, and punch the bottom. Put 
the sides back in the same place, and put into the bottom seam a few 
temporary rivets. Now work them in all round the bottom seam, per- 
forming the work on the horse. When they are all in, scrub them up tight 
until the inside is smooth, after which head up the rivets outside and 
finish. 



ART OF COPPERSMITHING. 



TIECHES. 



Sugar tieches were made the same as a tallow copper, excepting 
that heavier material was used, and the brim usually made narrow, as 
shown in Fig. 471. They can now be made in one piece, but where this 
is not possible the same rules and directions given for tallow coppers 
may be used, and will be found as useful for tieches and all other ves- 
sels of this shape as for tallow coppers, due allowance always being 
made for seams, as suggested in the directions given. 




Fig. 471. — Sugar Tiech. 



313 



ART OF COPPERSMIIHING. 



STILLS. 



Copper stills are and have been in continual demand for many years 
and are likly to be, seeing that there are so many uses to which they 
may be put in the manufacture of the many commercial commodities 
which depend upon the process of distillation. Stills are made from 
looo to 5000 gallons capacity, according to the uses for which they are 
required. The largest, however, are used for the purpose of distilling 
spirits, such as gin, rum and brandy. These large stills will occupy our 
attention. In Fig. 472 is shown a squat or fire still with head and 
worm. This apparatus is usually made in three sections — that is to say. 
the still boiler, the head, and then the worm, which togett^er complete 
the still proper. But they are often supplemented with retorts of vari- 
ous designs, the most common of which is shown in Fig. 472. These 
retorts are used for rectifying purposes, and there are some times several 
interposed between the still and the worm, according to the degree of 
rectification required. As ail large stills are made nearly the same pat- 
tern, we will make one as an example or guide for ascertaining the di- 
mensions and pattern of those most in use and then consider their con- 
struction. Let our example be required to hold 500 gallons. It will be 
seen by reference to Fig. 472 that the outline or design of the body of 
the still boiler is that of an oblate spheroid — that is, down to 
the lag of the bottom, when the bottom is reversed or pressed up- 
ward to form the bottom crown, in the same way as that of a brewing 
copper. Here, in the case of a still, as in a brewing copper, the quan- 
tity displaced by the crown of the bottom is quite an item in the capac- 
ity and must, therefore, be taken into account, although it was ignored 
in the case of large brewing coppers. Our body, then (that is, the 
boiler), is to hold 500 English gallons. Now, we find the solid contents 
of a spheroid by multiplying the square of the revolving axis by the 
fixed axis and this product by 0.5236. Here, then, we have the key to 
the solution of the various problems involved in the sizes or dimen- 
sions we should make the still boiler, and we will proceed to find the 
diameter and hight of a still boiler to hold 500 gallons (English meas- 



ART OF COPPERSMITHING. 



314 




3^5 



ART OF COPPERSMITHING. 




s 





ART OF COPPERSMITHING. 



,l6 



ure), to be used as a rule to find any or all others. An English gallon 
contains 277. 274cubic inches, therefore 500 x 277.274=138,637. Again, 
in an oblate spheroid whose dimensions are fixed in the proportions 
shown in Fig. 473 — namely, two and a half diameters of the focal circles 
A and B as the measure of the transverse axis of the ellipse which forms 
the outline for or boundaries of the spheroid, and whose axis is C D, or 
is I — the value of its solidity is found by the rule given to be 0.29362. 
The spheroid, however, is made concave on the under side to form the lag 
and crown of the boiler bottom, therefore this value must be reduced by 
the value of the spherical segment E G F, Fig. 474, which vanishes, 
together with the segment E H F, which forms the bottom crown Now, 

EKx3+GKxGKx 0.5236 = 9.02758, the solid content of the seg- 

3 3 

ment H E F, and EKx3 + HKxHKx 0.5236 = 0.02128, the solid 
content of the segement E H F, or the segment which forms 
the crown of the boiler bottom ; then subtracting the value of these 
two segments from the whole spheroid we have 0.29362 — (0.02758 
+ 0.02128) = 0.24376, or the value of solid figures whose dimensions are 
similar to or like that of a still boiler. To proceed: The solid con 
tents of 500 English gallons is shown above to be 138,637 cubic inches ; 
then 138,637 -i- 0.24376 = 568,743.805 boiler inches, and extracting the 
cube root of this last result we have 82.85 inches as the diameter C D 
of a still boiler to hold 500 gallons. Now we want the depth, H N, 
Fig. 474, which we find by multiplying the transverse axis C D, or 82.85, 
the diameter of the boiler, by 0.3701; that is to say, C D by H N, or 
82.85 x 0.3701 = 30.6627. We thus have the diameter of the boiler, 
82.85, or 6 feet 9 inches, and the depth from the bottom crown to the 
head collar, 30.6627, or 2 feet 6^ inches. For the pattern proceed as 
follows: Through S F and T E, Fig. 474, draw the lines S P and T P, 
and with P F as radius describe the arc F M, and with P S as radius 
describe the arc S O, making the distance from F to S equal to 26.028; 
that is, 82.85 multiplied by one-fourth of the circumference of the focal 
circle. The length of each one of the sides from F to M may be any 
convenient length, according to the size of the sheet ; but for the sym- 
metry and beauty of the work the sides should be all alike ; that is to 
say, either three, or four, or any other suitable number, so long as they 



317 ART OF COPPERSMITHING. 

are all alike or can be got out of the sheets at hand without waste. 
Now take sides enough so that when they are put together they will 
measure 83 inches in diameter at the points C and D after the top and 
bottom have been tucked in to form the bulge or curves of the sides, 
and let the sides, when ready for the bottom, go into the raise of the 
bottom within about 2}^ inches of the bottom lag. The first section of 
the crown from S to B, Fig. 475, may be made in the same number of 
pieces as the sides if it cannot be supplied in one piece with the bottom, 
but the crown pieces are usually supplied. Having then the sides, bot- 
tom and crown, the workman may proceed to put them together in a 
similar manner to that described for the building of large brewing cop- 
pers. I should here say, it is sometimes better to cover the trestles 
with boards of a suitable thickness (if at hand), which will add firmness 
to the trestles and make the stage more complete. The illustration. 
Fig. 472, fully explains itself as to the construction of the still head and 
worm, while the processes or methods used to make them have been 
explained in a former chapter and need not be repeated. 



INDKX. 



Page. 

American Copper Mines 5 

Art of Light Coppersmithing 6 

An Old-fashioned Shop 7 

Ancient Frying Pan , . 44 

Attaching Outlets 200 

Apparatus for Brazing Brass 249 

Attemperator, Round, with Coil 272 

Attemperator for Fermenting Back 275 

Brazier's Art 6 

Bellied Saucepans 18 

Benches with Forming Bar in Position 25 

Bottom Ready to Put in Hand Bowl 38 

Boss for Outlet Pipe and Cock 32 

Burnisher, How to Use It 58 

Blanks Fastened Together for Raising 46 

Bossing Covers 6& 

Beer Mullers 71 

Break at Flange and How to Mend It 197 

Black Solder, Never Use It 231 

Block for Shaping Dame Foot 263 

Burring Pin 201 

Brazing Barrels on Handles 59 

Bullet Hammer 67 

Brazing Pans 104 

Boiler Hook and Rack 108 

Boat Coal Scoop 124 

Barge Pump 156 

Bending Block and Lever , 184 

Block and Stake for Working Bends 187 

Balloon Fire Pot 301 

Broken View of Expansion Joint . . 205 

Bent Expansion Joint 208 

Bend Making , 234 

Bringing Pipe Halves Together 235 

Bend Wired and Slung for Fire 335 

318 



319 INDEX. 

Brazing on Flanges 230 

Bends, S 228 

Bends, S. at Right Angles 228 

Bends in Position for Brazing 288 

Bends, Short. How to Make Them 232 

Brazing Sheet Brass 248 

Brass Valve Covers 254 

Brazing a Round Joint 258 

Brass Dome Covers 261 

Brazing in Dome Crown , 267 

Boiling Round and Coil 272 

Brewing Coppers . 282 

Copper and Its Uses 2 

Copper Mines 3 

Copper Stove Pipe 22 

Coal Scoop Handles 51 

Coffee Pot Handles 52 

Clamp for Tinning Tea Kettles 64 

Charger or Solder Spoon 64 

Cup for Bossing Covers 66 

Collar Set 66 

Creasing Hammer 73 

Covered MuUer .... 77 

Coffee Pots 83 

Coal Hod 123 

Coal Scoop, Plain 123 

Coal Scoops 124 

Coal Scoop Making 128 

Coppersmiths' Appliances 162 

Cutting Cramps 172 

Clamps to Hold Fire Pots in Position 179 

Cod and Its Uses 189 

Cross Pieces 213,214 

Chain Hook 236 

Copper with Light Course 283 

Crowning a Copper Bottom _ 288 

Copper in Position for Building 289 

Duck-Bill Tongs 39 

Die for Making Tea Kettle Rings 59 

Dimensions and Weight of Coppers 70 

Diagram of Bend 189 

Double Expansion Joint 206 

Double Bends 227 

Dogs for Securing Sheet 236 

Diagram for Calculating Curve of Side 284 



INDEX. 320 

Dimensions of Hand Bowls 35 

Dripping Pan and Ladle 118 

Describing Pattern for Bend 190 

Diagram for Flat Coil 275 

Dome Coppers 294 

Dome and Pan Coppers 300 

Dyers' Coppers 308 

Drawing in Bottom of Copper Sides 309 

East Side of Old Shop 10 

Ears for Coal Scoops 51 

Elevation of Still Boiler 315 

Expansion Joints 204 

Expansion Joint With Round Edges 206 

First Year's Experience 14 

Filing and Finishing Spouts 58 

Folding Edges on Bench 23 

Forming Body of Muller 73 

Forming Lips to Mullers = 75 

Funnels 80 

Forming Funnel Body 81 

Finishing a Square Lag 96 

Fish Kettles 102 

Fishplates 103 

Forming Breast of Tea Boilers 109 

Flat Bottom Coal Scoop... . . .». 123 

Florence Coal Scoop 124 

Forming Trough for Making Pipe 171 

Four Styles of Tee Pieces 209 

Four-Piece Copper Bottom 286 

Flange, Broken, How to Put It On 194 

Fire Pots 177, 179, 181,201 

Giue Pots, Making 61 

Glue Pot Cup 66 

Grommet for Bending 185 

Gauge for Marking 205 

Gusseting Tee Pieces 210 

Gusseting Britch-Piece 212 

Historical Sketch of Copper 1 

How Hammering is Arranged . . 24 

Hand Bowls, Making 35 

Hand Bowl, Finished 39 

How Wrinkles are Razed Down 44 

Hollowing Hammer 43 

Hand Swage , . . 49 

Handle for Large and Small Muller 77 



321 



INDEX. 



Head and Shank for Planishing 82 

Head for Working Roand Lag 96 

How to Raise Preserving Pans 117 

How to Prepare Patches 197 

How to Mend Fracture 194 

How to Sling Bends 225 

Hammers and Rack 239 

Hollow Spheres 241 

Hollowing Tub 286 

Heavy Pipes for Breweries 270 

Horseshoe Bend . 271 

Horse for Planishing Coppers 310 

Hammers, Planishing 149 

Hammers, Cross Peined 29 

Hammers, Riveting ... 35 

Hammers, Peining 85 

Hammers, Hollowing 43 

Hammers, Razing 36 

Hammers, Bullet 67 

Hammers, Creasing 73 

Hammers, Spring Planishing 134 

Hammer?, Spring Faced 73 

Hammers, Coffee Pot 96 

Hammers in Rack , . , 239 

Instructive Lesson with an Orange 296 

Interior View of Front End of Shop 164 

Interior View of Back End of Shop 166 

Interior Views of New Shop 167, 169 

Jigger Pumps 160 

Joining Pipes 173 

Joint for Warming Pan Cover 116 

Kettles (Tea), Handles 51 

Kettle Spouts 54 

Kettle, Top Seamed on 67 

Kettle, Oval Top Razed Down 67 

Kettle Rings or Cover Seats 59 

Kettles, Dimensions and Weight of Copper 70 

Kettles, Fish 103 

Kettles, Turbot 103 

Kettles, Brewing 282 

Light Coppersmithing 6 

Lipped Mullers 75 

Lipped Muller, Old Style 77 

Lipped Saucepans ' 89 

Ladle for Dripping Pan 119 



INDEX. 322 

Lift Pamp and Fittings 155 

Laying Out Coils 277 

Liquor Backs 272 

Laying Off Brim of Copper 309 

Measuring Tinning 19 

Making Air Pipes 234 

Making Beer Mullers 71 

Making Brass Dome Covers 262 

Making Brass Valve Covers 254 

Making Brazing Pans 104 

Making Brewing Coppers 31, 282 

Making Closet Pans 45 

Making Coal Hods 118,122 

Making Coal Scoopets 126 

Making Coal Scoops .• 128 

Making Coffee Pots 83 

Making Copper Pipe 171 

Making Copper Stove Pipe 22 

Making Cranes or Syphons 151 

Making Cross Pieces 213 

Making Dome and Pan Coppers 300 

Making Dome Coppers 294 

Making Double Bends 227 

Making Dripping Pans 117 

Making Dyers' Coppers 308 

Making Expansion Joints 204 

Making Fish Kettles 102 

Making Fish Plates 103 

Making Frying Pans 42 

Making Funnels 80 

Making Glue Pots 61 

Making Hand Bowls 35 

Making Hollow Spheres 241 

Making Large Bends 224 

Making Outlets 199 

Making Pumps 154 

Making Saucepans 87 

Making Short Bends 232 

Making Small Bends 187 

Making Socket Handles 38 

Making Stewpans 93 

Making Stills 316 

Making Stockpots 99 

Making Sugar Tieches 312 

Making Tallow Coppers 302 



323 INDEX. 

Making Tea Boilers 108 

Making Tea-Kettle Spouts 51 

Making Tea-Kettles 62 

Making Tee Pieces 209 

Making Templates 183 

Making Three- Way Pieces and Britch 211 

Making Warming Pans 113 

Making Water Balls 47 

Mountings for Copper Goods 50 

North Side of Old Shop 9 

Nautilus Scoop, Brazed and Wrinkled 143 

New Locomotive Coppersmith's Shop 167 

New Way of Making Bends 189 

Old Fashioned Whale Oil Lamp 15 

Old Style Muller 77 

Oval Tea Kettle, Seamed Top 67 

Oval Tea Kettle, Razed Down Top 67 

Oval Tea Kettle, Dimensions 70 

Oval Pudding Pot 89, 90 

Old Fashioned Stewpan 94 

Oil Pumps 159 

Outlets 199 

Piece Doubled for Mending Split 18 

Piece Put Inside 18 

Piece Put in Oatside 18 

Piece Riveted In 19 

Piece Cramped and Brazed In 19 

Pieces Dogged for Planishing > 23 

Planishing at Block 24 

Punching Holes in Sides 28 

Planishing Hammer 29 

Pipe Pattern 32 

Punching Holes in Bottom 30 

Pitching Spout Collars 58 

Position to Sit While Planishing 64 

Pattern for Air Pipe 237 

Pattern for Back of Tudor Scoop 138 

Pattern for Boat Scoop 146 

Pattern for Brazed Nautilas Body 143 

Pattern for Coal Scoop Bottom and Bridge . . 129 

Pattern for Coffee Pot Spout 85 

Pattern for Cross Piece 214 

Pattern for Dome Body 263 

Pattern for Dome Crown 264 

Pattern for Dome Quarter 296 



INDEX. 324 

Pattern for Dripping Pan 120 

Pattern for Expansion Joint 305 

Pattern for Flat Bottom Scoop 136 

Pattern for Foot and Back of Coal Scoop 131 

Pattern for Frying Pan 43 

Pattern for Funnel 81 

Pattern for Half Ball 49 

Pattern for Helmet Scoop 146 

Pattern for Made Bend 190 

Pattern for MuUer 73 

Pattern for Nautilus Bridge 143 

Pattern for Nautilus Scoop 138 

Pattern for Old Style Muller 77 

Pattern for Royal Scoop 145 

Pattern for Socket Handle 38 

Pattern for Still Boiler 315 

Pattern for Tallow Copper Brim 306 

Pattern for Tea-Kettle Spout 54 

Pattern for Tee Piece in One Piece 310 

Pattern for Warming Pan Body 114 

Peinirg Hammer 85 

Pitcher Cover for Muller 75 

Putting in Muller Bottom 81 

Pudding Pot and Cover 88 

Patent Wrinkler for Raising 114 

Preserving Pans, How to Raise Them 117 

Planishing and Smoothing 148 

Planishing Hammers 149 

Photographs of London and South Western Shop in London 167, 169 

Planishing Bends 189, 327 

Photographic Views of Maudsley, Sons & Field's Coppersmith Shop 330, 321 

Portable Fire Pot and Its Uses 326 

Planishing Pipe f. .- . . . 237 

Patching Pipes 196 

Photographic View of Henry & Co.'s Shop, London, England 369 

Planishing Copper Bottom. 388 

Preparing Brim of Dyers' Copper 809 

Racer or Marking G-auge ^ 305 

Repairing and Tinning 17 

Riveting Together Sides of Copper 38, 389 

Raising Hammer : 36 

Riveting Hammer .... 36 

Razing Down Wrinkles 44 

Raising Frying Pans on Shank 43 

Raising Water Balls 49 



325 INDEX. 

Razing Down Tea Kettle Tops 62- 

Razing Down Padding Pot Bodies 88- 

Raising Up Warming Pan Bodies 114 

Raising Preserving Pans 117 

Raising Back and Bridge of Scoop 140 

Razing Down Half of Cross Piece 218 

Raising Hollow Spheres 244 

Razing Out Bell Tops for Valve Covers and Chiinne5's 256 

Razing Out Valve Cover Foot 258 

Razing Out Dome Cover Foot 264 

Rivet Card Complete 309 

Rope G-rommet for Bending 185 

Smelting Copper 4 

South Side of Old Shop 10 

Stew Pans, Repairing 18 

Shell Pieces, Making of 19 

Sal Ammoniac Wad 19 

Shell Piece Riveted In 20 

Shell Piece Brazed In 20 

Sides of Copper Formed 28 

Sides Punched 28 

Spotting Coppers 29 

Scrubbing Rivets 29^ 

Showing Bottom of Brewing Copper 32 

Side Stake 86 

Side of Hand Bowl 36 

Sides of Bowl Working to Shape 37 

Socket Ready for Flap 39 

Stock Pot Handle 51 

Spout Tools 55 

Solid Copper Tea Kettle Ring 6 ) 

Spout Filling and Bending 55 

Saucepan Handles 56 

Spout Bending Old Way 57 

Spout Bending New Way 57 

Showing Kettle Cover in Seat of Ring 66 

Spring Faced Planishing Hammer 73 

Spirit Measure 82 

Spout and Pattern 85 

Saucepan and Cover 88 

Ste wpans 93 

Stewpan Handles 94 

Stockpots, Way to Q-et Sizes 99 

Stockpot, Showing Strainer 100 

Separate Parts of Tea Boilers Ill 



INDEX. 326 

Section of Brazing Pan Cover 105 

Socket Handle for Warming Pan 116 

Spring Planishing Hammer 138 

Syphons 151 

Spring Dog 236 

Screw Dog 336 

Spring Face Detached from Hammer 73 

Soldering Reed 155 

Swaging and Smoothing Pipe 159 

Single and Double Jiggers 160- 

Standards for Holdiag Pipe 172 

Soft Soldering Joints 180 

Seaming in Throat and Back 189 

Single and Double Template Board 191 

Shaping Expansion Joints 206 

Saddle Forges 218, 259 

Showing First Form of Half Ball 244 

Solder, Black 231 

Solder for Brass and How to Make It 248 

Screw Valve for Dome and Pan Copper 302 

Sectional View of Tallow Copper 304 

Side of Copper Ready for Riveting 290 

Still with Head and Worm Complete 315^ 

Slinging Bends for Brazing ... 225 

Tm Not to be Used in Brass Solder 231 

Tea Kettle Handles 51 

Truing Up Sides of Copper 28 

Table of Dimensions and Capacity 33 

Tinning Kitchen Utensils 20 

Tinning Stewpan Rims Outside ..... 98 

Trough and Bar for Turning Pipe 155 

Tanners' Pump 156 

Taking Templates 183 

Tee Pieces 209 

Three Way Pieces 211 

Three-Section Fire Pot 229 

Thousand Barrel Copper 292 

Trestle and Mandrel 237 

Tools for Raising Half Balls 244 

Tallow Coppers , 302 

Time Consumed in Repairing Some Copper Jobs 302^ 

Tieches 312 

Uses of Copper 2 

Valve Chimneys 253 

Valve Covers 260 



327 INDEX. 

Valve Cover in^Parts 260 

Valve Cover Slung at Fire 260 

Washing Coppers 26 

Way to Fit in Pipe and Cock 32 

Way to Put Flaps^on Handles 38 

Way to Hold Socket at Fire 39 

Water Balls 47 

Wisp Used for Tinning «4 

Working Throat of Tea]Kettle Spout 54 

Wiring Funnels 82 

Working Cover of Brazing Pan 105 

Well of Dripping Pan 119 

Wooden Former , 134 

Working Up Back and Bridge of Scoop 140 

Way to Prepare Patches 197 

Wiring Bend for Brazing 225 

Wheel and Axle for Brazing Coils 276 

Working Out Dome Foot 264 

Working Up Dome Crown 265 

Working in Rivets 302, 311 



H 214 79 



